More than a thousand years ago, on an autumn rainy night, in a quiet temple, the poet Wei Yingwu, who was on the move, could not sleep. At the moment, the surrounding area was so quiet, so quiet that you could hear the sound of leaves falling one by one. This fallen leaf hit the atrium of the poet's heart, making him feel even more lonely and lonely. At such moments, he thought of his friend Cui Zhongji. So in my heart, I didn't say a thousand words and didn't complain, so I simply got out of bed and turned on the green lamp.
What's good to write about a friend? How can I express my chest? The poet sat under the lamp and pondered. The night was getting deeper and deeper, the sound of rain outside the window had not stopped, and in the darkness, fireflies flew up to the high pavilion with a faint light. The sound of this heaven and this beautiful natural scenery all make the poet feel nostalgic. A cold wind struck, and he shivered, touching his thin clothes, and couldn't help but sigh. The thin coolness of the autumn night and the ups and downs of fate made his heart flutter and his eyes sour. So with a pen, Long Feifeng wrote down the ancient sentence: Wei Yingwu's "Temple Residence Alone Night Send cui master book"
The ghost is silent, and the leaves are falling.
The cold rain is darker and deeper, and the flow of fireflies crosses the high pavilion.
Sitting to make the green lantern dawn, but also hurt the summer clothes thin.
Ning zhi is fang yan, and it is even more xiaosuo to leave the house.
As a busy modern person, we use life as an excuse all day long, and our steps are hurried, how have we ever experienced the lonely beauty of nature? The sound of falling leaves in the autumn rain and the beautiful fireflies flying up the high pavilion are beautiful pictures that I dare not think. Even when we sigh, we will not be like the ancients, lifting the pen to write a poem to a friend, and then after thousands of mountains and rivers, waiting for a long time, and finally the friend received the letter and understood the heart of the letter writer. And that friendship, because of the precipitation of thousands of mountains and rivers and time, is also as mellow and charming as an old wine. We modern people have telephones, emails, WeChat and QQ, and a thousand words can be delivered in the blink of an eye. It can be said that Cao cao will arrive, and lightning can quickly spread every beautiful moment in life. However, compared with the ancients, there is always a little less intimate real taste of sticking to the lungs and intestines.
In the past, time was very slow, but the poetry books emitted incense and long. Slow down the pace of life, calm down and read a poem, do not seek to be familiar with the heart, just to taste the beauty in the poem. In the sound of the rain, listen to the heart of a fallen leaf, to share the faint sadness of the autumn rain and the little joy of peace with the encounter, so that you can appreciate the essence of life!
The poets of the Landscape and Water School of the Tang Dynasty, represented by Wang Wei, have an important position in the history of Chinese poetry. The shanshui poetry school mentioned here includes some poets who used landscape as an aesthetic object to express the inner world of poets from the Sheng Tang Dynasty to the Middle Tang Dynasty, they are Wang Wei, Meng Haoran, Pei Di, Chang Jian, Chu Guangxi in the Sheng Tang Dynasty, Liu Changqing, Wei Yingwu, Liu Zongyuan and other poets in the Middle Tang Dynasty. From the life, creation, and social activities of this school of poets, it is not difficult to see that whether in terms of ideology and concept or artistic style, they all have a very deep relationship with cultivation and are deeply influenced by cultivation. With a calm heart, the poet writes about the clear light of the landscape. Empty and light, natural, transcendent, artistic conception.
They render the tranquility of the landscape and the atmosphere away from the hustle and bustle of the world. In fact, writing landscapes is also to write about this kind of abandonment of the quiet of the world, and to be reluctant to change the wind and clouds of the outside world. They are happy to deal with nature, and they are also willing to inhabit the mountains and forests to obtain a peace of mind. In fact, the quiet atmosphere in the landscape is not entirely objective description, but mainly a state of mind. "The knot is in the human realm, and there is no noise of cars and horses. Q. How can you do it? The heart is far away from self-deprecation. This song "Drinking" shows that this meaning is the most appropriate. They all had many contacts with cultivators, and their poetic style was also deeply influenced by cultivation. Wang Wei's poems were heavily influenced by Zen thought, often containing profound Zen meanings, in addition to a large number of chants on the theme of Buddhist practice. Wang Wei's poems like "quiet", "澹", "far away", "idle" and other Words, as well as Buddhist terms such as "Zen", "Silence", "Emptiness", "Lifeless", etc., he can use a calm and calm leisure mood to observe nature and write in the pen.
