This group of post-80s actresses is the most embarrassing generation.
When they debuted, they just encountered the last golden age of the show business circle, some of them could cooperate with big directors because of a face, some were not born in the class and could be called "star girls" and "girl girls", and even did not need to hone any acting skills, relying on their innate talent and aura to be red and messy.
Riding on this wind, there are many actresses who are soaring and changing their destiny.
However, with the development of the times, the showbiz industry has emerged, the audience's taste has become more and more picky, the capital has the ability to break out of the siege, and those who have not been able to keep up with the trend have been photographed dead on the beach, and the glory of the past has become evidence of people's ridicule.
There are also a group of "marginalized" post-80s actresses, some have no drama to film, some have retired from the circle for many years, debuted for many years, why did they come to such a situation?
01 Guo Zhenni (born in 1982): The beautiful Zhao Hede, the drama red is not red
In 2008, Guo Zhenni appeared in the TV series "Mother Yi Tianxia", and the "Zhao Hede" she played was a must.
The goose egg face, Dan phoenix eyes, the "charm" of the corners of the eyes and the tips of the eyebrows make people unable to move their eyes.
She is not a standard beauty, but she is unforgettable. Straight nose bridge, thick and curved lips, carved with a lot of content, affectionate and desperate, gentle and domineering.
Zhao Feiyan, played by Tong Liya, is also fascinated by the country, but compared with Guo Zhenni, Du Du lacks that "charm", more is tenderness and sweetness.
Zhao Hede was the younger sister of Zhao Feiyan, introduced by Zhao Feiyan to Emperor Hancheng, and she was well aware of the intrigues in the palace siege, so she never easily delivered her true heart. She is scheming, cautious and sleek, collecting thousands of favors in her life, and also doing all the bad things in the world.
Guo Zhenni interprets the ambition and calculation of this character to the extreme, and every look and expression is integrated with the role.
Creating such a successful role, but did not make Guo Zhenni popular, but for many years, little known.
Guo Zhenni graduated from Chinese opera and was a classmate of Wenwen and Bai Baihe.
After her debut, she also played many roles.
In "The Dumb Bride", Liu Xiangjun, the ruthless and wayward Miss Qianjin.
In "The Spring of Kapok", Zou Xiaofei, whose parents are both dead and obsessed.
In "Step by Step", the knowledgeable and reasonable and sentient and righteous Beijing Ya prostitute Lu Wu.
Guo Zhenni is multi-faceted, pure, brutal, sexy, and dignified.
In 2016, after acting in "Lurking Before Dawn", she faded out of the entertainment industry.
Wang Han once said that she is the queen of Hengdian and basically shoots dramas for 12 months a year.
So desperate, why didn't it turn red? There are three reasons for this.
First: No one is supporting.
It is said that Xiaohong relies on praise, and Big Red relies on life. If there is no one behind you to push it, there is no acting skill, and it is not related to "red". The so-called praise is to create a human setting, resource blessing, as long as there is a blockbuster drama, it is the key point to change the life against the sky. Obviously, Guo Zhenni lacked Bole.
Second: Character determines destiny.
Guo Zhenni has created many villain roles, but in reality, she likes to read, travel, live simply, and do not argue.
This kind of personality is good, but if you want to become famous, you can't become a big climate without a little ambition.
Success is in the sky, plotting is in the people, looking at the actresses who are active in the entertainment industry today, which is not desperately climbing up.
Third: did not find the correct positioning.
Each actor has his own characteristics, playing his own characteristics to the extreme, and fitting with the role, often can play a multiplier effect, such as Jiang Xin encountered "Zhen Huan Biography", Zhao Liying met "Flowers and Bones".
Guo Zhenni has played many roles, but none of them are extremely brilliant, and they lack memory points.
Now that Guo Zhenni has entered the age of 40, it is basically impossible to turn red. However, she is also not here, and after retiring, she lives a low-key and quiet life, not seeking great wealth and nobility, but only seeking small wealth and peace.
02 Lv Yi (born in 1984): Sweet and lovely, born at an inopportune time
Lu Yi is a good friend of Guo Zhenni, when she was on "Sister Riding the Wind and Waves", Guo Zhenni also called for her.
The two sister flowers, I am afraid that the situation is similar, is particularly sympathetic to each other.
Lu Yi is completely born on the road of an actor. She danced ethnic dances since she was a child, all the way from Chongqing to Beijing, thinking that she would dance for a lifetime, but she ended up killing a director named Xu Ke halfway.
