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When it comes to who wrote good poems in the Tang Dynasty, Professor Ke's first thoughts are "poetry immortal" Li Bai and "poetry saint" Du Fu. After all, after so many years of study, the most memorized is their poems
However, Professor Ke remembered that he had previously studied a Tang Dynasty Zhang Ruoxuan's "Spring River Flower Moon Night". This poem is praised as "the lonely piece covers the whole Tang", is it better than the poems of Li Bai and Du Fu? Professor Ko decided to study it.
Who is Zhang Ruoxuan?
"Low key" to almost no record
The historical Zhang Ruoxuan may have been a very "low-key" person, so that he had such a good literary style, but he did not leave many records. In the main history, only the Old Book of Tang mentions:
"(Zhang) Ruoxu, Yanzhou Bing Cao", "First Shenlongzhong, (He) Zhizhang and Yuezhou He Chao, Wan Qirong, Yangzhou Zhang Ruoxu, Xing Ju, Huzhou Baorong, All Wu and Yue Zhishi, Wen Zi Junxiu, famous in Shangjing." ”
In the Qing Dynasty's Quan Tang Poems, it is said: "Zhang Ruoxu, a native of Yangzhou, a soldier from Yanzhou. With He Zhizhang, Zhang Xu, and Bao Rong, Wu Zhongsi. ”
Zhang Ruoxuan was able to join He Zhizhang, which shows that his works still had a certain influence at that time. However, his poems have been passed down very little, and Zhang Ruoxuan's poems are not found in various poetry collections and commentaries of the Tang Dynasty.
It was not until Guo Maoqian's "Lefu Poetry Collection" in the Song Dynasty that his "Spring River Flower Moon Night" was included for the first time.
After that, it was not until the "Poetry" of the Ming Dynasty that there was a simple evaluation of his poems. The world really attached importance to "Spring River Flower Moon Night", and even said that it was "a single chapter covering the whole Tang Dynasty", or it began in the Qing Dynasty.
"Single-story cover full Tang"?
The original words are not so exaggerated
Strictly speaking, there is no such thing as "a single piece of the whole Tang Dynasty" in history, which should be derived from the "Xiangqilou Poetry".
Wang Minyun of the Qing Dynasty said in the "Xiangqilou Saying Poem": "Zhang Ruoxuan's "Spring River Flower Moon", with the style of Xizhou, is a lonely piece, and it is for everyone. Li He and Shang Yinyan are fresh and moist, Song Ci and Yuan poems cover their tributaries, and the palace body of the giant Lan is also.
In fact, the so-called "lonely piece", originally referring to the level of intention of this poem, is the peak of the palace poetry of the same period.
Later, this sentence was used as "a single piece to cover the whole Tang", and it was widely disseminated, most likely because these five words were sonorous and powerful. But in essence, this evaluation is already beyond Wang Minyun's original intention.
Even so, we cannot deny the artistic value of "Spring River Flower Moon Night", because in addition to Wang Minyun, who is not very familiar with this professor, Wen Yiduo also commented that it is "a poem within a poem, the peak on the peak".
So, what is the good thing about Zhang Ruoxuan's "Spring River Flower Moon Night"? How can it be so much praise from everyone until it is selected for the textbook and asked to be memorized?
What's so good about "Spring River Flower Moon Night"?
Shabby old and new, towards the grand Tang Dynasty
In the words of Wen Yiduo, "Spring River Flower Moon Night" "went forward to atone for a hundred years of sins for the palace poetry, and backwards cleared the road of Sheng Tang" . For hundreds of years before the Tang Dynasty, palace poetry has always occupied the main position of poetry.
This type of poetry originated in the Southern Dynasty Imperial Palace, and its main content was the praise of the various landscapes and the pursuit of secular life.
The pursuit of formal beauty and rhetorical splendor in palace poetry is not very profound in connotation, and posterity has commented that it is "gradually soft and gradually refined", which has received a lot of criticism. Therefore, when it comes to Zhang Ruoxuan, although he still uses the grammar of palace poetry, his intention has directly risen to the relationship between man and nature.
Who first saw the moon on the riverbank? When did Jiang Yue shine at the beginning of the year?
Life is infinite from generation to generation, and Jiang Yue looks similar every year.
I don't know who Jiang Yue treats, but I see the Yangtze River sending water.
Smell a lot of marvels that this is "more absolute cosmic consciousness!" A deeper, more contoured and more tranquil realm! In front of the magical eternity, the author has only consternation, no longing, no sadness. ”
It can be seen that the artistic value of "Spring River Flower Moon Night" is indeed not ordinary, and Professor Ke really did not have a white back at that time.
So in the end, Professor Ke will recite "Spring River Flower Moon Night" to everyone!
The tide of the Spring River is connected to the sea level, and the bright moon on the sea is born together.
With the waves of thousands of miles, where the spring river has no moon!
The river flows around Fangdian, and the moonlit flowers are like thunderbolts.
The frost in the air did not feel flying, and the white sand on the ting could not be seen.
Jiang Tian was free of fibrous dust, and the lonely moon wheel was in the sky.
The white clouds went to a leisurely place, and qingfeng pu was overwhelmed with sorrow.
Who's flat boat tonight? Where is Acacia Mingyue Building?
Poor upstairs moon wandering, should be illuminated away from the people makeup mirror table.
The jade curtain could not be rolled up, and the anvil was whisked back.
At this time, they do not hear each other, and they are willing to shine month by month.
The long flying of the wild geese is not enough, and the ichthyosaurs dive into the water.
Last night's idle pond dream fell flowers, poor spring half did not return home.
The river flows in the spring, and the river pool falls and the moon slopes to the west.
The oblique moon sinks into the sea fog, and the jieshi Xiaoxiang infinite road.
I don't know how many people returned by the moon, and the falling moon shook the river tree.
100 pulpits
The second part of "Poetry in the Heart"
Broadcast time: January 15 - January 23, 12:00
Producer / Yan Dong Editor-in-Chief / Liu Ming Huang Lijun
Editor / Tian Chuyun Yu Yi Ren Wei (Intern)