The 1994 version of "Romance of the Three Kingdoms", referred to as the old "Three Kingdoms", has a lot of drama - that is, there are no things in the original book.
Originally, this kind of thing is easy to attract the hatred of fans of the original, but this is the magic of the old Three Kingdoms: many scenes, added just right.
Du Jiafu, Zhu Xiaoping, Liu Shusheng, Ye Shisheng, Zhou Kai, Li Yibo and other teachers are really remarkable.
Take the example of Lü Bu, who is not right with Teacher Zhang Guangbei.
In the original work, it is written that Pi was surrounded by Cao Cao and flooded the city. In a desperate situation, Lü Bu's reaction at that time was as follows:
"I have red rabbits and horses, crossing the water like a flat earth, and why be afraid!" Nari and his wife and concubine drank wine bitterly, and because the wine color was too bad, it was described as a loss.
In the play, Lü Bu also said this line, and he was pouring wine, which seemed to be proud.
But then the camera zooms in, the wine is overflowing, and he is still pouring the wine, forgetting it.
There are many interpretations of this moment - the wine overflows≈ the water overflows; Lü Bu is sharply inward; Lü Bu has lost his soul and can only escape through wine.
Just this one shot thing. How wonderful.
This paragraph was done by director Shen Haofang. His old man was the director of the first "Flock of Heroes Chasing Deer" - in fact, this paragraph is said to be Cao Cao's biography, which is also OK.
The role of Cao Cao is very difficult to grasp. Rule the world can be a subject, chaotic world adulterous male. The chief culprit of the hero's merit is not two people, and the smell of the stink is one. The article has a god and a domineering spirit, how can it be reduced to dust.
You have to write that he is a hero, and you have to write that he is a traitor—especially in the Romance of the Three Kingdoms, he is one of the three absolute traitors.
Teacher Bao Guoan can act in a divine way, every detail is worth pondering, making people drink alcohol, which is a long story.
Moreover, a few strokes of genius are added to the scene, which enriches his personality.
Su Shi once made up an allusion during his scientific expedition. Later, when I was asked, I said that according to the style of the saints, it was also expected to do such a thing.
The principle of adding drama also lies in this: as long as the addition is logical, it will not arouse the disgust of the original readers, and even, the icing on the cake.
To some extent, Bao Guoan's teacher Cao Cao can be said to be so good, because the addition of drama is even better than the original work.
For example, the network loves to spread this meme:
However, in the TV series, after Cao Cao coldly borrowed Wang Gao's first rank to reassure the people, he coldly watched Wang Gao die.
Silently turned around, alone in the tent, walked for a moment. The issue is solved. It should have been easy.
However, he turned to the outside, furrowed his brows, and made a hand that no one could see, in order to send Wang Yuan.
End of the episode.
Without a word, Cao Cao's image stood up.
For example, in the same episode, Wancheng. Zou Shi—also known as the daughter-in-law of the Pig Eight Commandments—lured Cao Cao outside the city, and Zhang Xiu and Jia Xuding planned to sneak in. Dianwei died in battle to save Cao Cao.
On that day, Zou Shi sang a song:
"I am a drifting man, and my life has been hard,
Leave the chaos to meet the king, feel the grace of the jun Pingshui.
Jun's love is a moment of joy, and the smoke is a good day,
Tears for Junshou, wine marks cover the dust.
The lights are dim, the tent is deep,
Shallow and shallow, low groan.
A moment of joy, a moment of warmth.
Tomorrow the water will be the head, and the relics will bury the soul of incense. ”
In the song, Dianwei died in battle. Cao Cao found that there was chaos outside the account, got up and glared at Zou Shi, and for a moment, he turned around and fled for his life.
This song is written alive by Zou Shi, not mentioned.
The magic in this lyrics is used to say that it is also universal. In ancient Chinese poetry, there is often a custom of loyal subjects treating themselves as women.
Cao Cao loved the joy of the moment, and Dianwei fought with his life to repay Cao Cao's kindness.
There was not a single extra line, which brought zou and Dianwei to life—Cao Cao was still staring at Zou (to some extent, also staring at Dianwei) at the moment before he turned around.
For example, the White Gate Tower. The original book wrote that Chen Gongjing asked for his own death and never looked back.
Here in the TV series, a shot was added.
When Chen Gong went down to the city tower and Cao Cao stayed all the way, Chen Gong turned his head back once and looked at Cao Cao.
