Li Shangyin, Zi Yishan, a famous poet of the late Tang Dynasty. He and Du Mu were called "Little Li Du", and among the poets of the Tang Dynasty, he was a shining star. His poems are the highest in the achievements of the Seven Laws, and a series of love poems are worshiped by future generations. Li Shangyin's love poems, beautiful and sad, although some people criticize his poems for being too obscure and difficult to understand, but this does not affect his large number of fans, readers may not understand the original meaning of Li Shangyin's poems, but it does not affect the appreciation of the gorgeous sad beauty conveyed by his poems, and indeed Li Shangyin's love poems have touched generations of readers with their unique hazy beauty.
Li Shangyin's series of "untitled" poems are his representatives.
Untitled
It is difficult to say goodbye when we meet, and the east wind is powerless.
Spring silkworm to the end of the dead silk, the wax torch into gray tears began to dry.
Xiao Jing but sad clouds changed, night groan should feel the cold moonlight.
Pengshan has no more roads to go, and the blue bird is attentive to visit.
This poem can be described as a household name, and this poem also contributes to the golden sentence of eternity - "Spring silkworm to the end of the dead silk, wax torch into gray tears began to dry." ”
This sentence is used to describe the persistence of lovers, "silk" harmonic "thinking", thinking and falling in love until death, this loyal emotion is not blocked by time and space, and has been recited by people for thousands of years.
Another song, "Untitled,"
Last night the stars last night wind, painting the west bank of the building Guitang East.
There are no colorful phoenix wings, and the heart has a sharp point.
The partition sends hook spring wine warm, and the wax lamp is red.
Oh Yu listened to the drum and went to the official, and walked the Marantai class to turn the tent.
Last night was full of stars, last night a breeze,
I have wandered with you in the painting cabinet,
Although there are no phoenix wings under the ribs, they cannot be compared to the sky,
But it is as if the spirit has its own thread, and we can communicate with each other,
Sit and drink together, spring flowers and spring wine blend with warm fragrance,
Accompanying the game, the red candle is delicate but also beautiful but your face,
Unfortunately, the drums were so loud that I had to abandon you,
The ups and downs of the eunuch sea make me like a rootless canopy.
This song "Untitled" is written softly, the first link, the jaw link, and the neck link all write that the two people who love each other accompany each other, their shape is warm, their feelings are beautiful, but in the tail link, the poet finally has to run for his livelihood, and the reluctance and helplessness in between are expressed sadly and beautifully.
Li Shangyin has always been in the cracks of the "cow and Lee party struggle", his career is bumpy, and he has been depressed all his life, and it is not surprising that his poems have a strong tragic color.
Today we will read another of his untitled poems.
Tang Li Shangyin
The anchovy incense is thin and heavy, and the Biwen dome is deep in the night.
The fan cut moon was ashamed, and the thunder of the car was not understood.
It was once lonely gold ember dark, no news pomegranate red.
The spotted horse is only tied to the yang bank, where the southwest is a good wind.
Luo, or Aya luo, is a silk fabric. XiangLuo, the beauty name of Luo.
Anchovy Xiangluo refers to the Ayara with the anchovy pattern, the xiangluo is as thin as smoke, layered on top of each other, and the first seven words write the beauty and depth of the interior. The second sentence, "Bevan Dome", refers to a domed tent curtain embroidered with a turquoise pattern. From the first couplet, we know that the poem depicts a woman, alone in a deep boudoir, embroidered with a tent in the middle of the night.
In ancient poems, Luo Tent generally alludes to the good of male and female Yan, so the first two sentences suggest that the heroine lives alone in the seclusion, remembers the previous situation, and looks forward to the future, and the first two sentences set the tone for the whole poem.
"The fan cut moon is too shy to hide, and the thunder of the car is not understood."
Jaw two sentences, the beauty recalls the scene of the most recent encounter. The two should have met by chance. In this fortuitous encounter, the beautiful person held a fan like a full moon, half covering her cheeks, shyness, wheels rumbling across the street, just when the cars and horses were wrong, the two looked at each other, and ran forward in a flash, without having time to say a word.
But it is this time that passes by, leaving an indelible impression on the beauty, that moment is both close at hand and the end of the world, which is how deep the regret is for men and women in love, how heavy the suffering.
It was also that time of passing by, making it difficult for the beauty to let go, so it naturally led to the neck link: "Once it was lonely gold embers dark, no news pomegranate red." ”
The two sentences of the neck link focus on the pain of lovesickness when the beauty is alone - one lonely night, alone with the lamp, watching the lamp gradually fade; day after day, looking forward to it, it is the season of durian flowers but there is still no news.
The last two sentences: The spotted dragon is only tied to the yang bank, where the southwest is a good wind.
In the Lefu poem "Divine String Song Mingxia Children's Song", there is such a sentence: "Chen Kong is proud of ochre white, and Lu Lang rides on the ban." Hovering over the head of the hall, looking at the door and not wanting to return. In this poem, "Lu Lang rides the banko" is quoted, and the spotted horse is used to refer to the person who rides the spotted horse. His sweetheart may not be far away from him, and his spotted horse may be tied under the willow by the river, but even so, it is still difficult to understand. This is another lament that the beauty is beyond reach.
The last sentence, out of Cao Zhi's "Seven Lamentations" poem "... If the king clears the road dust, the concubine is like turbid cement. Floating and sinking are different, when will they coincide? May the southwest wind, long death into the arms of the king. Jun Huailiang is not open, what should the concubine rely on? ”
The protagonist of Cao Zhi's "Seven Sorrows" poem is also a woman who guards an empty house alone, Li Shangyin directly quotes Cao Zijian's verse in this "Untitled", which is in line with the original meaning of the original poem, and the beauty in the poem is eager to transform herself into a breeze and drum in the arms of her lover, which is the same as "At this time, I don't hear each other at this time, I wish to shine on the king month by month." "There are similarities and differences - hope to turn into a breeze, hope to turn into a moon to accompany the lover." The verses are so beautiful, but the emotions conveyed are loss, helplessness and sadness.
This poem "Untitled" presents Li Shangyin's consistent style, the emotions are beautiful, the poet describes the mourning that loves each other but cannot keep each other delicately and euphemistically, so that the reader can produce heartfelt sympathy and can sigh for people from the heart; on the other hand, the verses are gorgeous and exquisite, the jaw and neck are extremely neat and the words are very gorgeous, such as "anchovy incense", "bi vein", "golden ember dark", "pomegranate red" and white fans like a full moon, etc., describing various and colorful, and through this shape, The hints and contrasts of the colors set off the loneliness and sadness of the beauties, forming a humorous, delicate, hazy, and lingering beauty, with a long aftertaste, leaving the reader with a very distinct aesthetic feeling.