Warm congratulations to Zhou Suxia, Pang Minqi and Xue Caifu, three inheritors of intangible cultural heritage in Wu'an, who were listed in the "List of Representative Inheritors of the Sixth Batch of Provincial Intangible Cultural Heritage" recently released by the Department of Culture and Tourism of Hebei Province.
The Wu'an Municipal Bureau of Culture and Tourism attaches great importance to the inheritance and protection of intangible cultural heritage, actively excavates local intangible cultural heritage resources, and organizes the declaration of national, provincial and municipal intangible cultural heritage projects and representative inheritors. Up to now, there are 111 intangible cultural heritage protection projects at or above the municipal level in Wu'an, including: 3 national intangible cultural heritage protection projects with 5 representative inheritors, 5 provincial intangible cultural heritage protection projects with 8 representative inheritors, and 24 handan municipal intangible cultural heritage protection projects with 20 representative inheritors. The number of representative intangible cultural heritage projects and representative inheritors ranks in the forefront of Handan City.
Representative of the Sixth Batch of Provincial Intangible Cultural Heritage
List of Heirs》
Non-hereditary inheritor of Wu'an City
Zhou Suxia, born in 1968, graduated from Wu'an Opera School in 1984, focusing on Qingyi and Huadan. He is a member of Hebei Dramatists Association and deputy secretary-general of Wu'an Dramatists Association.
Zhou Suxia was born in the Liyuan family, her father was an old artist of the flat tone drop, and since childhood, she was influenced by her father and had a special love for the Wu'an flat tone drop. At the age of fourteen, he was admitted to wu'an drama school, focusing on Tsing Yi and Hua Dan. Under the careful cultivation of Du Yinfang and Teacher Li Aihua, she studied diligently and diligently, laid a solid foundation, her voice was loud, her timbre was round, her singing was euphemistic and delicate, and her appearance was beautiful. After graduation, he was arranged to go to the Wu'an County Youth Theater Troupe, and under the teaching of Huang Tai," an old artist of Pingtuo Luozi (stage name "Daffodil"), he successfully performed Wu'an Pingtuo's "Peach Blossom An", "King Zhao", Wu'an Luozi's "Borrowing Qi" and other plays. In 1988, he went to Wu'an City to work in the Pingtuo Luozi Theater Troupe. Under the guidance of Du Yinfang and Teacher Li Aihua, he successfully starred in the role of Cui Xiuying in Wu Anping's "Three Shangshang Car", which was unanimously praised by teachers and experts. Her singing art has matured day by day, and she has starred in more than 30 flat-tone dramas such as "Chopping Yang Jing", "Panpo", "Wu Han Kills His Wife", "Sister Empress", "Borrowing ACes", "Changing Old and Young", "Sending Girls" and so on. The flat tone "The Tale of Lost Officials" starring her won the first prize of the Third Drama Festival of Hebei Province and was highly praised by Yang Lanchun, a famous drama choreographer and director artist in China. In 2001, the small drama "Send Girl" won the gold medal in the 11th National "Stars Award" competition.
In 2003, he was transferred to Wu'an Cultural Center. She has been able to absorb the strengths of other dramas, integrate the performance skills and singing styles of other dramas into the flat tone, and create her own style in singing and performance. In May 2006, he officially studied under the performance artist Li Kuiyuan and became Li Kuiyuan's disciple; since then, he has devoted himself to learning the art of The Pingtuo drop and learning the art of the Li School. In that year, under the guidance of teacher Li Kuiyuan and Zhao Tan, director of Handan Television Station, he successfully recorded the "Zhou Suxia Ping Tune Singing Album" and distributed it to the society. In 2007, the small drama "Erga Egg Returning Home" won the grand prize of the 14th National Stars Award. In 2012, the Wu'an Intangible Cultural Heritage Protection Association for the first time engaged in a flat tone drop sound matching, she successfully performed the drop zi "Lu Meng Zheng Zhai" Liu Ruilian for the old artist Han Xiaozhi, and the flat tone "Panpo" Wang Baojun for Li Kuiyuan. In 2013, she successfully portrayed the female number one "Wang Lingfen" in the large-scale flat-tuned drama "Wu'an Ren". In 2016, it was identified by the Propaganda Department of the Hebei Provincial Party Committee of the Communist Party of China as the "Star of Yanzhao Culture".
Over the years, Zhou Suxia has gone deep into campuses, communities and enterprises to guide pingtong drop lovers; in the "Follow Me" column sponsored by Wu'an Television Station, she taught the singing skills of pingtong drops; trained opera lovers for free at the Cultural Center's Pingtong Drops Training Institute for free all year round; trained more than 200 opera students; and some students have become the backbone of various literary and art groups in Wu'an. He has made outstanding contributions to inheriting and carrying forward the Wu'an Pingtuoluozi.
