Private Art Series, Volume 1
Editor-in-chief 丨 Wang Chengye
Published 丨Jiangxi Fine Arts Publishing House
ISBN丨978-7-5480-4353-9
Published in August 2019, first edition
Folio 丨 Large 16 open 260mm × 210mm
Paper 丨 Special Paper Binding 丨 Cloth Ridge Naked Back Lock Line
Word count 丨82,000 Pictures 丨230 pictures
Page 丨286P Chinese Simplified
Price: 130.00 RMB
▼
"Private Art" is committed to creating a traditional cultural quality reading that can be enjoyed privately and thought-upon. For thousands of years, calligraphy and painting have been considered the most worthy of tasting and collection of artistic treasures, and they are also the artistic carriers of the Chinese aesthetic spirit.
"Private Art", each issue of a humanistic art theme, bringing together traditional calligraphy and painting classic masterpieces, collection of classic poems of the ancients, supplemented by contemporary scholars' professional text discourse, showing the style of ancient and modern literati; tasting the literary room, elegant utensils, literary play, miscellaneous items, interpreting the aesthetics of ancient and modern space, is a good friend and friend of the art circle, the collection circle of the kings, but also the public readers to understand the traditional Chinese art and culture of the excellent guide.
"Private Art" has been rolled up, a new upgrade, which took a year to carefully build, naked back lock line, can be 180 degrees lying flat and slow to enjoy.
This issue launches a special topic, [Song Huizong: One Man in the World]. More than ten articles by literati and scholars, famous connoisseurs, authoritative experts and scholars of the past generations, accompanied by classic works of Song Huizong, are selected to sort out and interpret Song Huizong in an all-round and multi-angle manner, and dozens of contemporary artists are invited to create themes, one article and one painting, and realize the dialogue between modern and ancient times from the perspective and perspective of modern people.
The instrument is a craftsman, and if you look at the millennium, it is also a matter of the literati. This book carefully photographs a large number of literary utensils, selects the texts of the literati of the past generations about the literary room, thinks about it, and appreciates it, and can even become a moment of speed, a moment of enjoyment, a moment of pleasure.
This issue invites well-known experts and scholars:
Xie Zhiliu (1910-1997) Was a famous calligrapher and painter, art historian and connoisseur of ancient painting and calligraphy in modern China;
Yang Zhishui, Researcher of institute of literature, Chinese Academy of Social Sciences, literary author;
Yu Hui, member of the National Cultural Relics Appraisal Committee, research librarian of the Institute of Sino-foreign Cultural Exchanges of the Palace Academy and the Palace Museum;
Zhu Liangzhi, Professor, Department of Philosophy, Peking University;
Liu Xirong, famous cultural scholar, collector and connoisseur;
Qing Luo, Director of the Art Center, Mingdao University, Taiwan, famous scholar and connoisseur;
Liu Dashi, professional calligrapher and painter, freelance writer, founding editor-in-chief of China Study;
Liu Geng Freelance calligrapher, writer...
Only private enjoyment can nourish thoughts.
Only thoughts are sufficient for private enjoyment.
