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Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

01/

"Flat"

That is, when the line is drawn, the force is the same at each point of the line, "like a cone painting sand". When the line is drawn, the nib of the pen should be pressed down, and there is a "pressure" on the paper. At the same time, the finger must also hold the pen upwards, with a "lifting" force, and then use a "dragging" force in the direction of the pen.

Pressure and lifting force should maintain a certain balance, only mention not pressing on the "floating" and "light slip"; only pressing without mentioning is "wiping". Lines should not be light and heavy, "picky", "picky" and "slippery".

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

02/

"Circle"

That is, the hook line should be round and powerful. Use a center. The line outlined with the center line is round, full and elastic, that is, the so-called "folding stock", such as "curved arc straight edge".

When writing a pen, the tip in the center of the line is the center, and the tip on the side of the line is the side.

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

03/

"Stay"

Refers to the use of pen to accumulate dots into lines, the ancients said such as "house leak marks" is this meaning.

When ticking the line, it is required to be controllable everywhere, can be written at any time, and can change with the author's intentions to the point of doing whatever it wants.

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

04/

"Great value"

Fingers with sharp pens, strong lines. The strength of the line lies in the friction of the nib and the paper The correct way is to transfer the force to the nib through the shoulders, elbows, wrists and fingers, so that the nib has a friction with the paper. Someone squeezed the barrel so hard that it almost crushed it, but the lines outlined did not have the power.

There are three actions to tick a line:

When you start writing, you want to go to the left to first write to the right, and then to the left. The downward pen should also be hidden upwards first, so that the line pen has friction with the paper.

The speed of the pen should be slow and the strength should be uniform. The slight pause in the line pen is "dun"; the backward fold is "frustrated"; the center circle is turned to the pen "turn"; the folding edge is turned into "fold".

Three days back to the front, when the pen wants to stop, the pen should be withdrawn in the direction of the coming, that is, the so-called "no going back", "no hanging and no shrinking". Such lines are subtle and powerful.

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

05/

"Change"

That is, refers to the various variations of the pen. Flat, round, retained, and heavy are the basic requirements for the line, on this basis, the line must also have a variety of changes, such as the center of the flank, the downward front of the reverse, the setback, the turn, the thickness, the square, the continuous, the rapid, the light hair, the virtual reality, plus the thickness of the ink color, dry and wet, etc., can be ever-changing.

Combining the power of the line with the change of the line is the requirement of the white drawing line in terms of formal beauty. Therefore, when learning Chinese painting, we must pay attention to the practice of calligraphy to exercise the ability to draw lines.

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild
Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild
Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild
Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

<h1 class="pgc-h-arrow-right" data-track="55" > Wu Changshuo's calligraphy, a bit wild</h1>

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

Wu Changshuo (1844-1927), a famous calligrapher and painter in the late Qing Dynasty, was a seal engraver. Formerly known as Junqing, the character Changshuo, alias bitter iron, Zhejiang Anji people. When he was a teenager, he was influenced by his father, that is, he liked to write books and engrave them. His calligraphy, beginning with Yan Lugong, following Zhong Yuanchang, Lishu xuehan stone carving; and seal learning stone drum text, was initially influenced by Deng Shiru, Zhao Zhiqian and others, and later integrated and adapted in the writing of "Stone Drum". Wu Changshuo can be called the three masters of calligraphy and painting, and his artistic achievements are mainly due to the "Stone Drum Text". Throughout his life, he has never abandoned the "Stone Drum Text", which can not but say that it is a kind of enlightenment - the art is not much, the precious is in the fine!

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

Seal Book Six Words Lian Zhu Ben Shu Village Collection

Interpretation: More driving deer car to swim in Khan Written to the carp Jian Zhiping

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

The Seal Book of Seven Sayings is in private collection

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

Seal Book Eight Words Lian Taste ChunCao Tang Collection

Interpretation: The difficulty of near virtue is like a boat on the water, hiding in the dense wood of the winter

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

Seal Book Four Words Lian MianQin Shan Fang collection

Interpretation: Immortals a bureau slave thousand heads

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

Seal Book self-composed poetry axis Abstinence Collection

Interpretation: Chiseling mountains and mining gold The waves on the seabed turn over the caves and ravines I want to see the immortals qi li robbery The fisherman lost his way to the present

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

Linshi Drum Scroll

Private collection

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild
Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

Wu Changshuo's "To Shen Shiyou's Poetry Manuscript" Zhang Yunzhongzang

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

To Shen Shiyou Star Film

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

Wu Changshuo's "Writings and Records of Li Bai's Verse Scrolls" Japanese Fasting Collection

Explanation: Yun wants to dress and flowers.

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

Wu Changshuo 'Xingshu Self-Composed Poetry Axis' Japan Ghetto Collection

Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild
Wu Changshuo's pen: flat, round, stay, heavy, change Wu Changshuo's calligraphy, a bit wild

Seal Book Poetry Sutra Four Screens Endo Jiangzang

Commentary:

June perching, Rong chariot both rao, four oysters, load is the regular service. I am in a hurry, and the king is on a expedition to the Kuang Kingdom.

Compared with the four li, the idle dimension, the maintenance of this June, the become my service. I serve and become, in thirty miles, the king goes out on a march to support the Son of Heaven.

The four mu xiu guang, its large and large, thin harvest of the badger, in order to play the skin gong. There are strict wings, the uniform of common force, the uniform of common force, to determine the kingdom.

The otter bandits, the whole house jiao, invaded the pickaxe and Fang, as for Jingyang. Weaving Bird Chapter, Bai Xu Center, Yuan Rong Ten Multiplier, to start first.

Rong is also safe, such as Xuan, and the four mu are both yoke, and they are both idle and idle. As for Ohara, Wen Wu Jifu, Wanbang is the constitution.

Jifu Yanxi, having received many blessings, comes to return to himself, and I will walk forever. Drinking Royal Friends, Turtle Carp, Hou Who in Yi, Zhang Zhongxiaoyou.

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