In 2004, Xu Kexiang took a fancy to Lü Yi and let her play Xiao Yu, who was disabled in "Sanda", and thus officially debuted.
From the appearance point of view, Lu Yi has a fleshy face, round eyes, slightly convex rabbit teeth, and the whole person looks non-aggressive, cute and agile.
Therefore, most of the roles she played in the first few years were of this type.
In "Flying Immortals Outside the Sky", he is firm and persistent in love, just like the girl next door, fresh and lovely Saigin.
In "Snow Mountain Flying Fox", the beautiful and gentle Nanlan with a tragic fate.
In "Snow Is Burning", luo yi, who is innocent and kind, unfortunately disabled.
Since 2007, Lu Yi has been constantly seeking breakthroughs and began to appear in suspense dramas, criminal investigation dramas, and light comedies.
One of the biggest breakthroughs is that in the 2014 "Ordinary World", Lu Yi incarnated as He Xiulian, a shanxi girl.
He Xiulian did not have much culture, just a rural woman on the high slopes of the loess, but her bones were full of tenderness and tenacity, giving Sun Shaoan a harbor to anchor.
Lü Yi's "self-destructive image" vividly interprets He Xiulian's simplicity and strength. In front of the powerful actor Wang Lei, he also showed no weakness.
Everyone thought that Lu Yi would use this role to spread her wings and fly high, but in the following years, she almost only had one play a year, and none of them were hit dramas.
In 2021, Lu Yi appeared in the "Sister Riding the Wind and Waves" program, and everyone suddenly saw her existence.
On singing skills and dance on appearance, she is at the middle and upper levels, but there are few hot searches on the topics of manufacturing. The show was over, and she was back on the edge of the entertainment industry.
Over the years, where did Lu Yi lose?
First: Looks limit the play path.
Lu Yi's appearance is very beautiful, but the beauty is beautiful, lacking in characteristics, and when shaping the characters, it lacks memory points and possibilities. Therefore, most of the roles played by Lu Yi in recent years are biased towards the role of "vase", even if the acting skills are good, they cannot be on the stage.
Second: lack of topicality.
Topicality means attention, whether the topic is good or bad, it is traffic for artists. Those artists who stand at the top of the pyramid, which do not have a basket of stories behind them. In the past few years since Lu Yi's debut, it is more like a blank piece of paper, and for the audience and the media, there is no talking point.
Third: It is not the right time to be born.
Lü Yi's appearance, put into the costume drama or idol drama, will have an audience. However, at the time of her debut, the costume drama entered the end of development, the idol drama also fell into a downturn, and the resources itself were not good enough, and it failed to seize the last gust of the times.
I hope that Lu Yi will encounter a good script in the future and continue to cut through thorns on the road of actors.
03 Xu Baihui (born in 1983): A golden supporting role in 18 years of debut
Xu Baihui played the role of "Yu Hong" in "The World of Man".
Yu Hong is the most inconspicuous character in Zhou Bingkun's group of hairs. She didn't have Chunyan "going to do something", no Wu Qian was overbearing, she just hid in the corner and accepted all the gifts of fate alone.
Xu Baihui deduced the duty, conservatism and simplicity of a rural woman in northeast China.
Similar to Yu Hong's fate, Xu Baihui is also ignored in the show business circle.
Xu Baihui's debut was an accident, at the age of 17, she recorded an album in the recording studio to commemorate the youth, and was encouraged by the supervising teacher to enter the Central Academy of Drama.
In the 18 years since her debut, Xu Baihui has wandered in various supporting roles.
Princess Yang Meiyun in "The Sun and Moon In the Sky".
He Hua, the Xiang sister in "My Son is Strange".
The dowry concubine Meng Zhaoshi in the "Biography of Mi Yue".
The kind and upright Concubine Yi in "Yanxi Palace Strategy".
These roles, or gentle, or spicy, or scheming, or sincere, Xu Baihui shows the multi-faceted nature of the actor.
But it is a pity that these characters have a good reputation, but they have not been able to let Xu Baihui come out of the position of supporting roles.
From the supporting role to the protagonist, where is Xu Baihui?
First: There is no representation role.
For so many years, Xu Baihui's films have been continuous, basically three or four works have come out every year, involving a wide range of roles, from urban beauties to deep palace women, there are her figures.
