No man's land, literally, is the environment where no one lives. The empty mountain is empty, symbolizing quiet and inaction, and has become a common technique for expressing the realm of yipin in traditional painting. Among the ancient painters were two famous artists, who were particularly good at depicting no man's land, one was Ni Zhan of the Yuan Dynasty, and the other was Dong Qichang of the Ming Dynasty.
For the understanding of no man's land, the two masters are also slightly different. Ni Zhan believes that no man's land is a lonely and helpless world, where there is only loneliness and loneliness. Dong Qichang believes that the no-man's land is the spiritual home of the literati, which can be lonely and lonely, or enjoy a quiet life and taste indifferent life. Due to the different understanding of the no-man's land, Dong Qichang has embarked on his own path in creation.
Dong Qichang The empty mountain is cool
"Empty Mountain Cool" Dong Qichang's middle and late works use this painting to explore his understanding of the no-man's land. In the pen and ink composition, this painting has traces of learning Ni Zhan. In terms of artistic presentation, there is already an independent Dong style. Don't simply understand that painting landscapes without painting people is a no-man's land. No Man's Land has a unique aesthetic charm, Dong Qichang said, "No one comes here, and the wild will is from Xiao Sen." ”
Imagine the ancient trees in the mountains, and a fierce wind whistles through. Leaves were scattered in the mountains, and there was no one left in the forest, only the sound of the wind like the roar of wild beasts. What would it feel like to be in such an environment? Ordinary people may feel fear, and literati and inkers will feel that there is the true meaning of nature here. The same scenery is also different due to people's different experiences. If you want to understand the no-man's land depicted by Dong Qichang, you also need a little entry condition.
Dong Qichang Empty mountain cool local
First of all, no man's land has nothing to do with whether or not to draw people. Some people jokingly said that Dong Qichang's painting was a halfway out of the house. He couldn't paint people, so he studied no man's land. Have you ever thought that Dong Qichang can even master the endless changes of the fa, and it is difficult for him to paint characters? As a leader of the literary circles in the late Ming Dynasty, his aesthetics determined the direction of his creation. He regarded painting as a means of expressing the spiritual world, so he had the aesthetic image of no one in the mountains.
Secondly, the no-man's land embodies the core aesthetic of literati painting. Wang Wei, the originator of Nanzong Landscape, painted with poetry, creating a landscape space full of Zen meaning, revealing the philosophical idea of immortality and immortality. Since then, literati painting has sprung up, and literati painters have continuously supplemented and improved the landscape space and continued to explore the aesthetic significance of this space. From "empty mountains do not see people" to "no one comes here" reflects the painter's thinking on people and landscapes.
Third, in no man's land, the plague of time can be put aside, which is easy to ignore. In real life, no one can get rid of the limitation of time, so there is the feeling of "the deceased is like a sifu". However, in the landscape space, there is no need to feel this feeling. Infinite space, without the passage of time, symbolizes the eternity of thought. Thus, the literati painting is full of rational brilliance.
Fourth, No Man's Land depicts the relationship between change and invariance. In the initial stage of landscape painting creation, the painters focused on the shape, and after thousands of years of development, the focus of the painters became the god. As far as Dong Qichang is concerned, he tried to jump out of the real space of the change of seasons and enter the unchanging world of painting, so he had a study of no man's land.
Thinking about the influence of No Man's Land on Dong Qichang's painting style is to better appreciate his works. If you hear someone say it again, Dong Qichang will not be a character. You know how unreliable this view is.