丨 Private art has been volume one catalog 丨
One Man In The World //
Zhao Tuo poetry
Gong Yue Ji 丨 Song Zhang Shu
The elegance of the wind and elegance - later generations have said Huizong
One Man in the World - "The Complete Works of Emperor Huizong of Song Dynasty Zhao Yao" Prologue 丨 Xie Zhiliu
Song Huizong Zhao Tuo courtyard body flower and bird painting of the two forms 丨 Kong Liuqing
In front of and behind Emperor Huizong of Song's "Xianglong Stone Map" 丨 afterglow
Songfeng Yayi Qin Yun Liufang - Try to read "Listening to the QinTu" 丨 Zhu Liangzhi
Huizong Yishi 丨 Liu Geng
Xuanhe Old Affair - Emperor Huizong of Song and Xu Jingshu Luo Qing
Tokyo Dream Hualu (excerpt) 丨 Song Meng Yuanlao
Daguan Tea Theory (Excerpt)
Two Song Dynasty Tea Affairs: Dou Cha 丨 Yang Zhi Shui
The Art of Xuanhe The Flower of Eternity 丨 Liu Dashi
Chui Jin Show //
Tu Shaohui's "plausible" 丨 Jiang Hongwei
Reflecting objects - reading Tu Shaohui's flower and bird paintings 丨 Luo Qing
Bird not bird Flower non flower (excerpt) 丨 Han Ziyong
It seems to be - Tu Shaohui's visual grammar (excerpt) 丨Hang Chunxiao
Daguan Hue Between Vertical Waves Dahua (Excerpt) 丨 Zhou Wenhan
Birds and flowers stand in nature, intended to be in the world - Li Ya interview
Double Clear Heart - Commenting on my student Li Ya 丨 Huo Chunyang
Idly thinking about the past is like the predecessor - Li Ya flowers and birds are interesting 丨 Liu Dashi
Painting is the heart seal Great beauty does not speak - Li Yaqi people and their paintings 丨 Zongru
A brief description of the Northern Song Dynasty painting 丨 Hongda
Only a few words 丨 From Hongda
Xishan visits Mei 丨 hongda
Yanbian talks about art 丨 Li Leran
Penmanship Notes 丨 Wudai Jinghao
Shanshui Xun 丨 Song Guo Xi
Danqing Ancient Events - Zhao Yao's Landscape Painting and Artistic Contribution 丨 Wu Zhao
Yilin Algae //
Suddenly, the ghostly person is like seeing the Taoist heart - the artist Zhang Tieliang 丨 Liu Dashi
Dongpo Thesis Room 丨 Song Su Shi
Chunzhu Jiwen Mo said 丨 Song He Xue
On the four articles of incense 丨 Song Huang Tingjian
Xuande Furnace - Imperial Culture Gao Xiang Yongle 丨 Liu Xirong
Danqing Jade Crumbs //
"Picture Seeing and Hearing Zhi" (excerpt) 丨 Song Guo Ruoxuan
Guan Shu Liu Geng
Emperor Huizong Chapter 3 丨 Ma Long
Life will eventually be an autumn cool 丨 Li Nanchen
Remember Huizong 丨 Zhang Baowang
Wu Shu Final Nan Poetry Manuscript 丨 Liu Dashi
Rouge Xue 丨 Song Qin Jin
Between the mountains and rivers 丨 Chen Chaoqun
//
sky
under
One
person
The suffix is in the middle of the calyx. Zero dew is drunk, and the remnants of the sun seem to melt. Dan Qing is difficult to write, and the creation is left alone. Dancing butterflies are fascinated by the incense path, and the evening wind is fluttering.
——Zhao Tuo's "Poetry of Qifang"
Huizong, thousands of leisure, only good calligraphy and painting, xingxue and art, such as taking the shifa. The Danqing scroll has the magic of heaven and heaven, and has the charm of Jin and Tang Dynasties. Youshan ink flowers, stones. Ink bamboo, tight and fine, regardless of thickness and lightness, a color of scorched ink, dense places slightly exposed white road, a family of its own, do not follow the ancient track. Pay special attention to flowers and birds, use black paint for dotting, conceal beans, high fiber, and almost want to move. After the painting, the characters are written in Tianshui, and Xuanhe, Zheng and Xiaoxizhi, or with scoop prints, insect fish seals.
dense
now
submit
elegant
Looking up at the size of the universe and looking down at the grandeur of the category, so the wandering eyes are full of nostalgia, which is enough to entertain the audiovisual and visual, and the letter Coke is also.
——Wang Xizhi's "Orchid Pavilion Collection"
"PresentIng the Present" focuses on contemporary paintings and calligraphy. In this issue, 5 young and middle-aged contemporary calligraphers and painters are invited to create works on the theme of Song painting, and it is not difficult to see from the style of their works that their works are influenced by Song painting.
