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The | of the wonderful product has its own taste: how to choose between the post, the engraved version and the written book?

Calligraphy Course

See pen and ink | Reach the heart

You can't go a long way without this king

The cultural core | Chinese calligraphy | The highest art

Wonderful product | Each has its own taste: how to choose between the post, the engraved version and the written book?

In the Yuan Dynasty, Zhao Mengfu Xingkai 'Liu Bei Shen Wang Shi Ti' engraving. Zhao Mengfu has a lot of inkblots, which is very conducive to learning. But its engraving is also many, but also can not be ignored, should be taken from each other, the contrast comes, the difference is the recognition of ink and pen power, ink to see the subtleties of the pen, and the engraving is to see the embodiment of pen power, so there will be more gains.

In the late spring of the sixth year of Yanyou (1319), Zhao Mengfu left the capital and wrote "Farewell to the Poetry of King Shen", which revealed his gratitude to King Shen.

Zhao Mengfu (1254 -1322), ziang, Han, Songxue Daoren, also known as Crystal Palace Daoist, Oubo, middle-aged Zeng Mengtong, Wuxing (present-day Huzhou, Zhejiang Province), originally from Lanxi, Wuzhou.

Zhao Mengfu and his wife Guan Sheng were both disciples of the monk Zhongfeng Mingben. Zhao Mengfu is proficient in music, good at identifying ancient artifacts, his poetry is clean and strange, and his calligraphy and painting are especially good at writing and writing, which is the deepest and most influential.

As Wen Jia said: "Wei Gong is the best calligrapher of the ancients, and he imitates it." Yu Ji called him: "Kaifa is deeply rooted in the "Roselle Endowment" and wins its standard. The Book of The Holy Order enters his room. As for cursive writing, it is full of the Seventeen Theses. ”

He was the master of Jin and Tang calligraphy, and some people in later generations included him in the four major books of the Book of Kai, namely Yan, Liu, Ou, and Zhao.

Zhao Mengfu's contribution to calligraphy lies not only in his calligraphy works, but also in his calligraphy. He argues that:

There are two kinds of books, one is the brushwork, and the other is the glyph. The brushwork is exquisite, although good and evil; the glyphs are exquisite, although they are familiar and alive. Learning books can solve this, and then you can also use language books.

It is beneficial to learn that the book is playing with the ancient Fa Ti and knowing the meaning of its pen.

Predecessors get a few lines of ancient inscriptions, concentrate on learning, and can be famous in the world.

Zhao Mengfu determined his position in "Retro". Cai, Su, Huang and Mi in the Northern Song Dynasty were all famous for their calligraphy, and along with the Southern Song Dynasty, they became fashionable and did not pay much attention to calligraphy. He was in his twenties at the time of the Song Dynasty and spent most of his time in the Yuan Dynasty. In such an environment, seeing that the calligraphy tradition since the Jin and Tang dynasties was declining day by day, he advocated pursuing the Jin people far away and teaching the second king of the Fa. However, "retro" is only a thought and proposition, and it is impossible to fully return to antiquity.

Zhao Mengfu's master Fa Jinren really wrote himself in the calligraphy of the Jin people, and he "made a new" under the name of "retro", which is the reason why he became the most prestigious calligrapher in the Yuan Dynasty, and the reason why the "Zhao body" calligraphy influenced future generations for hundreds of years.

Zhao Mengfu has many calligraphy works, and there are all kinds of calligraphy. The most important are the letters and the lines. Zhao Mengfu's "True Grass Thousand Character Text" is not written in the date. True writing is dignified and rigorous, intended to show people the law; cursive writing is warm and rounded with pens, fine to delicate, and beautiful and simple.

Zhao Mengfu was praised by all people: "Five hundred years up and down, 10,000 miles, no such book." ”

In the Yuan Dynasty, Zhao Mengfu Xingkai's "Farewell to Shen Wang's Poems" carved version chaoqing appreciation

The | of the wonderful product has its own taste: how to choose between the post, the engraved version and the written book?
The | of the wonderful product has its own taste: how to choose between the post, the engraved version and the written book?
The | of the wonderful product has its own taste: how to choose between the post, the engraved version and the written book?
The | of the wonderful product has its own taste: how to choose between the post, the engraved version and the written book?

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