For actors, the role is more important than the classic. How many first-line actors are famous by one role, and many roles mean vague positioning, unfocused, and less likely to stand out.
Second: no packaging.
Acting is fundamental to actors, but packaging is a stepping stone. The so-called packaging is built from the inside out, such as human design, such as topics, such as images.
These packaging can tap into the highlights of the actors, create topics, and implant them in the minds of the audience. Obviously, Xu Baihui lacks these, and when you mention her, you can't extract any keywords in your mind.
Third: Lack of aura in appearance.
Xu Baihui is a typical northeast girl's appearance, three-dimensional features, face shape, but the angular face has more of a "blunt feeling", and there is also a "wooden" temperament on the body. As a result, she has no sense of discord in portraying rural women, but she does not shine in other roles.
An actor like Xu Baihui in the show business circle belongs to most of the existence, not God appreciates food, no acting talent, general appearance, but win in diligence and steadfastness, but can also make a world of their own.
04 Mu Tingting (born in 1984): A bully in the entertainment industry
Mu Tingting is a typical entertainment industry bully, who has been among the best since she was a child, and when she was at the Beijing Film Academy, she practiced the sound table without sleeping and eating, and got a master's degree from Nortel.
She herself is extremely good, pure in appearance, clean in temperament, especially stunning in costume dramas.
In 2005, Mu Tingting, who was still a sophomore, was selected to join the crew of "Jinyiwei" and starred in the love-hate Jinzhi.
Immediately after that, she played the villain Liu Wumei in Zhu Xiaotian's version of "The Legend of Chu Liuxiang", which was flexible and lively with a little rebellion, which was more brilliant than Hu Jing and Qiu Porcelain.
After graduating from Nortel, Mu Tingting focused her attention on costume dramas.
In "Peacock Plume", the naïve and poisonous Liu Xing.
In "Step by Step", the dignified and atmospheric Empress of the Urana Lama clan.
In "Living Buddha Jigong", the pure and affectionate Xuannu Palace Lord has a cold heart.
In "Every Day there is joy", Bai Meiying, who is lively and cute and has deep feelings.
These dramas have been popular for a while, creating good ratings, but Mu Tingting has been going downhill until her youth is exhausted and she is on the edge of the show business circle.
Mu Tingting is talented in acting, coupled with a characteristic appearance, should have killed a bloody road in the entertainment industry, but she is now almost gone, where is the problem?
First: being dragged down by the original family.
Mu Tingting's parents divorced when she was 1 year old, and she lived with her grandparents, and there was a gap between her father and stepmother.
She once mentioned her family on the show, and when her father saw it, he was very angry and even used legal means to accuse Mu Tingting.
The poor original family made Mu Tingting, who was already lonely, more reluctant to participate in programs and activities, which reduced the amount of exposure.
Second: Sign the wrong company.
In 2012, Mu Tingting signed a contract with "Lafeng Entertainment", and the owner behind the scenes, Chen Meilin, is a real estate businessman who knows how to create an artist.
In those years, "Lafeng Entertainment" invested in many dramas, such as "Every Day there is Joy", "New Living Buddha Jigong", "Land Gongdi" and so on.
The company seems to have given Mu Tingting a lot of resources, but these dramas have empty traffic but no reputation.
After the big waves of the showbiz industry, these dramas were spat on by the audience as "thunder dramas", and Mu Tingting's reputation plummeted.
Third: Failure to complete the transformation.
At the time of Mu Tingting's debut, costume dramas and mythological dramas still had some heat, so they also gave her the first share of the soup.
However, with the changes in the showbiz circle, these dramas have not met the audience's taste, and Mu Tingting did not realize this and still desperately performed this type of drama.
As soon as these dramas became obsolete, Mu Tingting, who failed to complete the transformation, naturally fell to the bottom and became no drama to shoot.
Now Mu Tingting is almost a small transparent in the entertainment industry, and there may not be a play out for a year.
Someone asked Mu Tingting if she had withdrawn from the circle, and her answer was also very direct:
"I don't belong to the entertainment industry, it doesn't matter if I retreat or not, I can't control when the scenes I shoot will be broadcast."
Indeed, nowadays, the censorship of the show business circle is becoming more and more stringent, and it is even more difficult for thousands of ordinary actors.
05 Li Qian (born in 1984): Cheng also has a girlish feeling, and defeat is also a girlish feeling
Li Qian debuted very early, and entered the crew of "Wulin Waishi" at the age of 16, partnered with Wang Yan and Huang Haibing.
