Revolutionary Family conveys the power of faith

Original title: Carefully polished and then unveiled Stage style plain and freehand (introduction)

"Revolutionary Family" conveys the power of faith (pictured) (theme)

Tianjin Daily News (reporter Liu Lili photography Yao Wensheng) Yesterday, the commentary drama "Revolutionary Family", which was created by the Propaganda Department of the Municipal Party Committee and the Northern Performing Arts Group and created by the Tianjin Commentary Theater, was performed twice at the Tianjin Grand Theatre. The whole drama is full of strong revolutionary righteousness and conveys the power of faith.

The commentary drama "Revolutionary Family" is based on the oral autobiography "My Family" by "Revolutionary Mother" Tao Cheng, with the producer and lead actor Zeng Zhaojuan, the literary director Sheng Heyu, the screenwriter Xu Xinhua, the director Zhang Manjun, the powerful actors of the Tianjin Critics Theater and the students of the theater students.

At the beginning of this year, the play was successfully premiered in Tianjin, and was selected for the exhibition of outstanding stage art works celebrating the 100th anniversary of the founding of the Communist Party of China jointly organized by the Central Propaganda Department, the Ministry of Culture and Tourism, and the China Federation of Literary and Art Circles, and entered Beijing in June this year to present a gift to the centenary of the founding of the Party. Later, he performed many performances in Tianjin, which not only brought artistic enjoyment to the audience, but also carried out vivid party history study and education in the form of opera.

The play was polished while performing, and actively listened to suggestions from experts and scholars, and yesterday's performance was also unveiled with a new look. The story unfolds with the memories of the heroine Fang Cheng in the play, Fang Cheng and Jiang Mei fresh wedding night, the husband's firm sentence "You are not Jiang Fang's family, you are Fang Cheng" touched the village girl, so that her ideological emancipation and revolutionary ideals originated in the middle of each other. After Jiang Meiqing was brutally killed, Fang Cheng's wife Chengfu Zhi, with grief, took his children to find the organization, looking for the eldest son Jiang Li'an, who had joined the revolution. The family contributed to the revolution on different fronts, especially Fang Cheng, gradually accepted the revolutionary ideals and gradually grew into a strong-willed revolutionary. In the face of the enemy's coercion, in order to keep the party's secrets, Fang Cheng's mother and son, who had recently reunited, resolutely chose the difference between life and death...

The story of the ups and downs in the play also shows the value pursuit carried by this family, showing a realm of life with faith. At the end of the whole play, Fang Cheng's thoughts once again returned to the day of the liberation of Shanghai in 1949, when she looked at the only family portrait photo again, it also made people sigh the hardships of the struggle process, the greatness of the spirit of the revolutionary ancestors, and even more lament the hard-won good life of the present.

The whole play has a plain and freehand style in stage presentation, with a smooth structure and a bright rhythm. The scenes in the play are equally emphasized, and the stage setting and multimedia technology bring visual impact. Lead actor Zeng Zhaojuan with her superb artistic skills, vocal emotions and emotions to interpret a wife, mother, revolutionary who endured humiliation and burden, emotional singing to touch people's hearts, especially at the climax of the play, singing like a cry, very infectious.

It is reported that the play will be performed again today.