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Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste

Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste

The Sutra of the Buddha's Testament, also known as the Sutra of the Teachings of the Buddha, also known as the Sutra of the Teachings of the Buddha's Nirvana, a volume, translated by Yao Qin Kumarosh, is the crystallization of the wisdom of Buddha Shakyamuni's lifelong cultivation and enlightenment, the earnest teachings of the Buddha to his disciples before he entered the nirvana, and the cause of attainment that the Buddha left to all those who want to leave suffering and happiness.

This sutra was highly respected by monks and even emperors of all generations, and Tang Taizong and Song Zhenzong wrote a preface for it. The Treatise on the Testament of the Teachings of the Bodhisattvas expounded them from seven aspects and had a profound impact on the religious circles. There is no shortage of people in the ancient Dade Dynasty of the Han Dynasty, Ming Dynasty? Master Lotus Yizhixu's "Interpretation of the Buddhist Relics" is worth recommending. The calligrapher Wang Xizhi, the Tang calligrapher Sun Guoting, and the Southern Song Dynasty calligrapher Zhang Jizhi wrote the "Buddhist Relics Sutra", which is the crown of ancient and modern times, leading the way, respected and cherished by intellectuals of all generations, and has been watched and copied by countless calligraphy enthusiasts.

Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste
Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste

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Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste

⊙ Wang Xizhi wrote 28 words, and Qianlong stamped 172 chapters!

⊙ the true work of Wang Xi appeared in Liaoning, and once this work came out, it caused a sensation in the calligraphy world

⊙ the United States found the true handwriting of Wang Xizhi, and the words were amazing!

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Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste

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This paragraph is not related to this article and should be ignored. This paragraph is not related to this article and should be ignored. When moving to the living room, there is, when moving into the sun room, relaxing music, burning incense and tasting tea, talking about the world; melon fruit with wine, rambling poetry books. In the words of a writer friend, "picking out the lamp and looking at the flowers while drunk" is an interesting thing: waiting for the shy beauty to show its beauty little by little in the midst of thousands of calls. When it is not open, the purple flower buds are like small family jasper; when it is open, it has an aura that other flowers can't reach, white petals, a little stretch outward, like a beauty stretching out, although tender like water, but its open appearance, extremely wild, closed posture is also strong and abnormal, like hanging upside down golden bell, do not reduce posture. Zong Biao and Wang Han and his wife, the text sings and harmonizes, each leading a thousand autumns. For three consecutive years, they insisted on three or five hours at a time, observing meticulously and sharing with us the good times of ephemeral opening. "Jiangnan Grass and Wood Chronicles. Ephemeral", about this pleasure. Photographer Ye Xiaoguang, a picture album for the short-lived flowers; Lu Xiake and Taiyue students, poetry singing and singing: small summer typhoon to send cool, peace of mind and contemplation gradually blossoming, Miaoman multi-colored. People go to idle places, you and me, him.

Viewing ephemeral flowers can make people clear and quiet. If the earth is compared to the universe, the earth is just "a grain of sand in the Pacific Ocean." Although the ephemeral flower refers to fanghua and is vigorous, it is also a moment of beauty, an instant of eternity! As for people, in the hundred years, it is only more than 36,500 days, and in the long river of history, it is not easy to have snow claws and hongni. There is an interesting couplet that says: If you don't stick to it and eventually suffer, each can hold it and become famous. Horizontal batch: Skimming life. If you can't get out, you can't be bitter, and if you can hold it, it's a name, and a stroke is a herringbone. What is life like? I appreciate ephemerals. There is a famous sentence in the "A Brief History of Mankind": "The slogan of the new century, happiness comes from the heart."

Honey is long,

Every year, when the flowers are in full bloom, I invite friends to come to my house to enjoy them. Flower viewing is only for flower readers. Sometimes in the open air, sometimes in the living room, sometimes in the sun room, relaxing music, burning incense and tasting tea, talking about the world; melon and fruit with wine, long poems and books. In the words of a writer friend, "picking out the lamp and looking at the flowers while drunk" is an interesting thing: waiting for the shy beauty to show its beauty little by little in the midst of thousands of calls. When it is not open, the purple flower buds are like small family jasper; when it is open, it has an aura that other flowers can't reach, white petals, a little stretch outward, like a beauty stretching out, although tender like water, but its open appearance, extremely wild, closed posture is also strong and abnormal, like hanging upside down golden bell, do not reduce posture. Zong Biao and Wang Han and his wife, the text sings and harmonizes, each leading a thousand autumns. For three consecutive years, they insisted on three or five hours at a time, observing meticulously and sharing with us the good times of ephemeral opening. "Jiangnan Grass and Wood Chronicles. Ephemeral", about this pleasure. Photographer Ye Xiaoguang, a picture album for the short-lived flowers; Lu Xiake and Taiyue students, poetry singing and singing: small summer typhoon to send cool, peace of mind and contemplation gradually blossoming, Miaoman multi-colored. People go to idle places, you and me, him.

See that the five aggregates are empty, and overcome all suffering. The relic, the color is not different from the void, the emptiness is not different from the color, the color is the emptiness, the emptiness is the color, the desire to act, the same is true. The relics are the void phases of the dharmas, which are neither born nor destroyed, neither dirty nor pure, neither increasing nor decreasing. Therefore, there is no color in the air, no thoughts and deeds, no eyes, ears, nose, tongue, and body, no color, sound, fragrance, touch, no vision, even the unconscious world, no ignorance, no ignorance, and even no old death, and no old death. There is no suffering and no extinction, and there is no wisdom and no gain. For the sake of nothing. Bodhidharma, according to Prajnaparamita, has no hindrance to the mind. No obstacles, no terror, no upside-down dreams, nirvana. The three Buddhas, according to Prajnaparamita, attained the three bodhisattvas of Ajanta. Therefore, it is known that Prajnaparamita is the great god mantra, the great ming mantra, the supreme mantra, the no-wait mantra, which can remove all suffering and is true. Therefore, to say the Prajnaparamita mantra is to say the mantra: revealing the truth, revealing the truth, revealing the truth, revealing the truth, bodhidharma. When contemplating oneself as a bodhisattva and practicing deep Prajnaparamita, one sees that the five aggregates are empty and overcomes all suffering. The relic, the color is not different from the void, the emptiness is not different from the color, the color is the emptiness, the emptiness is the color, the desire to act, the same is true. The relics are the void phases of the dharmas, which are neither born nor destroyed, neither dirty nor pure, neither increasing nor decreasing

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Wang Xizhi's Xiaokai's "Buddhist Relics Teaching Sutra" is subtle in addition to taste

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