Snow landscape painting has always been a very distinctive part of Chinese landscape painting. After shen zhou in the Ming Dynasty saw Wang Wei's "Map of The Snow of Ten Thousand Peaks", he wrote the following inscription: "The heat of the city for ten days is like a hot summer, and the leader is dazzled and dusty." The monk's building saw this volume today, and the snow was cold and cold. The ancient chestnut trims the willow branches and has a ghostly spring side from the blue. The rubber boat across the creek is not called, and the flat land is uninhabited. ”
The theme of snow landscapes is more than dry branches and cold forests, wild paths are lonely, ancient crossings are desolate, Xiao Temple is clear, Jackdaw Lonely Boat, Thousand Peaks Snow Color and so on. Painter Jiang Xun's ink and snow scenes are mostly dyed with light ink tones and blue flowers, counting white as black, focusing on the expression of atmosphere and charm. The beauty of its artistic conception is often a silent that nurtures the infinite vitality of nature.
Jiang Xun: He is currently a member of the China Arts and Crafts Society, a member of the Jiangsu Artists Association, a director of the Wuxi Artists Association, a legal person, executive vice president and secretary general of the Cheng he Art Research Association, a researcher of the Institute of Calligraphy and Painting of Jiangnan University, a director of the Huang Yanghui Art Research Association, an honorary director of the Xishen Printing Society, and a specially appointed painter of the Wuxi Academy of Calligraphy and Painting.
His works have been selected for many major national and provincial exhibitions and won awards, and he has published a variety of albums, columns and interviews, and has held many solo exhibitions and large-scale group exhibitions in professional institutions such as Wuxi Museum, Xi'an Liangbao Building, Wuxi Wenyuanfang, Yiwenxuan, Changzhou Liu Haisu Art Museum, Wuxi Art Museum, Taiwan Hualien Art Museum, Cheng He Art Museum and other professional institutions.
Teacher Jiang Xun is very serious every time he goes deep into life, he always carries a picture clip and sketches on the spot with a rice paper brush. Perennial adherence to the scene sketching, so that he has a deeper understanding of traditional techniques, traditional techniques are the valuable experience summed up by predecessors in practice, is extracted from the specific landscape depiction, showing the characteristic nature of a side of the landscape, not everywhere can be used.
In the face of life can not be "oily", only piety, in order to obtain the vitality of the landscape and the freshness of pen and ink. Every painter who is devout to life is proud to become a proud son of nature.
Admire Jiang Xun's ink and snow scenes