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Chinese landscape painting is an aesthetic art of life. When people are happy, they will show a smiley face, and art is the same, which can also express the emotions of artists.
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Ni Zhan Empty forest map after the rain
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Mi Fu Haruyama Ruisong diagram
So what is the connection between Chinese poetry and painting, and what kind of aesthetic realm of life art is expressed? Let's take a look at the following example:
The knot is in the human realm, and there is no traffic or horse noise.
Asked Jun He Neng'er, his heart was far away from himself.
Under the eastern fence of the chrysanthemum, you can leisurely see the South Mountain.
The mountain atmosphere is good day and night, and the birds are returning.
There is a true meaning in this, and the desire to argue has forgotten.
This is a small poem by Tao Yuanming, in which everyone can read a kind of reclusive life of the poet. In analyzing this poem, "The knot is in the human realm, and there is no carriage and horse noise", "Ask the jun he can be, and the heart is far away from the self-deviation." "Under the eastern fence of the chrysanthemum, leisurely see the South Mountain." "There is a true meaning in this, and I want to argue that I have forgotten" This is a state of "having me",
And "the mountain is good day and night, and the birds are in harmony with each other" just shows the state of "no self". In these two realms, the poet uses poetic mood to express his leisurely life and state of mind.
Wang Meng Ge Zhichuan moved to tu
Chinese landscape painting is a natural aesthetic art. In the Northern Song Dynasty painter Fan Kuan's "Journey to The Stream and Mountains", the painter depicts the lofty mountains, giving people an overwhelming trend, as if the mountains are in front of them. The travels interspersed in the paintings are insignificant. Obviously, in the real sense, the painter does not only express a painting with a traveling theme, but wants to make the art recipient truly appreciate the magnificent realm of landscape painting with "thick peaks and strong momentum" through point scenes.
Wang Meng Ge Zhichuan migration map partial
Ni Zhan's "Autumn Ji Diagram of The Fisherman's Village"
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