Near the end of the year, the entertainment industry did not stop at all, it can be said that a wave of uneven, a wave of rise, following the Wang Lihong incident, a sister with goods, Wei Ya, was exposed to tax evasion and tax evasion, and was banned by the whole network.
However, almost at the same time, another artist couple was also exposed to earth-shattering news: Chen Jianbin and his wife Jiang Qinqin's shareholding in the company was forced to more than 39.8 million yuan.
When this news was exposed, netizens immediately did not calm down, and successively lamented that the entertainment industry was always surprised. However, some netizens are very enlightened, saying that the proportion of shares is not large, and this hot search is completely the work of the title party.
But to tell the truth, Chen Jianbin, as an old man in the show business circle, was reported to be such news this time, which is still very surprising.
As early as 1993, 23-year-old Chen Jianbin began to star in works. However, at that time, Chen Jianbin starred in some inconspicuous small roles, such as playing the role of a jailer in the work "Plum Blossom Three Alleys" that year.
However, compared with the acting skills of those powerful actors in the show business circle at that time, Chen Jianbin's performance was nothing more than a small fight.
Therefore, in order to improve his acting ability, after graduating from undergraduate, Chen Jianbin stayed at his alma mater, the Central Academy of Drama, to continue his postgraduate studies.
After four years of postgraduate study, Chen Jianbin did not immediately throw himself into the performance of TV drama works, but chose to hone his acting skills by starring in movies and dramas.
In 1999, Chen Jianbin starred in the drama "The Accidental Death of an Anarchist", and won numerous praises for the role of Chen Jianbin as a madman in the play.
This time the acting experience has also invisibly accumulated a lot of valuable performance experience for Chen Jianbin. In 2003, Chen Jianbin again starred in his personal TV series.
Since the beginning of this year, Chen Jianbin's acting skills have also been raised visible to the naked eye, and his performance has gradually entered a better state. This year, Chen Jianbin co-starred with Xu Fan in "Ten Years of Marriage".
With the role of growing up in the work, Chen Jianbin won the Most Loved Actor Award after the work was broadcast.
In 2005, Chen Jianbin cooperated with Wu Yue and several other actors to star in the TV series "Chinese Marriage". Through the interpretation of this work, Chen Jianbin became the mainstream figure in the show business circle at that time, and the take-off of his acting career was officially started at this time.
In 2006, Chen Jianbin successfully became popular with a "Qiao Family Compound", in which Chen Jianbin took on a heavy responsibility and starred as Qiao Zhiyong, the second young master of the Qiao family.
This role can be said to be very challenging compared with the various roles played by Chen Jianbin before. Not only is he entangled with several women in his feelings, but also in the face of national righteousness, Qiao Zhiyong also has special feelings.
However, these complex character characteristics are vividly and vividly presented in the eyes of the audience under Chen Jianbin's passionate interpretation.
With excellent acting skills, Chen Jianbin's portrayal of Qiao Zhiyong makes people love and hate, but at the same time, he is impressed by the spirit he has. The reason why there is such a feeling is that in the final analysis, it is Chen Jianbin's pure performance skills.
Therefore, until now, "Qiao Family Compound" starring Jianbin is still a classic that is difficult to erase in the minds of many audiences.
After starring in the work "Qiao Family Compound", almost every work that Chen Jianbin has launched since then is an interpretation of his superb acting skills.
For example, in the 2010 work "Three Kingdoms", Chen Jianbin starred in Cao Cao. Through the performance of every word and deed, Chen Jianbin accurately presents the characteristics of Cao Cao, and also portrays the image of Wuxiong impeccable.
In 2011, Chen Jianbin starred in "The Biography of Zhen Huan" with actors such as Sun Li and Cai Shaofen. In the play, Chen Jianbin starred as the Yongzheng Emperor.
The same amazing acting skills, the same character characteristics are accurately highlighted, and the emperor played by Chen Jianbin has also left a deep impression on many audiences.
In this way, from the original supporting role to the current protagonist, Chen Jianbin not only achieved a huge leap in the role, but also improved his acting skills in the process, until he finally sublimated into a powerful actor in the show business circle.
However, it is such an acting actor who speaks with strength, Chen Jianbin is no longer satisfied with the endless honors brought to him by film and television works.
To this end, Chen Jianbin, like other artists, boldly tries, and the direction of the attempt is also the director.
Chen Jianbin's transformation path began in 2014 with the work "A Spoon". In the process of planning this work, Chen Jianbin served as a screenwriter and director for the first time, and also filled in the lyrics and composed music for the promotional song of the work.
Although it was the first attempt, the response and glory obtained after the broadcast of the work was also unexpected by Chen Jianbin, who tried to direct for the first time. For the film, Chen Jianbin won the Best New Director Award.
This time, the opening also gave Chen Jianbin great encouragement and confidence. However, the idea of transformation really sprouted was already conceived when Chen Jianbin filmed the work "Chrysanthemum Tea".
This work was originally drafted and written by Chen Jianbin, but who knows that after the shooting was completed, Chen Jianbin was not particularly satisfied with the script itself.
Such a self-denying attitude also forced Chen Jianbin to constantly make changes and improvements, and finally created the work "A Spoon".
