Painting gallery: Liang Qichao's old subordinate, "proficient in landscapes, Meilan bamboo chrysanthemum" Yu Shao song

Yu Shaosong (1883-1949), nicknamed Yueyuan (越園), Zeng Yongyuan (曾用樾園), Yue Cai, Jue'an (Jue'an), Jue Daoren (覺道人), Yingbi Master and other aliases, after the age of 49, he was also known as Han Ke (汉克), a Zhejiang Longyouren, born in Quzhou, Zhejiang. He graduated from Hosei University in Tokyo, Japan in 1910, and served as a counselor to the Ministry of Justice in the first year of the Republic of China, and is a famous historian, connoisseur, calligrapher and painter and jurist in modern times. He is good at literature, fine appreciation, long square zhi, rich books, especially calligraphy and painting, good at landscapes, Meilan bamboo chrysanthemums.

The formation of each painting school is all shifted by the economic boom and bust, and the formation of the Maritime Painting School is the result of this shift in the center of gravity, which directly affects the creation of modern and modern traditional Chinese paintings, and the afterglow of the wind has contributed to the emergence of modern masters. At the beginning of the twentieth century, society underwent even greater changes, and with the enlightenment of society and the progress of culture, a group of artistic masters were born. They all started in the artistic atmosphere of the Shanghai School of free play and mutual influence, and they are known as the third period of the Hai School, which is obviously an expanded and continued Hai School. Strictly speaking, in the traditional definition, they do not belong to this scope of the Hai school, but their creative mode and artistic thinking cannot be separated from the imprint given by the Hai school, and in their works, we can peek at the traces of the Hai school from time to time. On the basis of inheriting the survival and personality development of the Haipai fittest, they are more rational and open than their predecessors. Their commonality is still from tradition, but they pay more attention to individual development, such as Huang Binhong's abstraction, Qi Baishi's innocence, Pan Tianshou's domineering, Yu Shaosong's elegance, Sha Menghai's thickness... All this in turn constitutes the colorful brilliance of modern art, and their pursuit of pen and ink and the creative concept of advancing with the times have pushed Chinese painting and calligraphy to another peak.

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