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Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"

author:Nostalgia Anhui network

Cha Shibiao calligraphy and painting wall album, the Collection of the Palace Museum.

Chasi Biao (1615-1698), character two Zhan, No. 1 Plum Valley Scattered People, Lazy Old. People from Xiuning, Anhui. He is a Ming Dynasty student, and after entering the Qing Dynasty, he should not be lifted, and he should study calligraphy and painting. His calligraphy is known for his calligraphy and cursive writing, and his calligraphy is out of rice and Dong, and he chases after Yan Zhenqing, which is quite essential. When called rice, Dong regeneration, the name of the world. The writing is handsome and bold, and the charm is deep. His paintings are also full of charm and elegance, and Cha Shibiao often inscribes on his paintings "Pseudo-Yunlin BrushWork", "Imitation of Ni Yunlin Method", etc., and the number of "Lazy Biao" is also derived from Ni Yunlin's "Lazy", which can be described as the wind god remote connection. In his later years, he painted Yi Chaomai and peeked directly into the mysteries of the Yuanren. Whoever socializes in the pool will be in the middle of the night, and will not be bitter. More than eighty are still childlike. He died at the age of eighty-four, and wrote the "Manuscript of the Seed Book Hall" and so on.

Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"
Chas marked paintings to appreciate the calligraphy collection of the "Dead Wood Bamboo Stone Book"

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