It seems that in the eyes of ordinary people, Chen Jianbin's only attempt is so easy, and even effortlessly succeeded.
In fact, in the previous interview, Chen Jianbin talked about the bottleneck period he encountered when transforming into a director. Each audience's attitude towards the praise and criticism of the work is different, but when facing his own work, Chen Jianbin also has his own plan, that is, to try to recover the cost.
However, this also makes the works directed by Chen Jianbin not necessarily liked by all the audiences, especially for stories with relatively complex plots, and there are also many audiences who do not like them.
On the other hand, Chen Jianbin also described how he had a grasp of transformation and his mental journey in the process.
Chen Jianbin said that in order to direct a work, then he must be very familiar with the environment in which the story is located. As a result, this also makes Chen Jianbin, who was originally eager to direct this type of work, invisibly have a full grasp.
With such a successful demonstration, Chen Jianbin revealed that he had finished shooting his second film work, and he also served as a director, and there were more characters.
However, compared with the screenwriters who have been in the film industry for a long time, the works launched by Chen Jianbin may still be naïve to a certain extent.
Take Chen Jianbin's first self-directed and self-acting work "A Spoon", the rating is not high, not low, in an awkward position, only 7.7 points, and the final box office situation is not satisfactory, only more than 20 million yuan.
However, at least the fierceness that Chen Jianbin possessed still allowed him to successfully take the first step. In addition, in addition to daring to try, in fact, Chen Jianbin is also optimistic about his own transformation.
Earlier, Chen Jianbin talked with the host about the box office situation of a popular drama, and Chen Jianbin said that the whole person was very happy and joyful.
Subsequently, Chen Jianbin also talked about his own ideas, and through his subsequent analysis, he could also glimpse the brilliance of the capitalists he brought with him.
Chen Jianbin said that only if a work has more box office, investors will see the value implied by the work, and they will be more willing to invest, so that the box office of the film will go to a higher level.
Therefore, although only one or two works have been filmed, it must be seen that Chen Jianbin has also achieved a successful transformation from an actor to a capitalist.
Chen Jianbin may not be one of the many directors who can be called successful, but from the perspective of his commercial territory, it is also beyond the reach of many people.
On the one hand, it is the enterprises and companies owned by Chen Jianbin. In the process of trying to direct, Chen Jianbin has launched many self-directed and self-acting works.
Although the response after the broadcast was mediocre, the directorial talent reflected in Chen Jianbin was still impressive.
After the launch of Chen Jianbin's second work" "The Eleventh Time", many people found out that Chen Jianbin's work was jointly launched by Jiabo Cultural Development Co., Ltd. and Tmall Pictures.
Moreover, among the shareholders of Jiabo Culture, the names of Chen Jianbin and his wife Jiang Qinqin are also prominent.
Not only that, according to the information, under the name of Chen Jianbin, he also owns four joint ventures. Although compared with some stars, this number may not represent anything, but it can also be seen that Chen Jianbin's business map is still very vast.
After investing in Jiabo Cultural Development Co., Ltd., Chen Jianbin's profits are also very impressive, and he has obtained an asset appreciation rate of nearly ten times.
On the other hand, it is the work of director Chen Jianbin. Although "A Spoon" did not have a gratifying box office revenue as Chen Jianbin expected, the final cumulative box office of the theater ended with more than 20 million, which is also a great encouragement for Chen Jianbin.
In the face of this big gamble, Chen Jianbin also looked very indifferent, he said that it is normal for the box office and word of mouth to be inconsistent, and the balance point is still up to the director himself to master.
Therefore, in order to obtain a different improvement, on the basis of "A Spoon", Chen Jianbin launched his second work of transformation director, "The Eleventh Time".
After the release of this work, it quickly attracted the attention of the public. Once it aired, it had a rating of 8.5. However, in the later period, this data has fallen back, straight down to 7.5 points.
However, from the overall point of view, the response of "Eleventh Time" is still better than that of "A Spoon". In the end, it was fixed with a high score of 8.0, and successfully ranked among the box office list of the theater Qingming file, and it is estimated that the total box office of the work will also reach more than 50 million yuan.
Compared with "A Spoon", Chen Jianbin's second work has been outstanding at more than one level.
After transforming into a director, in addition to trying to shoot films, Chen Jianbin also tried to shoot TV series. Tv series is different from the film, each episode needs to have a full story to set off the entire framework, which requires the director to handle every plot in place, and Chen Jianbin has been working hard in this regard.
Chen Jianbin, who has now transformed, only has two works, "A Spoon" and "The Eleventh Time". However, Chen Jianbin has a very clear understanding of himself, he believes that he can only be regarded as an amateur director, just like the cameo role in the TV series, it is nothing more than a small fight.
Chen Jianbin also mentioned that he plans to shoot a work in the Spring Festival file. Because in his view, the box office of the Spring Festival stall is like a carnival, one after another, very interesting.
As a director, the most concerned thing is the issue of remuneration. However, on this sensitive topic, Chen Jianbin is very low-key, he believes that as long as the remuneration and his own efforts are relatively equal, then he can gladly accept it.
At the same time, Chen Jianbin also modestly compared with businessmen and other professions, saying that his film remuneration was nothing compared to them.
This is Chen Jianbin's business map, which may be a bit low-key, but there is still a lot of room for development.