In the 90s of the 20th century, a little girl named Mu Tingting successfully created a character named "Xuannu Palace Master" in a TV series "Living Buddha Jigong" that depicted Buddhism, and became famous in one fell swoop and entered the attention of the audience.
At that time, the single-color TV picture could not hide the flying look on the girl's face. Her clear eyes are full of intelligence and enthusiasm for acting.
The woman in Tsing Yi played by Mu Tingting is cold, arrogant, and untainted in the eyes of everyone. But this little girl has her own unique understanding of her role.
She used a delicate expression to reveal the softness and fragility of the woman's heart. Under her interpretation, this woman named "Palace Master" is not only indifferent on the outside, but also hides a living soul.
The audience was impressed by Mu Tingting's acting skills and affectionately called her "Blue Rabbit Palace Master". Her cold and charming face and blue makeup are deeply imprinted in people's hearts.
A 14-year-old girl used her flamboyant talent and enthusiasm for acting to conquer thousands of families in front of the TV.
Next, Mu Tingting took on a completely different role from the "palace master" in another hit drama "Joy Every Day" - the lively and cheerful ninth sister Bai Meiying.
In the face of such a big contrast, Mu Tingting did not have the slightest stage fright. In the crew, she always happily came to report first, and smiled unreservedly in front of the camera in her costume.
One is cold and the other is sunny, Mu Tingting successfully interprets two very different women vividly. She used her acting skills to conquer every family with a TV in that era, and became the goddess of childhood in the minds of countless people.
A 14-year-old girl shines on the screen like this, proving that she is a talented leader in the new generation with her strength.
In the late 90s of the 20th century, a girl named Yang Rong made her debut in the entertainment industry. As a newcomer, Yang Rong continues to stand out through her acting skills in various TV series, and gradually makes people familiar with her name.
"Young Bao Qingtian" is the first well-known supporting role she plays, a playful and cute girl called "Little Kite". In the crew, Yang Rong is always smiling and mingling with her co-actors.
This also allows her to quickly integrate into the crew and have a more three-dimensional understanding of the role. On the screen, the audience was gradually attracted by her vivid performance.
Next, Yang Rong played a negative role in "Song in the Clouds" - Huo Chengjun. In order to portray this vicious and sinister female number two, Yang Rong became silent in the crew, and often pondered the role quietly by herself.
This made many people feel that she had become apathetic. But when the director shouted "action", she incarnated into the scheming Huo Chengjun again, and her acting skills were perfect.
One is playful and the other is vicious, Yang Rong successfully proved to the audience that she is a very good actor through these two different roles. Her strength and ability to understand the role are gradually recognized by people, and she is regarded as a newcomer with unlimited potential.
However, Yang Rong's Buddhist personality and lazy style make it impossible for her to rise at a high speed in the entertainment industry. She doesn't love and market herself, and she's not good at playing with resources.
This became the main obstacle for her to soar in this circle.
Despite her outstanding acting skills, Yang Rong finally failed to become the kind of first-line actress who is a household name. But with her works and professionalism, she has also touched generations of audiences.
These are enough to prove that she is an extraordinary actor. Stepping into the 21st century, a girl named Guo Zhenni gradually emerged in the entertainment industry. She has a pair of talking eyes, and her seductive eyes often make people can't take their eyes off it.
This has also become an important capital for her to successfully interpret the beauty of ancient costumes. In the costume drama boom of that era, Guo Zhenni became an instant hit with the drama "Mother of the World". Her interpretation of Zhao Hede in the play is charming and moving, and she was affectionately named "the first green tea" by the audience.
For this role, Guo Zhenni did not hesitate to meditate, knit, and go to the kitchen for a long time in the crew to better understand the living conditions of ancient women. This allows her to vividly interpret the image of a three-dimensional ancient woman.
Then, she shined in "Hua Xu Yin". One is gentle and the other is charming, Guo Zhenni successfully interprets the different personalities of the two ancient women.
The audience was impressed by her super acting skills, and they gave her a good name - "The First Enchantress in Costume Dramas".
With her outstanding performance in costume dramas, Guo Zhenni quickly became one of the hottest first-line actresses. She has conquered the hearts of many drama fans with her strength and understanding of the role.
However, Guo Zhenni has a low-key personality and is unwilling to build momentum through marketing. This prevented her from finally reaching the pinnacle of actressing. But through her acting works over the years, she has engraved her name in the hearts of countless audiences.
With the changes of the times, it is difficult for an actor to soar in the entertainment industry just by relying on acting skills. Chen Yao and Mao Linlin are proof of this.
At the end of the last century, Chen Yao became popular in the entertainment industry for a while with her excellent acting skills in the TV series "Heartless Mage". Her superb acting skills and understanding of the role made the audience impressed by this newcomer.
However, Chen Yao has a low-key and introverted personality and is unwilling to hype herself through various marketing methods. Gradually, in that era of valuing traffic packaging, Chen Yao still failed to keep up with the rhythm and was left behind by the new actress.
Similar to Chen Yao, Mao Linlin also once made a brilliant appearance because of his outstanding acting skills in the TV series "King of Lanling". The villain role she successfully created once made her in the limelight.
But the good times didn't last long, and then she was criticized and attacked on the Internet. This made her, who was gentle and shy in private, feel devastated, and chose to leave the center of the stage and no longer take on important roles.
Chen Yao and Mao Linlin have both had glorious moments and conquered the hearts of countless audiences with their strength. But in this era of valuing traffic over acting, their ending has also become a warning for many people.
This is an era of alternation between the old and the new, and the new will always replace the old. But the works they left behind are still alive in the memories of the audience.
Mu Tingting, Yang Rong, Guo Zhenni, Chen Yao, Mao Linlin, everyone has conquered the hearts of the audience with their strength in their own times, but in the end, they were not able to reach the top of the entertainment industry.
Maybe they are not destined to rely on various marketing methods to become popular all over the world and become the kind of superstars that are household names. But through their works, they left an indelible mark on the hearts of the audience of that era.
That is the recognition and love they have exchanged for youth and sweat. Now, in this materialistic, flashy and illusory entertainment industry, they have chosen a life without contention. Maybe it's another good way for them to exist.
People have their own aspirations, and although their life paths are different, they all deserve to be respected by the people of this era. They may not return to the stage, but their passion for art still inspires those who come after them to pursue it tirelessly. I sincerely wish them to continue to light up their lives and the world in their own way, wherever they are.
Because in the story of an era, there is always a group of people who shine their own light where the spotlight can't shine.