Most of my flower and bird painting creation techniques are derived from the Song people's flowers and birds, Song Huizong's "Ruihe Tu", the fusion of two colors in the picture, and the birds flying in the sky, which is also a source for my creative pattern. But my interest is more in the exploration of "contemporaneity", and to activate the classics with this as the center, and to promote my own flower and bird paintings.
——Tu Shaohui
Zhao Tuo is a highly talented calligrapher and painter in art, who has made great contributions to the history of Chinese painting art. He applied the spirit of "lattice objects" to painting, requiring painters to observe the changing laws of flowers and plants at four o'clock, explore the characteristic dynamics of various rare animals and animals, flowers, trees and stones, and the changes of wind, rain and dew, and observe sketches to depict rigorous works. That's what we should learn.
Whether it is Huang Xiao, Xu Xi, or Cui Bai, Zhao Tuo is good at absorbing its strengths, thus forming his own two different styles of Seiko and Simple. His works express the state of matter more vividly and naturally, and the degree of vividness of the depicted objects is breathtaking. At the same time, Zhao Tuo introduced the literati's interest into the court painting academy, and changed the single face of the previous court painting, the first ink painting of flowers and birds in the Kaiyuan Dynasty, and the positive significance of its ink brush flower and bird painting is also worthy of our attention.
- Li Ya
There is no contradiction between tradition and innovation in Chinese painting. As a painting major, it is first necessary to study ancient painting theory, learn the basic skills of painting, and copy classic works in order to understand the meaning of painting, have the skills of coloring with a pen, "shi guren" and "shihuahua", so as to become a basic painting worker.
------------------
When it comes to Chinese painting, it is inseparable from the Song Dynasty. Indeed, Chinese painting reached an unprecedented peak in the Song Dynasty and became a glorious page in the history of Chinese painting. After experiencing the beauty and beauty of Wei and Jin and the grace and magnificence of the Tang Dynasty, the Song Dynasty inherited the mantle of the previous generation in painting while innovating, dividing into categories and making new ideas, and there were many pioneers in painting categories, and there were outstanding achievers in these painting sub-disciplines. The Song Dynasty was an era of painting masters.
--Li Leran
As a painter, I most want to live in the Song Dynasty, and the Song Dynasty most wants to be in the Huizong Dynasty. It was a Song Dynasty with flourishing culture and art, and ideological and cultural flows, especially the Huizong Dynasty, which was highly established in the aesthetics of the "Chinese-style" literati. The rise and fall of Emperor Zhao Tuo is a historical event, but the article and Danqing are ancient events. Rich life and clever play, is the source of art.
- Wu Zhao
art
forest
algae
reflect
Clean a few bright windows, burn incense to cover the roll, and smile happily whenever you meet your heart. Guests come and go, take off their traces, cook bitter tea, and appreciate articles; for a long time, the light of the sun is chaotic, the moon is in Gaowu, and the guests are in qianxi. When the child closed his house, collected the futon, and meditated on the tablets, he felt more leisurely and distant.
—— Bada Shanren's "October Book of Zhaoyang Daliang"
In the cultural relics of a thousand years, in addition to classics and ideas, there are a large number of artifacts, so that people can see things and think of people, and their minds can travel back and forth, and they will be born with the indignation of "this month once followed the ancients".
The vessel is a craftsman, and if you look at thousands of years, it is also a matter of literati.
cinnabar
green
jade
crumbs
Clean a room, put a few, Chen a few kinds of fast books, put an old Fa Ti; gu ding burning incense, su hu waving dust, meaning a little tired, temporarily resting on the bamboo bed. From time to time, he sipped bitter tea, wrote a few lines of the Chinese book by hand, and randomly viewed several ancient paintings. In the mind, I felt sprinkled with spiritual space, and the dust on my face was also thrown away by three inches.
——Chen Jiru, "The Secret of the Small Window, Volume VI"
Artistic creation requires freedom, especially spiritual freedom.
The reason why a genius has a genius is not how hard and serious he is, but he has an instinct for feeling and expression that others do not have.
--- END ---
Producer 丨 Wang Chengye
Editor丨 Editorial Department of Private Art
The copyright of this article belongs to Private Art