laitimes

Zhicai Shifu ∣ how to analyze the structure and pen characteristics of the vague "Zhang Qianbei" rubbing

Zhicai Shifu ∣ how to analyze the structure and pen characteristics of the vague "Zhang Qianbei" rubbing
Zhicai Shifu ∣ how to analyze the structure and pen characteristics of the vague "Zhang Qianbei" rubbing

1

Zhicai Shifu ∣ how to analyze the structure and pen characteristics of the vague "Zhang Qianbei" rubbing

Second, talent

Zhicai Shifu ∣ how to analyze the structure and pen characteristics of the vague "Zhang Qianbei" rubbing

The seal of the word "Cai" can be written in two ways:

Zhicai Shifu ∣ how to analyze the structure and pen characteristics of the vague "Zhang Qianbei" rubbing

The difference between these two writing styles focuses on the treatment of strokes. The stroke of the word on the left is from right to left, while the stroke of the word on the right has the opposite direction.

On the surface, the word "Cai" on the rubbing of "Zhang Qianbei" seems to be more similar to the appearance of a seal body on the right in the above figure, but in fact, its strokes should be like a seal body on the left, written from right to left.

Nevertheless, there are still obvious differences in the way the strokes are treated in the two different scripts of seal and li.

From the trajectory of the stroke to analyze, the stroke of the seal body is an arched arc, and the brush closing method at the end can only choose to retract the front or the frustrated pen, and the stroke of the subordinate body is different from the downward lying arc of the seal body, which is likely to mean that it has to be out of the wave at the end, of course, the way of the wave can be exposed, or it can be slightly subtle:

Zhicai Shifu ∣ how to analyze the structure and pen characteristics of the vague "Zhang Qianbei" rubbing

If the word on the left side of the pen portrait is long, then the long horizontal on the stroke should properly converge its goose tail.

On the other hand, if the stroke wave is more subtle like the word on the right, the long horizontal goose tail can be properly released, in short, we must pay attention to distinguishing the primary and secondary relationships between the two horizontal strokes and avoid competing with each other.

Third, shh

Zhicai Shifu ∣ how to analyze the structure and pen characteristics of the vague "Zhang Qianbei" rubbing

The difficulty of writing the word "啬" is, what kind of gesture should be used in the pen circled in the picture above, and is it inward? Or is it outward expansion? Let's make a comparison of these two gestures:

Zhicai Shifu ∣ how to analyze the structure and pen characteristics of the vague "Zhang Qianbei" rubbing

The word on the left in the picture above is extended by the vertical pen, while the word on the right is inwardly compressed by the vertical pen. The difference between the glyphs brought about by the outer extension and the inward expansion is that when the stroke is extended outward, the structure of the "back" in the glyph will appear wider.

Judging from the glyphs on the rubbing, it seems that the "back" on the three horizontal is the main structure of this word, in order to make its visual effect more prominent (that is, longer), "back" should be slightly narrower and better written.

If you think about it in this way, the left vertical of "hui" seems to be taken inward rather than outward, that is, it should be written according to the way of the word on the right.

Fourth, husband

Zhicai Shifu ∣ how to analyze the structure and pen characteristics of the vague "Zhang Qianbei" rubbing

— THE END —

The text | Prince of Jin

Typography | cream belly

The picture | the network

Zhicai Shifu ∣ how to analyze the structure and pen characteristics of the vague "Zhang Qianbei" rubbing

Read on