Yu Shao Song Shuangsong Tu, size: 90.5×184 cm, price: rmb 1,725,000
Yu Shaosong was a historian, connoisseur, calligrapher and painter and jurist of very high status during the Republic of China period, and his influence on academics and calligraphers and painters was very great. Due to the decline of the political, economic, military and other aspects of modern Chinese society, resulting in a heavy blow to traditional culture, the development of the calligraphy industry is also facing a crisis, at this time There was a decision by Mr. Yu Shaosong to preserve the essence of the country and revitalize traditional culture, and compiled the "Calligraphy and Painting Book Record Solution", which provided a better experience for the subsequent development of calligraphy and the transformation of modernity, and is also one of the most detailed and important calligraphy and painting works so far.
Yu Shaosong's 1944 booklet, size: 27.5×17 cm×12; 27.5×34 cm×7, sold price: rmb 575,000
Yu Shaosong is not only good at calligraphy works, but also Yu Shaosong's painting level is also very commendable, in the use of fonts, things between the pen and ink, the thickness, details depicted very properly, from the subject matter, Yu Shaosong's calligraphy works are not only exquisite in technical brushwork, but also reflect the current social situation and personal opinions, the degree of attention is very high.
Yu Shao Song Thousand Character Cursive Booklet, Size: 27.5×38 cm×7, Sold Price: RMB 575,000
Yu Shaosong's artistic achievements can be said to be famous in the Republic of China period, when people juxtaposed him with Huang Binhong, Qi Baishi and Zhang Daqian, collectively known as the "Nine Friends in Later Paintings", which is enough to see the height of his calligraphy and painting works.
Yu Shao Song Li Xi et al. wrote and wrote Yu Shao Song et al. School Magazine engraved "Mr. Jie'an Mr. Testament Poems" to Lu Bi Shuzha, size: 32.8×25 cm, transaction price: rmb 540,
Next, we will analyze the development of Yu Shaosong before and after his return to China and his calligraphy and painting works, first of all, after the door of China was opened by the great powers, China gradually degenerated into a semi-colonial and semi-feudal society, and Mr. Yu Shaosong's "GuiyanLou Chronicle" (楷書) made by Mr. Yu Shaosong in 1933 is an example.
Yu Shao song on the right Ren Song hidden figure, Kaishu seven words poem into a fan, size: 22×63 cm, transaction price: rmb 517,500
This calligraphy work of "Gui Yan Lou Chronicle" mainly tells mr. Yu Shao Song's observation of what He saw and heard in Yan Lou after watching it in Yan Lou, the font as a whole looks beautiful without losing the sense of atmosphere, between the thickness of pen and ink and between the structure of the font, but due to the social war at that time, it led to a large number of Mr. Yu Shao Song's works have not been preserved, this work is still collected at a low price by folk collectors in the early years, according to the market situation of the calligraphy market so far, Prices generally remain in the hundreds of thousands of fluctuations.
Yu Shaosong made a hand scroll of Huaimeng tu on the lake in 1935, size: introduction 20×81.5 cm, painting heart 20×103.5, transaction price: hkd 354,000
Yu Shaosong began to study poetry and painting and read poetry books since childhood, and had a good foundation for traditional Chinese calligraphy, and after staying in the West, his calligraphy works incorporated a large number of Western paintings and calligraphy.
Yu Shaosong made a picture of qiushan hut in 1934, size: 58×21.5 cm, sold price: rmb 322,000
Therefore, in Mr. Yu Shaosong's calligraphy works, we can see the characteristics of traditional calligraphy art, but also can see the color of Western art, this distinctive feature we can see in Mr. Yu Shaosong's "To Huang Binhongza " (cursive) that through wild cursive to express their true feelings, the mastery of the cursive font can be described as very appropriate, will have a preliminary blueprint for the future of the two people's calligraphy career, this calligraphy work can be said to be a high collection value, now collected by the Zhejiang Provincial Museum is enough to show. Although there are many calligraphy works in modern times, there are still very few calligraphy works that are really collectible.
Yu Shaosong made a vertical axis of Xishan Kuangyuan in 1931, size: 172×95 cm, transaction price: rmb 220,000
Yu Shaosong's 1929 cursive pro-narrative album, size: 34.5×31 cm×26, price: rmb 195,500