Yu Shaosong is a titan figure in the field of modern literature, and even more so a historian. His calligraphy works we have mentioned in the previous content, but they are only a brush stroke, many netizens about his calligraphy are the first time to hear about this person, but the calligraphy circle he is a textbook existence. It is no exaggeration to say that he is a remarkable figure in modern history, and a person with a background in history must have known his important position in the Republic of China. He wrote in his calligraphy notes: JiuchengGong is a very suitable post for beginners, with strong pen strength, rich spirit, French rigor, and peace and fables. The author also believes that art itself does not need to be defined by "most", because art itself is pluralistic and cannot be measured by a unified standard. Modern and modern can be said to be everyone's generations, Wu Changshuo, Lin Sanzhi, Yu Youren, Shen Yinmo, Sha Menghai, Xie Wuliang, Ma Yifu, Gao Ershi, Pan Boying, etc., each person's achievements are very high, so I don't think it is necessary to judge the "best", but you can learn more about their history, stories and the like, more interesting.
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Yu Shaosong (1882-1949), the character Yueyuan, in his early years used the aliases of Yuyuan, Yuecai, Jue'an, Juedaoren, Yingbi Master, etc. After the age of 49, he was renamed Han Ke, Zhejiang Longyouren, born in Quzhou, Zhejiang. Graduated from Hosei University in Japan. In the second year of the Qing Dynasty's reunification (1910), he returned to China and was appointed as the head of the Ministry of Foreign Affairs with legal examinations. In the first year of the Republic of China, he served as the director of academic affairs and teaching at the Zhejiang Public Law and Politics College. In the following year, he went to Beijing and successively served as secretary of the House of Representatives, counselor of the Ministry of Justice, deputy minister, acting director, member of the Disciplinary Committee of Senior Civil Officials, Gu Department of the Revised Law Museum, president of the Beijing School of Fine Arts, professor of Beijing Normal University, Beijing Fazheng University, and provost of the Judicial Materials Storage Museum.
Yu Shaosong also often took pleasure in painting in the ice drinking room or in the study of the old building. In order to facilitate his painting, Liang Qichao really used his brain and made some preparations. At the window of his bedroom, he deliberately placed an elevated painting. In this way, Yu Shaosong can paint comfortably in a more suitable light. Liang Qichao always serves left and right, "every time he goes out of the old paper and ink he hides." It's a lively and interesting scene. Everyone else knew that this was Liang Qichao's interest, and it was inconvenient to come forward to help. Yu Shaosong was treated with this courtesy, was not restrained, and was always full of interest. He sprinkled his pen and sprinkled ink wantonly, "or five or ten days as a water stone, or eat as much paper." He also specially painted four pages of albums for the newly married Liang Sicheng and Lin Huiyin to congratulate him.
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