"The wind rises and blows a pool of spring water" Feng Yanwei was worried about where it came from

Feng Yanmi (903-960) was proud to be an official. He was the secretary of Li Fu of the Southern Tang Dynasty, the secretary of the Marshal's Office before Li Jing ascended the throne, the Hanlin scholar chengzhi at the beginning of the ascension to the throne, and the prime minister four years after he ascended the throne. Feng Yanshu has been with Li Jing for more than thirty years, and the two have the same interests and hobbies, and the relationship is extraordinary.

Feng Yanmi's life was full of fine clothes and food, and his career was smooth, but his words revealed an endless and endless melancholy everywhere. His Huaichun poem "Gurudwara Kinmen · "The Wind Rises" is full of grievances, written in a clear and delicate, euphemistic and subtle, intriguing: "The wind rises, blowing a pool of spring water." Idle Mandarin duck incense path, hand holding red apricot buds. The fighting ducks are leaning alone, and the jasper scratches its head and falls obliquely. All day long, I hope that the king will not arrive, and I will raise my head to smell the magpie. ”

The spring breeze suddenly rose and blew a pool of clear water. Idle, teasing the Mandarin duck in the pond in the flower path, casually folding the apricot blossom bud and gently crushing it. Leaning alone on the railing by the pool to watch the fighting ducks, the jasper hairpin on his head hanging obliquely. I miss my sweetheart all day, but my sweetheart never returns, and when he is depressed, he suddenly hears the cry of a magpie.

Originally the water wave was not happy, suddenly the spring wind blew the water of the pond, and the ripples of this circle stirred up the emotional waves of a woman. Don't look at her seemingly leisurely, sometimes teasing mandarin ducks, sometimes rubbing flower buds, and leaning on the pool rail to watch the fighting ducks, but only from her lazy demeanor, we know that her mind is actually not here. The magpie's cry aroused her expectations, but who knows if this expectation will be fulfilled.

Feng Yanmi's masterpiece "Que Ta Zhi" repeatedly chants are also the depression and sadness of constant knife cutting and wine cannot be eliminated, in which the confusion and confusion, loneliness and sorrow are written in a long and delicate and profound way: "Who is idle and thrown for a long time? Every spring comes, the sorrow is still there. Before the day and day flowers, he often fell ill with wine, and he did not quit the mirror to be thin. Willow on the qingwu embankment on the riverbank, in order to ask the new sorrow, what is the matter every year? The independent bridge is full of sleeves, and the Hirabayashi Crescent people return. ”

Who says idleness has been forgotten for too long? Whenever the New Year comes, my sad mood remains. In order to eliminate this idleness, I drank in front of the flowers every day, allowing myself to get drunk, and every time I looked at myself in the mirror, the person in front of me would lose another point. The river is lined with grass and the banks of the river are lined with willow trees. Seeing such a beautiful view, I sadly wondered to myself, why do I add new sorrow every year? I was alone at the head of the small bridge, the breeze blowing on the sleeves. Only the rows of trees in the distance, shadowed in the dim moonlight, accompanied me.

There is also a work to be written about the girl's love, "Que Ta Zhi • Liuqu Lan Gan Snuggle Bi Tree", the language is bright, the scene is one, the intention is gentle, it can be called "golden landscape, a piece of emptiness": "Liu Qu Lan Gan Snuggle Bi Tree, willow wind light, show all the golden wisps." Whoever moved the tin kite to the jade pillar and flew through the curtain and the petrel flew away. Eyes full of gossamer and falling silk, when the red apricots bloom, a flash of clear rain. Thick sleep warblers talk nonsense, shocked good dreams have nowhere to be found. ”

In the shade of greenery, a chic, secluded small building quietly stands alone, and the zigzag balustrade is nestled close to the green trees, and the two are in perfect harmony. The spring breeze is gentle and gentle, and the yellow and green willows like silk swing their waists and sway in the wind. Spring is bright, the sky is clear, the gossamer is hanging, the willows are flying, this is already a twilight spring scene. Just as the apricot blossoms were in full bloom and delicate, a light rain began to fall. In such a deep and deep affection, she couldn't help but fall asleep, and when she was sleeping and dreaming sweetly, she was startled by the crisp warbler cry outside the window, and the dream was nowhere to be found.

Feng Yanwei was so worried, what was he worried about? Is it worried that there will be an invasion of the Later Zhou army and an attack by friends and parties inside, or is it worried that the political situation is in turmoil and the country's situation is precarious? The melancholy in Feng Yanshu's words has an uncertainty and obscurity that transcends time and space and specific events, implicit but not revealed. It is difficult to say what kind of emotion and what kind of sorrow. He just expressed this kind of idleness and idleness deep and lasting, and he could not abandon it and could not break free, and it was always entangled in his heart.

If he was really a man who worried about the country and the people, Feng Yanmi's behavior should not be like this: Feng Yanmi's character was quite criticized, and he was often accused by political enemies of being adulterous, sinister, and flattering, and he was called the "Five Ghosts" along with Wei Cen, Chen Jue, Cha Wenhui, and Feng Yanlu. The attacks of political enemies are inevitably exaggerated, but Feng Yanmi's repeated accusations are not without root. For example, he once said: "The ancestor Li Fu lost thousands of people, he could not eat, sighed for ten days and a half months, how can a farmer achieve great things." Today's Lord (Li Jing), tens of thousands of troops are fighting outside, and they do not pay attention to it, and they still keep feasting and bowing, which is the real hero. These words show that Feng Yanmi is politically mediocre and absurd.

Li Jing's grace for Feng Yanmi for decades has not waned, because Feng Yanshu has a set of tricks to fix favors: rhetoric, flattery, alliance with the party, and play with authority. In the Southern Tang Dynasty court, the party strife was fierce, with Feng Yanmi and others as one party, and Sun Sheng and others as one party. Several military defeats made Li Jing determined to eradicate the party struggle, and Feng Yanmi's faction was completely eliminated, and Feng Yanmi was actually safe and sound.

In the second year of Feng Yanmi's tenure as chancellor, his younger brother Feng Yanlu raised an army to attack Fuzhou, killing tens of thousands of people, and the angry Li Jing prepared to execute Feng Yanlu and others, and Feng Yanshu resigned in order to save his brother's life. At the age of fifty, he ascended to the throne again, sent troops to attack Hunan, and returned with a big defeat. Later, Huainan was attacked by Later Zhou, his younger brother Feng Yanlu was defeated and captured, and another chancellor, Sun Sheng, sent an envoy to Later Zhou and was killed.

In the year that Feng Yanshu died of illness, Zhao Kuangyin seized the world and established the Northern Song Dynasty. The following year, Li Jing died and Li Yu took the throne. Because Feng Yanmi's government had already left deep consequences, the fate of Li Yu, the lord of the Southern Tang Dynasty, became even more irreversible.

Feng Yanshu can be said to be an unsolvable mystery, his literary character is different from his personality, and he is both worried about the country and the people and acts recklessly.