laitimes

Red Story debuted in the "Douyin New Year Performance Season" review drama "Revolutionary Family" network hit popularity

author:Jinyun New Media
Red Story debuted in the "Douyin New Year Performance Season" review drama "Revolutionary Family" network hit popularity

  The reporter learned that the commentary drama "Revolutionary Family" launched by our city was recently broadcast on the network platform and was widely popular.

  The commentary drama "Revolutionary Family" was created by the Propaganda Department of the Municipal Party Committee and the Northern Performing Arts Group, and created by the Tianjin Commentary Theater. The drama is based on the oral autobiography "My Family" by "Revolutionary Mother" Tao Cheng, with the producer and lead actor Zeng Zhaojuan, the literary director Sheng Heyu, the screenwriter Xu Xinhua, and the director Zhang Manjun.

  Not long ago, the National Arts Fund launched the "Douyin New Year Performance Season" activity on the Douyin platform. "Revolutionary Family" participated in the event as a play selected for the National Endowment for the Arts. According to reports, the highest number of viewers on the day of the broadcast was nearly 1.3 million. Previously, the campus condensed version of the play was also broadcast online through the "Tianjin School Opera Aesthetic Education Conference", and more than 800,000 students in 16 districts, 1,095 schools and 20,588 teaching classes in the city used after-school service time to watch in the classroom through online live broadcast. The vivid plot and performances and easy-to-understand lyrics drove the students' emotions, and everyone felt the hardships of that era through the art of opera and experienced the faith of revolutionary heroes.

  Zeng Zhaojuan said that learning from the ancients is not muddy, breaking the law is not contradictory, and injecting the value of beauty into the art of beauty, which is the mission and responsibility of our generation of opera people. "Revolutionary Family" from the composition of the script to repeated revisions, and then to the rehearsal hall and the grinding on the stage again and again, are the Tianjin critics' adherence to the original intention, and we will continue to strive to make "Revolutionary Family" a red classic, a drama peak work, and a representative work of Tianjin.

Read on