At this point, the voiceover begins.
"I am willing to abandon this county order and go with my father to seek great things." ——What Chen Gong said when he captured and released Cao.
"I'd rather bear the burden of the people of the world, and the people of the world should bear me." ——What Cao Cao said to Chen Gong that year.
A thousand words, all in these two sentences.
So Chen Gong turned back and went away martyred.
In the original work, Chen Lin wrote a text for Yuan Shao to scold Cao Cao, and Cao Cao was frightened and healed. After capturing Jizhou, he captured Chen Lin and asked. Chen Lin said that she was like an arrow on the string and had to send it. Cao Cao then let him go.
In the TV series, Cao Cao gave Chen Lin one more task: take the mighty insult to him and go with him to the grave of Yuan Shao.
Chen Lin took the text with her and began to read it. The generals of the Cao family could not listen to it, and begged Cao Cao to stop and not read it.
The following line is the peak of the whole play.
"Read! Why not read it? When this article reached XuDu, we suffered from head wind and were sick in bed. After reading this article, I was creepy and sweaty, and I didn't feel that my head was suddenly healed, so that I could lead an army of 200,000 people to enter Liyang, resist Yuan Shao, and fight with him to the death. It's like an arrow! As soon as this arrow was fired, it attracted the corpses of many heroes to chen sand field, and the souls returned to the Western Heavens. I Cao Cao is not subject to this arrow, the strong man Can summon the soul into the earth, the night pillow qingshan! Starlight Yin Yin, its brilliant as words, do not read this text, Cao An can make up for the heavens with blood! ”
This passage, the original work and the "Romance of the Three Kingdoms", is completely absent.
But it is written so closely that it is like Cao Cao's tone. Even the momentum of "starlight Yin Yin, its brilliance is as good as words" is Cao Cao's posture in writing poetry.
Even if this period does not lose the possibility of buying people's hearts (after all, Cao Cao is a traitor), wei Wu's arrogance is really out.
Well, at the end of episode 23, it's time for the first part to end.
Day
Guo Jia
After his death, the Yuan brothers surrendered to Liaodong, and Cao Cao's army did not move forward. At the end, Cao Cao looks at the sea alone.
Of course, Xiahou Huan should be ignorant of the supporting roles and ask questions. Then the second Yuan first rank arrived, Cao Cao explained
Legacy.
In this regard the North is pacified, and
die. When Cao Cao looked up at the sky and said, "If you die of filial piety, the heavens will mourn me", the sound of the sea tide as the background further encourages this momentum.
Then there was the stroke of God, inserting "Guancang Sea" that was not mentioned in the original book.
To the east, it is bordered by Jieshi to view the sea.
The water is thick and the mountain islands are standing.
Trees are overgrown and grassy.
The autumn wind is cold, and the flood waves are rising.
The journey of the sun and the moon, if out of it;
The stars are brilliant, if out of it.
Luckily, even Ya, the song is sung in Yongzhi.
When this poem will come out, the north has been determined and the Yuan family has been destroyed. it is for joy.
but
He was already dead, and it was when Cao Cao himself was over fifty years old, and "he wanted to entrust the aftermath, and he died in middle age". It's for grief.
Send with the sound of the tide of the northern sea
Send Yuan Shao, send the whole north, send away the magnificent first part, after which the protagonist's perspective will shift to the side of Liu Bei and Zhuge Liang - in the Chibi part directed by Cai Xiaoqing, Cao Cao is mainly responsible for the side of rape and Meng...
Just add a poem, a scene, the taste is completely different.
I have to say that the screenwriter knows Cao Cao very well and loves Cao Cao very much.
It is the kind of "although I want to write you badly, I can't help but enjoy you" kind of like.
Like another so-called Three Kingdoms drama, the screenwriter let Chen Jianbin play Cao Cao, jump out of the car and pee on the spot.
When I think about it, the most I can think of is that the "Romance of the Three Kingdoms" quotes the "Biography of Cao Concealment" as saying, "
Taizu
It is easy to be a man without authority... And laughter, so much so that in the case of the head, the food is stained with scarves, and it is so easy. ”
That is to say that Cao Cao has no shelf, and the range of action is relatively rough.
As for getting out of the car and peeing in public, I don't know how to get it out?
Compared with the drama of "summoning the soul into the earth, sleeping on the green mountain at night, the starlight is yin yin, and its brilliance is as it is", which is high and which is low, it is really known at a glance.