Zheng Xie (1693-1765), Zi Kerou, Banqiao, Jiangsu Xinghua people, Ying Keju as Kangxi Xiucai, Yongzheng ten years to raise people, Qianlong yuan year jinshi.
He is good at painting orchids, bamboo, stones, pines, chrysanthemums, etc., and has painted orchids and bamboo for more than 50 years, and his achievements are the most prominent. Taken from Xu Wei, Shi Tao, and the Eight Greats, and the self-made family law, the physique is sparse, and the style is strong.
Orchid Chrysanthemum
Zheng Banqiao, one of the "Eight Monsters of Yangzhou" in the Qing Dynasty, wrote and painted bamboo all his life, and loved wing bamboo even more. His bamboo poetry is timeless and contains a strong philosophical reason. In his later years, he inscribed a poem in a "Bamboo stone map":
For forty years, I have painted bamboo branches, and I have been thinking about it at night with a stroke of the pen during the day.
It is cumbersome and thin, and when it is painted, it is cooked.
Zheng Banqiao painted bamboo for 40 years, and finally realized that painting must remove the complicated essence of the truth.
《Ink Bamboo Diagram》
Happy bamboo love bamboo and I am one
The bamboo charm of Zheng Banqiao is transcendent, first of all, it is derived from the love of bamboo. He believes that bamboo is strong: whether it is wind and rain or cold and hot sun, it is straight.
Green and lush, bamboo "humble heart": whether it is a giant bamboo in the mountains or a green branch in front of the house, it is hollow and consistent, and it is never arrogant and self-respecting. Bamboo has "knots": it can withstand hardships and does not "renegade". The style of bamboo is in line with the temperament of Itabashi, and things and things are blended.
《Orchid Bamboo Stone Diagram》
Admire the bamboo and sniff the bamboo and observe quietly
Zheng Banqiao once said: "Where I paint bamboo, I have no teacher, but more than paper windows, powder walls, daylight, and moon shadows." "Yes, he spent his life with bamboo, and he planted a lot of bamboo in front of his house.
In the summer, he put a small bed in the bamboo forest. Lie down and read, admire the bamboo, smell the bamboo. In autumn and winter, he cut bamboo poles into small pieces, made them into window ledges, and pasted them with white paper. When the wind and the sun are warm, the bamboo shadows are reflected on the window paper, like a natural bamboo painting.
《Bamboo Stone Diagram》
Confident and repeatedly brewed
Zheng Banqiao once described the scene of painting bamboo: "In the early autumn of Jiangguan, looking at bamboo in the morning, smoke, sun shadow, and dew are all floating between the dense leaves. The chest is full of emotion, so there is a sense of painting. In fact, the bamboo in the chest is not the bamboo in the eye.
Therefore, grinding ink, spreading paper, dropping pens, and making disguises, the bamboo in the hand is not the bamboo in the chest." This passage of his tells the law of painting creation: the bamboo in the eye - the bamboo in the chest - the bamboo in the hand, that is, looking at the bamboo, thinking about the bamboo to painting the bamboo.
The god Offigure is a metaphor for man
Zheng Banqiao said in the "Zhengqiao Bridge Collection and Inscription Painting Bamboo": "The body of the cover bamboo, thin and lonely, the branches are proud of the snow, the knots are thousands of clouds, it is like a gentleman's arrogance, not vulgar." Therefore, Itabashi painted bamboo, not especially for bamboo to write the gods, but also for bamboo sketching. Thin and lonely, is its god also;
Heroic, is (its) life also. The "life" here refers to the external image of bamboo; the "god" here refers to the inner temperament. The shape of the god Bishaw, empathy to things, entrustment of meaning, can enhance the appeal of art.
《Bamboo Drawing》
《Bamboo Stalagmite Diagram》
Orchid Thorn Diagram
Zheng Banqiao painting bamboo:
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