Li Qian learned dance from an early age, did not receive any professional performance training, and relied on talent and aura to play the role of "Little Mud" to three points.
At the same time, this role exerts Li Qian's eccentric, innocent and immaculate temperament to the extreme.
The mole at the corner of her mouth became a unique identifier.
In the following ten years, Li Qian relied on similar roles and wandered in the show business circle.
In "The Granary of the World", the clever, mischievous and cute "little comb".
In "The Legend of the Double Dragon of the Tang Dynasty", Song Yuzhi, who is free and uninhibited and has unlimited tenderness.
In "The Weaver Girl of Tianya", the cute and understanding little weaver girl "Tao Qianqian".
In "Dragon Gate Dart Game", Lu Qing orange, who is simple and noisy and has strong martial arts.
It is good for actresses to find their own characteristics, but being framed in the role of young girls limits Li Qian's development.
Li Qian also realized her limitations, and she began to try different roles.
For example, the refugee pregnant with Liujia in "1942", the anti-Japanese hero Gao Yanan in "Xiu Cai Meets the Soldier", and the mother Zhang in "I am Yu Huanshui".
After the transformation, Li Qian bid farewell to the girlish feeling and developed in the direction of "young woman", but the result was not satisfactory. The role is small, the role is not brilliant, and she has fallen into the most embarrassing situation of a middle-aged actress.
Along the way, not being red is Li Qian's fate.
First: the road is too narrow.
The girlishness has made Li Qian, but it also makes Li Qian's play road too narrow.
In those years, Li Qian devoted her youth to the role of "Little Mud", the role was successful, but it was a kind of consumption for Li Qian.
Too many girly roles, so that the later Li Qian, no matter what she plays, let the audience have some "drama".
Second: the mole at the corner of the mouth is removed.
You know, in the show business circle, recognition is more important than beauty, such as Tao Hong's deep eye sockets, which have made her different since her debut.
Li Qian's biggest symbol is the mole at the corner of her mouth. But she still clicked off this mole, and her appearance has improved a lot, which also makes her invisible to everyone.
Third: No ambition.
Li Qian once said a classic sentence: "No ambition is my ambition." ”
Without ambition, it is basically impossible to want to be popular.
Even if someone pulls you along, they don't know where your hand is.
Perhaps for Li Qian, this tepid state is the best, no need to face public opinion, no need to face the camera at all times, there are not many films, and there is a lot of time to enjoy life.
It's okay to settle for the status quo, as long as you don't complain about the world.
06 Wang Xiaochen (born in 1988): There is the ability to be red, there is no luck in red
Wang Xiaochen was born for the arts, learning dance at the age of 3 and Peking Opera at the age of 9, and later gave up the guaranteed quota of the China Drama Academy in order to go to the Shanghai Theater Academy to study acting.
At the Shanghai Theater Academy, she was in the same class as Chen He, Jiang Shuying and Zheng Kai.
When these students have emerged in the entertainment industry, Wang Xiaochen seems a little lonely.
In 2006, she debuted with a "Modern Beauty", and for the next 8 years, she was unknown.
Until 2014, Wang Xiaochen played Fang Yiyi, the sister of "brother" Huang Lei, in "I Love Male Girlfriend", thus having several remembered roles.
In "Mother Is Like a Flower", the cute "poisonous tongue sister-in-law" Madana of the ghost horse.
In "The Second Child Era", the cute and kind and a little childish hot mother Jin Cancan.
In "Good Time", Mao Xiaochun, an ophthalmologist with sharp teeth and frankness.
In "My Physical Education Teacher", the energetic Young Queen Xiaomi, who bravely pursues love and is eccentric, regardless of the world's vision.
He has played many supporting roles and sat on the stool of female number one, but Wang Xiaochen has never been able to find a breakthrough point.
Today, 34-year-old Wang Xiaochen, resources are visible to the naked eye.
To sum up, Wang Xiaochen still lost at these three points.
First: character homogenization.
Wang Xiaochen's appearance is very recognizable, cute with aura, sweet with liveliness.
Therefore, she is always playing roles that match her own characteristics, or ghost horse elves, or sharp teeth.
At the end of the day, this type of character is playing herself. No matter which role, it makes no difference.
Second: lack of luck.
Wang Xiaochen has acting skills, she has acted in "I Am the First Half of My Life" and "Qingyi" on the stage of "I Am an Actor", and her explosive acting skills have been well received.
