Yan Shu's love words are affectionate, writing the pain of parting from sorrow and hatred, and a few words are poignant

Zhu Xi and Li Youwu co-authored the "Records of Famous Ministers of the Five Dynasties", which includes two hundred and twenty-five important famous ministers from the Northern Song Dynasty to the Southern Song Dynasty, arranged in order of dynasties, many of which are famous and famous, although some famous ministers have been controversial in later generations, but it has to be said that the characters listed in this book are more or less extremely influential, such as Wang Anshi, Fan Zhongyan, Ouyang Xiu, Yan Shu and others, who made great contributions in that era; and the evaluation of these characters in this biography is also extremely accurate. In the case of Yan Shu, evaluate his personality and toughness.

Yan Shu was a famous politician and writer during the Northern Song Dynasty, who served as a high-ranking official for fifty years, once serving as an official to the prime minister, and later being demoted to a foreign country. Although the "Records of famous ministers of the Five Dynasties" has a more objective evaluation of Yan Shu, in the "Summer Escape Record(Words)" written by another great poet of the Northern Song Dynasty, Ye Mengde, he gave Yan Shu a more negative evaluation, saying that he liked to raise singers. Yan Shu, presented from the two biographies, can be said to be a completely different personality, which also shows that each historical figure still has a different side of him.

Yan Shu's literary achievements were unmatched at that time, especially his words were aesthetically beautiful, and he also spared no effort to promote his descendants, and when he met Ouyang Xiu, who was also a Jiangxi native, he praised his outstanding talent and introduced him to other officials. This is enough to show that Yan Shu was a relatively traditional literati who liked to make friends with talented young people; as for his liking to keep singers, it was a very common thing in ancient times, after all, it was a custom at that time, and most literati would raise singers as long as they had the conditions.

Yan Shu's words also mostly describe love and hate, according to his status, what kind of woman he wants to get is not a word, extremely easy to get, and will not be tired of love, but open his collection of words will find that in those classics he handed down, most of the works are describing sorrow and hate, in my personal opinion, this is likely to be related to the creation of that era, because from the fifth generation, the style of words began to be biased towards describing male and female love, which naturally affected Yan Shu's creation.

Love is the eternal theme of art works, no matter what kind of subject matter is depicted, love is always the most able to impress the reader, thus resonating with people. Yan Shu's love words are delicate and emotional, and they are extremely affectionately written, and in the case of this song "TaSha Xing • Blue Sea Without Waves", what is to be expressed is a kind of parting pain. Lovers who once fell in love, due to various reasons, there is no longer a message between each other, this time the lyricist is full of emotions, recalls the past years, so he created such a sentimental work.

The blue sea has no waves, and Yaotai has a road. Thinking about it, he flew away. At that time, I said goodbye to my sweetheart, and the mountains and rivers knew where to go.

The mats are dusty, and the incense is obscured by fog. The small print of the red note is attached to whom. The tall buildings are full of twilight, and the leaves of the sycamore are xiaoxiao rain.

The two people originally loved each other, but in the end it was Lao Yan who flew apart, and the pain of parting made people fall into boundless loneliness, Yan Shu also took this as the entry point, and in the upper film, he expressed his chest directly; The blue sea wave was flat and there was no danger, and Yaotai had a way to pass. Thinking about it carefully, I should have flown out in the first place, and I would not have left me alone and sad now. I want to be young and don't like people, but now the mountains and rivers are far away, and there is nowhere to find it.

It was after the parting that Yan Shu thought of the vigorous love that had once been, which made his liver and intestines cut off, and the entire mood of the upper film was poignant, and he exhausted the pain of lovesickness. The next film once again describes the state of mind at that time, as well as the longing for the lover; the mat is now covered with dust, and the smoke locks the incense. I have already written the letter, but how can I send it to you? A man ascended high and looked into the distance, and saw a hazy distance, and at this time it began to rain heavily, and the raindrops fell on the leaves of the plane trees, making a very loud sound, not to mention that it was almost dusk.

It is precisely because of the deep love that Yan Shu can write such a touching work, although the former lover has long been no longer heard, but at some point he will suddenly think of the other party. That kind of complex emotion, as well as the lonely state of mind of the lyricist, is particularly prominent in this poem; it can be seen that the lyricist has regretted it at that time, wants to have action to redeem it, and has written a letter, but there is nowhere to find it, and the sense of loss is also throughout the whole word, and after reading it, people are cut off.