Laugh off the big teeth! The box office on the first day was 15 million, and this new film, which cost 100 million, was stunned by Ning Hao

Copywriting | Easy luck

Edit | South Maple

The first choice for Tanabata dating is, of course, to watch a movie.

Celebrating holidays on weekdays, eating a meal, watching romance movies, and finally posting a circle of friends seems to wash away the fatigue of the day.

However, this year's Qixi stall of the film market is a bit interesting.

A "Burning Winter" by Zhou Dongyu and Liu Haoran, and a "Oblivion" by Liu Haocun and Song Weilong, which will you choose?

Audience: I choose "All or Nothing".

Good guy, a good Valentine's Day, most of the audience chose to watch anti-fraud movies, this film, which has been released for more than half a month, has rushed to 160 million at the daily box office, which has exceeded the 3 billion mark.

This is a dark horse, this is simply "racing horse".

"Oblivion" was almost squeezed out of the top five, ranking behind "Learning Dad".

But after all, Liu Haocun and Song Weilong are ordinary, and the most surprising thing is that "Burning Winter", where Zhou Dongyu sat after the three golden shadows, disappeared, and when I pulled down, I found that it was even inferior to "Megalodon 2" and the domestic violence theme "I Passed Through the Storm", which made people laugh off their big teeth.

The small-cost films completed in 2019 can collect 160 million a day, and the 100 million "Burning Winter" only has more than 15 million on the first day of release, a full ten times less, which is really blindsided by Ning Hao.

What kind of big bad movie can make the three golden shadows unable to suppress it——

The movie of three people, Qixi Festival, in which there is a suspected real couple, is the audience also part of your play?

The small theater was not full, and for almost two hours I watched like pins and needles, and a couple had begun to sit still in the second half, either playing with their mobile phones or all of them couldn't help but scold.

I thought that I didn't understand "art", and I clicked on the comment area and found that "Burning Winter" had already been scolded to the sky.

Some people say "can't pretend, look at the phone", some say "you want to scold until you are old", and some people claim that "whoever looks at it will beat whom".

There are even netizens who even attack themselves -

"I feel like I've shrunk my cerebellum."

Let's not talk about the three people babbling crookedly, just the intention and plot direction, you can obviously feel that director Chen Zheyi has more than enough and is not enough.

For example, Haofeng, played by Liu Haoran, has a tendency to depression, met two strange peers in Yanji, and was healed and saw a different light in life during getting along.

However, all he did was drink directly with strangers after losing his mobile phone, and then rolled the sheets with Nana (played by Zhou Dongyu), a tour guide who had known him for a day, and had an indescribable relationship with the male second Han Xiao (played by Qu Chuxiao).

Shouting and running in a bookstore, sitting in a park without sleeping at night, and then rolling around in the snowy mountains, just like that, cured?

The director also wanted to film Nana walking out of the shadow of skating injury, but he had to arrange a fantasy bear, licked a few times without head and tail, and did not have any love after the sheets were rolled, and then suddenly went home.

And Han Xiao, the only normal person, is just a tool person in the male and female protagonist play.

He walked out, but he saw the male and female protagonists sleeping on a bed, stimulated, and then directly rode a motorcycle out of this small place.

The most basic transition shots are all absent, the cut is very abrupt, the plot is incoherent, the three people were originally alive and well, but they got together to play for a few days but they were mentally abnormal, and they didn't shoot what they wanted to shoot, only extremely boring and outrageous.

Since it dares to be released on Qixi, "Burning Winter" must at least discuss love, right? The feature film debuted and was really eye-opening.

Haofeng slept with the little tour guide who had known him for two days, and then Nana and Han Xiao, who knew that they were interesting to him, were still dancing on the dance floor, and the three of them were like nothing.

In the quiet bookstore, Han Xiao proposed to steal the thickest book and run out, and Haofeng, whose mobile phone had just been stolen, also agreed to the thief's behavior.

These three people were arguing, playing, and running to the door in the bookstore, and I really didn't understand what they were doing.

In addition to this, they have to feed ice mouth-to-mouth.

Yes, you read that right, such an explosive plot even has to be put in the promotional trailer, the three people drink beautifully, smile and lean together, Haofeng gives the ice cubes to Nana, and then Nana spits out the ice cubes into Han Xiao's mouth.

More explosive abounds, such as Nana doing indescribable things to Haofeng with her hands in the elevator, and I really want to poke myself in the eyes after reading it.

I really don't understand the point of shooting these plots, and I won't tell the story vividly and interestingly at all, but will only use some useless shots that break the scale to attract points and disgust the audience.

The three actors are actually okay, Zhou Dongyu's acting skills are unquestionable, the director simply cannot shoot her unique beauty, and the crying scene is also very natural.

Qu Chuxiao is also more surprising, perhaps it is more in line with the character itself, and it is the most comfortable.

Instead, Liu Haoran acted like a piece of wood.

He has no sense of the extreme contradictions and constant struggles of depressive tendencies, which are shackled by the so-called elite shackles and overwhelmed by life, and no one can understand the gloom.

And Liu Haoran, only sticking two small mustaches, pretending to be mature, very discordant, at the wedding of his classmates, he is not even like the same age as others.

It is because of this feeling of "hard load" that the relationship between the three people looks very embarrassing, especially the bathing scene through the curtain, Haofeng touches Nana's back, and his expression is even a little lewd, I said you are all in bed, who is pretending to be here.

At least "Ten Years of One Pin Wen Ruyan" can still tell the story clearly, "Burning Winter" has no beginning and no end and pretends to be high, showing the word "vulgar" to the fullest, just this, save it.

epilogue

To say what shows the mental state of modern young people, I really laughed after reading it.

To be honest, to talk about everyone's mental state, or the comment area of "Burning Winter" is more real -

"You three look stinky and don't know what you're doing," "Nothing," "Three ugly people," "Silly stuff I can't understand."

See, contemporary young audiences are alive, dare to say and do, and it is not easy to mess with.

Fundamentally, the rotten nature of "Burning Winter" is not that everyone is not accustomed to the techniques of literary films, but that director Chen Zheyi is completely unable to grasp the real pain points of contemporary young people.

If you want to photograph the tour guide, you can't just shoot her sitting and rubbing her feet at the end of the trip, but also her real eloquence, racking her brains behind her back, and curbing her temper and smiling at the nose of the tricky customer.

If you want to shoot the chef in a small place who is entangled in whether to go out, you can't just shoot the two times of the spoon, you have to shoot the embarrassment of sweating in the kitchen when it is cold.

To photograph a financial elite man, you can't only shoot the psychological counseling call he hung up, but also shoot the seemingly glamorous, but actually losing face and being scolded by the boss pointing at the nose, and the hardships of walking from Henan to Shanghai step by step.

Winter can be hot, but this fire is born in the heart, not in the bed.

Positioned in Yanji, the real beauty and enthusiasm are completely gone, this plot is the same everywhere, the male protagonist works in Shanghai, but he has to buckle a Henan hat, who do you respect.

Qixi, a movie of three people, is this your understanding of contemporary young people's view of love?

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