It is precisely because he often looks at all things with the eyes of a Zen person that his poems have a kind of purity and tranquility, full of Zen rhyme, such as: "People idle and osmanthus flowers fall, and the night is quiet in the spring and the sky." The moonrise frightens the birds, and when the song is in the spring stream. (Birdsong Stream) "In the autumn rain, shallow pomegranate diarrhea." The jumping waves splashed with each other, and the egrets were shocked. ("Luan Jiase") and the famous phrase "Bright Moon Matsuma Illumination, Qingquan Stone Upstream" ("Mountain Residence Autumn Breeze"), etc., often sweep the reader's mind, giving people an endless reverie of tranquility and tranquility. Wang Wei's dying last move is also quite interesting. The Old Book of Tang and the Biography of Wang Wei Yun: "On the verge of death, I wrote a book of farewell to Jin in Fengxiang and a pen. He also wrote several other books with his life, and Duo Dunli's friend gave up his pen according to the Buddha's intention of cultivating his heart. ”
Wang Wei's life's causes and conditions for Buddhism and his practice of Buddhism are at a glance. Wei Yingwu was a famous poet of the Middle and Tang Dynasties. There are also nearly thirty poems in Wei poems that are directly related to zen monks in Zen monasteries. It can be seen from the poem that the poet's Zen consciousness is conscious and very strong. For example, in the poem, it is said that "the mind is at ease, and the worries can be donated" ("Gift to Li Dan"),"The fate is tired, and the late enlightenment is according to the Dao flow" ("Answer to the Cui Master Book Question and Jian Wen Shangren"). And what I learned today: "The Temple Residence Alone Night Sends Cui The Main Book", and "Remnant Xiazhao Gaoge, Qingshan out of the far forest." As soon as Qingming ascended, he dashed this shadow. ("Shanfu Temple Pavilion") "Alone pity the grass stream, there are yellow orioles on the deep tree song." The spring tide brings rain to the evening, and the wild ferry has no one to cross itself. ("Chuzhou Xijian").
Learn another poem by Wei Yingwu:
Send all pepper mountain Taoists
Nowadays, the county is cold, and the mountain guest is ignored.
The bottom of the stream bundled thorn salary, return to boil white stone.
If you want to hold a scoop of wine, you will be far away from the wind and rain.
The leaves are full of empty mountains, where to find traces.
Su Dongpo loved this poem very much, and even copied a poem "Sending Deng Daoist and Quoting" according to the original rhyme: "A cup of Luofu Spring, far away from the HarvestEr." Haruki drank alone, drunk on the Matsushita Stone. The ghost is invisible, and the whistle smells of the moon. Talk about the people in the drama temple, and there is no trace of the air flying. Several pens are used in the poem, such as "Drunken Panasonic Stone" compared to "return to boil white stone", "empty fly book without a trace" compared to "where to find traces", etc., written very hard, but just farther away from Wei Yingwu's natural and untraceable poetic style, the reviews are the best wei Yingwu.
Wei Yingwu (737-792) was a famous poet of the Tang Dynasty. A native of Chang'an (present-day Xi'an, Shaanxi). Wei Yingwu was brilliant since childhood, and in his early years he was arrogant and uninhibited, running rampant in the township and being resented by the townspeople. From the age of 15, he served as a close attendant of Tang Xuanzong with Sanwei Lang, freely entering and leaving the palace, and following Youxing. When the Anshi Rebellion arose, Emperor Xuanzong ran to Shu, fell into dereliction of duty, and began to aspire to study, had less appetite, and often "burned incense and swept the floor and sat down". During the tang dynasty Zong Guangde to Tang Dezong Zhenyuan, Wei Yingwu successively served luoyang cheng, Jingzhao Fu Gongcao joined the army, Bibu Yuanwailang, Chuzhou and Jiangzhou thorn history, Zuo Shilangzhong, suzhou thorn history. Zhenyuan retired in the seventh year (791) and lived idly in Yongding Temple in Suzhou. It is known as Wei Jiangzhou, Wei Zuosi or Wei Suzhou. Wei Yingwu died in Suzhou at the beginning of the eighth year (792) of Emperor Dezong of Tang's reign. After being transported back to Chang'an, he was buried in November to the original ancestor of Shaoling.
Wei Yingwu was a poet of the Shanshui Pastoral Poetry School, and his descendants were known as "Wang, Meng, Wei, and Liu". Wei Yingwu's poetry has the highest achievements in the Five Ancients, the style is diluted and idle, the language is simple and simple, and he is known for being good at writing scenes and describing secluded life. The works that have survived to this day include the 10-volume Weijiangzhou Collection, the two-volume Wei Suzhou Poetry Collection, and the 10-volume Wei Suzhou Collection. Only one essay remains. Wei Yingwu was not only a famous poet and magistrate, but also a Buddhist believer. Among his Buddhist poetry works, there are poems depicting visits to Buddhist temples, poems depicting friendship with senior monks and praising senior monks, and poems expressing cultivation and understanding and lamenting the impermanence of the world.