Takeyasu Ochiko, Borrowing
Wu Anping "Panpo"
Wu An Ping Tune Drop "Wu An Ren"
Pang Minqi, born in September 1974, is a native of Dongtongle Village, Wu'an City, Hebei Province.
Dongtong Le Sai Opera is a large-scale performance that integrates sacrifices, race plays and a variety of folk art forms, and the ancient race culture is rich in content, unique in form and magnificent in momentum, which has attracted the attention of experts and scholars of race culture at home and abroad.
Pang Minqi's parents are the main inheritors of the opera, and they have been influenced by family art since childhood, and have formed an indissoluble relationship with the opera. In 1984, Pang Minqi, who had just turned ten, joined the village's "competition troupe" with his mother.
Under the careful cultivation of his parents, Pang Minqi practiced hard, studied drama seriously, absorbed the strengths of all, and quickly mastered the performance skills of the game. On the stage, he successfully portrayed the old life star in "Eight Immortals Celebrating Shou", Zhao Gongming in "Hanging Black Tiger", Nono in "The Name of the Great Country", Zhang Fei in "Ji Zhang Fei", Ma Chao in "Thorn Cao Cao", Tu Anjia in "Bayi", etc. Each character performs vividly, with great personality, loved by the audience, and has a wide range of influences.
Over the years, Pang Minqi has never stopped studying the game, he actively collected and sorted out the original preserved play books and masks in the village, and added the costumes and props of the game on the basis of the original. Every year, from time to time, the fans of the competition often organize rehearsals and performances to teach the knowledge of the performance of the game and the basic kung fu, of which the disciples Pang Changli and Pang Shanshan, who were personally taught by myself, can perform skillfully on the stage and become excellent opera actors.
In recent years, Dongtong Le Sai Opera has attracted many Chinese and foreign drama research scholars to come to observe and investigate, including chinese opera research institutes, the Central Academy of Drama, and scholars from Japan and South Korea.
Drama "Hanging Black Tiger"
Drama "Great Powers"
Racing drama "Excited Zhang Fei"
Xue Caifu, born in July 1967, a native of Xiwannian Village, Wu'an City, graduated from Boyan High School in 1984, joined the work in 1988, and has been practicing medicine and opening clinics independently, focusing on cupping and acupuncture.
Xue Caifu was born into a family of traditional Chinese medicine practitioners. Great-grandfather Xue Zhiguo, born in the sixth year of qing guangxu (1880), opened the "Yishuntang" clinic in Nanguan Street, Xuanhua, Zhangjiakou in the early years of the Republic of China, focusing on cupping and acupuncture, exploring a unique set of "Xue's fire pot therapy" and becoming a famous doctor in Xuanhua. The grandfather Xue Yao and the second grandfather, Xue Shun, studied medicine with their father, and the son inherited his father's business. Xue Yao passed on his technique to his son Xue Cang, who was a rural doctor in the 1960s and practiced medicine all his life. Xue Caifu has been influenced by her grandfather and father since childhood, and has a special love for traditional Chinese medicine, cupping, acupuncture and acupuncture, and her father Xue Cang's clinical experience and skills accumulated over the years have passed on to her without reservation.
Xue Caifu now opens a clinic in Dongguan Street, Wu'an City, and uses his exquisite skills to "hang pots to save the world, treat diseases and save people". She combines the ancestral secret recipe with today's advanced domestic cupping techniques, and forms her own unique fire can therapy by using a variety of cupping methods such as sitting can method, pushing can method, stabbing blood (thorn) cupping method, medicine can method, etc., which is a good inheritance of the ancestors' "Xue's fire pot therapy".
"Xue's Fire Pot Therapy" has been inherited and developed for more than 100 years after five generations and has formed its own unique technique. Cupping with the regularity of "meridian flow injection". People's internal organ meridians, qi, blood, yin and yang will inevitably undergo adaptive changes in the rhythm of the time cycle such as day, month, and year. According to the time rhythm and characteristics of the opening and closing of the human body's qi and blood in the twelve o'clock of the day, due to the time, disease and person, the traditional Chinese medicine means such as traditional Chinese medicine prescription, acupuncture, acupuncture, and cupping are effectively integrated and optimized to achieve the purpose of curing diseases. It has important value and practical significance for enriching the cause of traditional Chinese medicine in China, and plays an irreplaceable role in the health care of the people. It has high research value and practical value.
Traditional Chinese medicine stickers for cupping
Xue Caifu taught her daughter the art of cupping
A wide variety of fire canisters