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Shanghai Symphony Orchestra walked into the "Five New Cities" and staged the "G60 Shanghai Songjiang Spring Concert"

Shanghai Symphony Orchestra walked into the "Five New Cities" and staged the "G60 Shanghai Songjiang Spring Concert"

At the beginning of the new year, the long-awaited Yunjian Hall Culture and Art Center of the people of Songjiang was officially put into trial operation. On the first day of trial operation, the Shanghai Symphony Orchestra played the first sound for the Yunjian Theatre, and on the eve of the Lunar New Year, came to Songjiang, the starting point of the "Yangtze River Delta G60 Science and Technology Innovation Corridor", to stage the "G60 Shanghai Songjiang Spring Concert".

Shanghai Symphony Orchestra walked into the "Five New Cities" and staged the "G60 Shanghai Songjiang Spring Concert"

With a full set of Chinese works, this concert shows the new atmosphere of the ancient city of Huating, which was established as a county in the Tang Dynasty, in the new era. It is reported that this is also the first performance of the Shanghai Symphony Orchestra into the "Five New Cities". As we all know, the Shanghai Symphony Orchestra is the root of classical music in China, and Songjiang is the origin of Shanghai's urban voyage. History meets here, and music is used to open a new chapter of the "five new cities".

Shanghai Symphony Orchestra walked into the "Five New Cities" and staged the "G60 Shanghai Songjiang Spring Concert"

The concert was conducted by Zhang Jiemin, resident conductor of the Shanghai Symphony Orchestra, and liu ming, the principal of the orchestra, performed solo, and presented a set of concerts with classic masterpieces and commissioned new works for the people of Songjiang.

Shanghai Symphony Orchestra walked into the "Five New Cities" and staged the "G60 Shanghai Songjiang Spring Concert"

Among them, there are "Spring Festival Overture", which has become the collective memory of the Chinese people, the violin concerto "Liang Zhu", as well as the excerpts of "Shan Hai Jing" composed by Zhou Long, winner of the "Pulitzer Prize" of the Shanghai Symphony Commission, as well as the orchestra's commissioned work "Fathers" to celebrate the centenary of the founding of the Party, and the first movement of the symphony "G60 Light" created by the well-known composer Qiang Weihao for Songjiang, or the melodious or sonorous melody reflects the historical accumulation and humanistic heritage of Songjiang, one of the "five new cities" in Shanghai.

Shanghai Symphony Orchestra walked into the "Five New Cities" and staged the "G60 Shanghai Songjiang Spring Concert"
Shanghai Symphony Orchestra walked into the "Five New Cities" and staged the "G60 Shanghai Songjiang Spring Concert"

At present, Shanghai is focusing on the construction of five new cities, and has initially formed a series of city business cards such as "Jiading Jiaohua City, Qingpu Jiangnan Wind, Songjiang Shanghai Root, Fengxian Sage Land, Nanhui Haihu Rhyme" and so on. The "Yangtze River Delta G60 Science and Technology Innovation Corridor" is the era empowerment of Songjiang, a thousand-year-old city. The Shanghai Symphony Orchestra premiered "G60 Light" to show the grand blueprint of the "Yangtze River Delta G60 Science and Technology Innovation Corridor" with music. The first movement: the musical material of "Initial Heart" is taken from the musical theme of "Don't Forget the Initial Heart", and through the orchestral technique, it presents a vigorous scene of the growth of all things and the rebirth of the earth.

Link: Yunjian Hall Culture and Arts Center

Yunjian Hall Culture and Art Center is based on creating a comprehensive urban public space integrating humanistic height, artistic atmosphere and urban charm, and after being put into operation, it will make up for the shortcomings of major regional public cultural facilities with high quality, become the spiritual home of the people of Songjiang, the iconic cultural function center of Songjiang in the new era, and further continue to build the "Shanghai Culture" brand.

The main building of the Yunjian Hall Culture and Art Center was designed by the famous architect Xing Tonghe, highlighting the "new Chinese" aesthetic style. Through the overall consideration of Drunken White Pond Park, the visual use of scenery borrowing techniques to introduce the park landscape into the art center, like a beautiful and intoxicating landscape painting. The roof is undulating, like an open book, reflecting the profound historical and cultural heritage of Songjiang, and like the nine peaks of Song county, showing the beautiful natural landscape of Songjiang. The façade of the building is decorated with vertical shapes of shades and shades, expressing the image of "piano and music" and playing a chapter of the times.

The outdoor landscape uses Chinese garden techniques to show a large number of Songjiang elements. The south square adopts piles of soil to form an undulating terrain, embellished with pine, clouds and stones, and the central axis is reflected by a mirrored pool to create a "nine peaks and three singular" artistic conception; the central area adopts a gentle slope shape, highlighting the pine scenery and double deer sculptures, forming a "Erlu Reading Platform" landscape; the sunken atrium is shaped with Lingbi stone, Taihu stone and Taishan stone, supplemented by "dry landscape" techniques, interpreting the humanistic allusions of "Tianma Sangaoshi".

The internal design of Yunjian Theater is inspired by the traditional Chinese opera dance expression "water sleeve", based on the dance postures such as rolling sleeves, waving sleeves, flicking sleeves, throwing sleeves, and raising sleeves, refining the shapes of throwing, shan, dialing, hooking, and yang, with a flexible posture and a long charm, reflecting the beauty of "flowing water in the clouds". The top design of the theater resembles the "Eye of the G60", highlighting that Songjiang is the source of the G60 Science and Technology Innovation Corridor in the Yangtze River Delta. The main stage can be combined by 25 independent modules to form a kaleidoscopic three-dimensional performance space. The interior of the cultural center continues the bucket arch structure, which has the trend of building from a high house, solemn and full of visual impact. The reading ladder of the central axis of the library changes scenery step by step, rendering a rich layered atmosphere, and the reader steps in, as if spanning ancient and modern times, and talking with the sages.

Photo: Jiang Huihui

Author: Jiang Fang

Editor: Tong Weijing

Editor-in-Charge: Liu Qing

*Wenhui exclusive manuscript, please indicate the source when reprinting.

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