It is said that the style of culture does not separate families, and this is also very applicable in today's entertainment industry.
The "cold winter" season of entertainment year after year has spawned a situation in which today's singers gather to act and cross-talk actors gather for variety shows.
The general environment situation is grim, and it is not too much for people from all walks of life to find ways to survive. Compared with the time before Xiao Yueyue was scolded for frequent variety shows and neglected his duties, there were not a few people who showed their faces among his division brothers.
In any case, Guo Degang has successfully built a bridge between crosstalk and the audience, and the development trend is bright.
Some people will say that if the unruly old Guo had not been accepted as an apprentice by Mr. Hou Yaowen, the son of the tycoon of the cross-talk industry, how could he have come out today.
Art is originally a matter of common appreciation, but things do have to start with this unusual master Hou Yaowen...
<h1 class="pgc-h-arrow-right" data-track="3" > the most acting cross-talk master</h1>
Strictly speaking, Hou Yaowen is also a famous star second generation in the industry.
His father, Hou Baolin, was a well-known cross-talk master in China. Children who have been strongly influenced in the world of music and art since childhood will naturally have a strong interest in cross-talk.
Compared with his brother who loves acting more, Hou Yaowen can be said to have embarked on a path of conformity, and premature hard work gave birth to this second-generation cross-talk descendant who began to perform on stage at the age of eleven or twelve.
Although art pays attention to talent, it is more in the tong zi gong, practicing traditional culture to the point of pure fire in repeated life.
Following in his father's footsteps, Hou Yaowen, who graduated from junior high school in 1965, was admitted to the China Railway Literary and Labor Troupe and officially began his cross-talk performance career.
In the era when the form of entertainment was relatively single, there were not a few cross-talk actors who became famous through diligent training, but only Hou Yaowen could afford a "like" word.
In addition to the characteristics of vivid humor, which are popular among the public, his performances are unique, and he can even mix Peking Opera and local opera into his own works to impress the audience with his divine skills.
The reason why he is known as inheriting the mantle of his father's cross-talk is that Hou Yaowen has participated in the CCTV Spring Festival Gala 11 times in his artistic career.
This alone is already a no-brainer, and as for the various awards that have been won in the music and art world, no one has been able to surpass it so far.
The so-called "virtue and art double Xin" artist, Mr. Hou deserves it.
<h1 class="pgc-h-arrow-right" data-track="11" > crosstalk cannot collapse</h1>
It can be seen that Guo Degang, who was "not in the flow" at that time, was able to worship under Hou Yaowen's door, which was a sensational event.
It can be said that the "Deyun Society" has today, thanks to Hou Yaowen's insight and generosity. At the National Cross-Talk Competition, Hou Yaowen, who was a judge at the time, met Guo Degang for the first time and immediately thought that this fat man was a cross-talk talent.
In fact, no matter what era, the people who want to enter the cross-talk industry are also crowded, but there are not many people who can really emerge.
At that time, it was also the period when Old Guo was painstakingly supporting the Deyun Society, and the rules of this line were greater than the sky, and Guo Degang, who had no door and no party, was in a difficult situation no matter how capable he was.
Hou Yaowen's cherished talent, after incurring the insult of late festival for himself, also gave Guo Degang vitality, and after having the status of the vice chairman of the Qu Artists Association as an apprentice, the situation of the Deyun Society improved day by day, and began to have the opportunity to be on television.
This is the best and rarest stage for cross-talk actors. It is said that Hou Yaowen also took out his savings to fund Lao Guo, persuading this fat man who was not optimistic in the industry to continue to carry forward this art.
After the death of his mentor, Lao Guo, who is still grateful for his help, could not help but burst into tears every time he recalled it, and he deeply understood Hou Yaowen's words "can't let crosstalk collapse in our hands".
<h1 class="pgc-h-arrow-right" data-track="15" > unknown emotional experience</h1>
During the work of the cultural and labor troupe, Hou Yaowen had a marriage experience with his colleague Liu Yan, and after the breakup, his daughter Hou Zhan was sentenced to be raised by his mother.
In the past, celebrities were people who lived on the clouds, and their private lives were not concerned by the public. To talk about the twists and turns that Hou Yaowen encountered in his life, it is in the second emotional experience.
At that time, cross-talk actors also had many opportunities to shoot film and television dramas, and Hou Yaowen met his second wife Yuan Yin in the "Special Police" crew.
I think that this was also a shocking and unworldly love affair, the woman was twenty years younger than Hou Yaowen, but the two were particularly committed in their careers, and the master of cross-talk once admitted that he had many works with his wife participating in the creation.
Wanwan did not expect that this marriage, despite his family's opposition, still failed to reach the end, and Hou Yaowen, who was intoxicated with the art of cross-talk, performed everywhere and had no time to take care of his family.
Another actor, Dai Zhicheng, who is considered Hou Yaowen's "nephew" by generation in the cross-talk industry, pried away Hou Yaowen's wife during this period.
Not to mention the cross-talk community, the fact that both derailments are also unethical in society.
Hou Yaowen generously protected his wife in front of the media, but the matter in the music and art circles has become a tacit secret.
It has been 14 years since the master's death, and Dai Zhicheng and Yuan Yin have been "hand in hand" for 17 years.
There is no right or wrong in love, but the feelings that come from hurting others are a bit difficult to say. Although the parties did not admit to the matter, the "uncles and nephews" who should have supported each other have not performed on the same stage since then.
As a human being, some bottom lines must be adhered to to the end. I believe that Mr. Hou in heaven should be comforted to see the prosperity of the cross-talk industry today. In the pure art world, there will always be a world of his side!