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Zhang Daqian, Wu Hufan, etc. are all "penned" for them, and this big black horse is really "black" in Shanghai and autumn

author:Soaring

Shanghai Gongmei 2021 autumn auction will be held on December 5-8, this auction will be under the normalization of the new crown epidemic prevention and control situation, after careful adjustment and preparation, Shanghai Gongmei with deep collector resources, integration of various types of lots, shrinking the quantity and quality, adhere to the characteristics, the main features of the old collection of the maritime family, the famous title of the golden stone stele is one of the biggest highlights of this year's Shanghai Gongmei autumn auction.

  Ancient bronze tools (bells, weapons, utensils, etc.) and carved stones are collectively called golden stones. In the old days, the study of bronze and carved stone ancient scripts and related materials was called epigraphy. Jinshi science, which originated in the Han Dynasty, flourished in the Song Dynasty, and flourished in the Qing Dynasty. Since the middle of the Qing Dynasty, the wind of examination has become increasingly popular, and the world has obtained antiquities that are expanded, which can be described as "all things can be expanded". Moreover, the rubbings of the tablets, or the chants, or the examination of evidence became a temporary trend.

Zhang Daqian, Wu Hufan, etc. are all "penned" for them, and this big black horse is really "black" in Shanghai and autumn

  Qihou Jiao, also known as Qihou Ju, and scholars call it "Huan (Huan) Zi Meng Jiang Ju", is a bronze vessel of the Zhou Dynasty discovered during the Jiaqing period of the Qing Dynasty. Later, The bronze collector Cao Zaikui (Zi Qiufang) in Suzhou found a QiHou Jiao, except for the inscription less than 20 characters, everything else was the same, and it was called Qi Hou Zhongwei at the time. During the Xianfeng Tongzhi period, these two Qihou Mu were successively acquired by the great collector Wu Yun (号平斋), and first got a scroll, named "Holding the Room", asked He Shaoji to inscription the plaque, and then got another one, so he changed his name to "Two Xuanxuan".

  Dafeng Tang collects "Qihou Liangjing (拓) Ben", and under the rubbing is "Ink Xiang Hand Tuo", which is the hand extension of Lady Li Jinhong (No. Mo Xiang) of Yang Lake. Ms. Li is not a female red, good bell Ding Yi instrument text. Seeing the six boat monks, they tried their best to imitate and do their best to get their secrets. Because QiHou Ming hid the belly of the pot, it was not easy to expand the vertebrae, and it has always been cherished by collectors. Zhang Daqian got these two text rubbings, and successively invited the teacher Zeng Xi, his friends Wu Hufan, and Luo Changming to write the inscription, and also asked another teacher, Li Ruiqing's younger brother Li Jun'an, to write a signature.

Zhang Daqian, Wu Hufan, etc. are all "penned" for them, and this big black horse is really "black" in Shanghai and autumn

People who enjoy and collect bronzes know that weights and measures are the heavy objects in bronzes. "New Mangjia Volume" is a striking standard instrument in the history of measurement in China. The fragment of the new MangJialiang, which was excavated in Shanxi in the twenty-seventh year of Guangxu (1901), was unearthed, and only a small part of the amount of Huo was left at the time of excavation, but fortunately the 81-character inscription on the fragment was intact. This residue was originally collected by DuanFang and is now in the National Museum. This "new quantity" rubbing collected by Ye Luyuan should have been expanded by the new Mangjia scale residue hidden by Duan Fang. According to the collection of seal interpretations, this full-shaped Tuo has been handed over by Zou Shoufu, Zhao Shuru and others.

Zhang Daqian, Wu Hufan, etc. are all "penned" for them, and this big black horse is really "black" in Shanghai and autumn

  As a calligrapher and painter, Ye Luyuan was also very knowledgeable in his collection and appreciation of gold and stone rubbings. In addition to his own inscription, he also asked the great painter and collector Wu Hufan to inscribe the inscription, and Wu Hufan wrote the word "new quantity" in the seal book, and also wrote the long trek. In addition, Ye Lao also copied the full text of Luo Shuyan's (Luo Zhenyu's) "New Quantity Examination", and the fly-headed Xiao Kai, with a scruple, was unrelenting, and his cherishing feelings for this new amount of rubbing jumped on the paper. Also collected by Ye Luyuan is a "Jing Uncle Bell" rubbing. This "Jing Shu Zhong", acquired by Bi Qiufan during the Qianlong period, was later collected by Wuxing Zhang Lanzhu, and his son Zhang Yingchang "had a love of gold stone" and gave this full-shaped extension to Yang Li (trumpet dragon stone). On the 29th day of the 29th month of the 1843 sub-month (November), Yang Longshi inscribed a long trek and gave it to Yang Duo. After Yang Duo got it, there was also the seal of Zhang Baodeguan and the famous seal engraver Wu Rangzhi.

Zhang Daqian, Wu Hufan, etc. are all "penned" for them, and this big black horse is really "black" in Shanghai and autumn

  In addition, there is also a "Sangong Mountain Stele" expansion, the wooden splint folded a volume of a total of 31 pages, its title page has Yi Lixun selected to lin Sangong Mountain stele, he also inscribed: "The Sangong Mountain Stele is slightly combined with the body, in fact, the seal is also."

  People often say: "Jin Shi Shou, Han Mo Yuan". The "Jing Shu Zhong" rubbing, Yang Longshi inscription is written on the 29th day of the zi month (November) of the decoction (1843), and when Ye Luyuan collected the inscription, it was also the twenty-fifth day of the year of the decylogen Jiaping, and the February 8 of the Western calendar 1964. From Yang Longshi to Ye Luyuan, the paper crossed two nails, and now nearly 60 years have passed, I don't know who will continue the frontier and write the inscription?

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