However, I have an acting skill, and I have not been able to meet the explosive drama, and I still can't be popular.
More than ten years after his debut, Wang Xiaochen's films are about quite a lot, but every play is unremarkable.
Third: Choose the wrong company.
Wang Xiaochen signed Huayi when she graduated, and according to the reason, with the support of a company with a strong background, she should go out of the circle.
The fact is that Huayi has Big Names such as Li Bingbing and Zhou Xun, and the resources will not be inclined to Wang Xiaochen at all.
In those years, Huayi had been going downhill and could not give Wang Xiaochen too many resources.
Later, Wang Xiaochen and Huayi terminated their contracts, fell into the situation of no company, and missed the golden period of development.
Wang Xiaochen has ambition and ability, but he lacks the right time and place, and can only rub shoulders with fame.
07 Little Li Lin (born in 1980): The midlife crisis of the national goddess
In 2001, "Marrying the Wrong Flower Car to the Lang" became popular with Huang Yi, and also let Xiao Li Lin taste the taste of fame.
Du Bingyan, played by Xiao Lilin, raises his hands and throws his hands and feet are all charm, and every smile is a style, which can be called a rich flower in the world.
After going out of the circle with this role, Xiao Li Lin took over many roles.
In "A Lin Sister Fell from the Sky", Kong Yuniu, who works at McDonald's.
In "The Million Bride of True Love", Chen Yu, a bad daughter-in-law who has a deep heart and will stop at nothing to achieve her goals.
In "Living Buddha Jigong", Xu Yulian, a good daughter-in-law with a kind heart.
These roles did not make Little Li Lin popular, but let her career plummet.
Xiao Li Lin looks classical, fleshy nose, big eyes, very test makeup style, if the costume is not good, she exudes "rustic" all over her body, plus her acting skills are not outstanding, it is difficult to walk out of a road of her own.
In 2016, after filming "Be My Father in the Next Life", she completely faded out of the entertainment circle.
In addition to her appearance, there were three points that stopped Xiao Li Lin's footsteps.
First: Enter into marriage too early.
After filming "Marrying the Wrong Flower Car to the Lang", Little Li Lin married Li Xuetao, a senior who was 8 years older than herself. She was only 22 years old.
After marriage, Xiao Li Lin gave birth to a daughter, busy with the family, and lost the golden period of career development.
Li Xuetao is the teacher of the play, and the two are considered to be a combination of pearls and strong forces. Unfortunately, the marriage of the two faces many problems, and both are tired.
The aura in Xiao Li Lin's body was gradually depleted in the bad state of marriage.
Second: Do not do the right thing.
Little Li Linzhi is not in the show business circle, she has always wanted to make a lot of money by investment, so after marriage she opened several chain restaurants, just made a lot of money at the beginning, but after the financial crisis, she lost a lot of money.
Actors need to focus, and Little Li Lin, who is entangled in business, has no intention of honing her acting skills and naturally cannot play a classic role.
Third: there are no resources.
After "Marrying the Wrong Flower Car to the Lang", Xiao Li Lin did not receive a good script. Like Huang Yi acted in "Huan Zhu Ge Ge Third Part", although the TV series was complained about, but there is a mass base, black and red are also red.
Xiao Lilin's acting skills and appearance are not inferior to Huang Yi, but she did not encounter such an opportunity. He has been circling in bad movies and has lost all the audience popularity he has accumulated.
For xiao Li Lin, who is over forty years old, red is still paste, and she has long since stopped caring.
Now she is four years younger than Jing Chao into a second marriage, enjoying the happiness and sweetness of the family. If you have time, play live with goods, and your life can be comfortable.
summary
These 7 "marginalized" post-80s actresses have witnessed the scenery and loneliness of the showbiz.
Maybe the flowers and applause have nothing to do with them, but they have also had light and heat, and some people still have unlimited possibilities.
Debuting for many years, from a passionate youth to a tepid middle age, it is the fate of most ordinary people.
When we were young, we all thought we could get ahead, but later we found out that there was too much helplessness in life, hard work was only the basic condition for success, and luck and timing depended on personal life.
Whether they succeeded or not, at least they have shined, and in the days to come, reconcile with themselves, follow their hearts, and live as they like in the days when no one cares.
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【Healing Girl】Record the sudden changes in the entertainment industry, thank you for your praise and attention!