In order to show the beauty of Chinese culture, the organizing committee has integrated many cultural relics elements into the relevant design, among which the design of the Tinder Terrace of the Winter Olympics is inspired by he Zun, the treasure of the town hall of the Baoji Bronze Museum. On January 26, a reporter from Huashang Daily learned the news from the Shaanxi Provincial Cultural Relics Bureau: From January 26 to May 4, He Zun will appear in the Wenyuan Pavilion of the Forbidden City in Beijing, as a key cultural relic of the "National Treasures and Performances Season" in the "Why China" exhibition.
The creativity of the Winter Olympics Tinder Terrace is inspired by "Zun"
It is understood that the Beijing Winter Olympics ceremony tinder platform to "inherit the heavens" as the design concept, creative inspiration from the traditional Chinese bronze ceremonial vessel "Zun", the modeling style and torch, Tinder lamp harmony. The ritual tinder table adopts the curved shape of the zun and the pedestal is calm, symbolizing "all things on the ground". The top stretches out and opens, implying to meet the pure Olympic flame; the auspicious cloud pattern gradually turns into snowflakes from down to the top, symbolizing the spiritual inheritance of the "City of The Two Olympics"; the red ribbon flutters and dances, surrounds the upwards, and is harmoniously unified with the torch design; the color of red and silver symbolizes the fusion of tradition and modernity, technology and passion.
Li Jianye, the exterior designer of the Beijing Winter Olympic Torch, introduced that in fact, the ritual tinder table and the tinder lamp itself are related to the torch, which is a ribbon fluttering, running up from the bottom to the top, because it is a big system. The landscape design of the entire Winter Olympics, from the logo, from the torch to the peripheral product concept, is passionate and dynamic, and through such a red ribbon can connect everyone together. The ritual tinder is also a double-layered structure that ensures that the tinder will not be extinguished.
He Zun is the earliest excavation testimony of the word "China"
At the bottom of the "He Zun", the seal is inscribed with 12 lines and 122 characters, detailing the prayers issued by King Keshang of Zhou Wu when he held a sacrifice at Songshan Mountain after Yin, and the deeds of King Cheng of Zhou who built a new capital city, Chengzhou City (present-day Luoyang), to hold sacrifices and reward his subjects. Among them, "Zhaozi China, since the people" is the earliest record of China found so far.
He Zun found that the process was full of twists and turns
Chen Liang introduced that in June 1963, Chen Dui, a villager in Jia Village, Jia Village, Jia Village, Chen Cang District, Baoji, rented two houses next door to Chen Qishan because his family could not live in the old house, and behind the yard was an earth cliff. One morning after the rain in August of that year, Chen Dui found in the backyard that there seemed to be a bright light on the earth cliff after the rain collapsed, so he used his hand and small hammer to plan, and the result was a copper ware. The following year, Mr. and Mrs. Chen Dui went from Baoji to Guyuan, and when they left, they handed over the bronze to Chen Hu for safekeeping.
In 1965, Chen Hu sold it to a scrap collection station. In the same year, Tong Tai, a cadre of the Baoji City Museum, saw this bronze at the Yuquan Waste Collection Station in the city, saw that its shape was dignified and majestic, the ornamentation was rigorous and varied, and felt that this should be a relatively precious cultural relic, so he reported to the curator Wu Zengkun. Wu Zengkun immediately asked Wang Yongguang, director of the storage department, to check it out, and after Wang Yongguang rushed to the waste collection station, he also concluded that it was a precious cultural relic, so he bought the bronze back to the museum for 30 yuan. Archaeologists have confirmed that this is a bronze wine vessel from the early Western Zhou Dynasty, and the relief is "Gluttonous Pattern".
In 1975, the gluttonous bronze statue was selected to be sent to the State Administration of Cultural Heritage as a national newly excavated cultural relics for exhibition abroad because of its exquisite modeling, and Ma Chengyuan, director of the Shanghai Museum, discovered the inscription and named it "He Zun". (China Business Daily)