Cha Shibiao (1615-1698) [Qing], a native of Ximen, Xiuning County, Anhui Province, later Yu yangzhou, was a calligrapher and painter of the remnants of the late Ming and early Qing dynasties. Character Two Zhan, number Mei Ren, Lazy Old Man, Mei Gu Sanren, Hou Yi Jiao Sheng, Bai Yue Que Ke. He was an important representative of the "Xin'an Painting School" in the late Ming and early Qing dynasties, and was known as one of the "Four Families of Xin'an", and in yangzhou, an important town in the painting world at that time, there was a saying of "household painting axis cha er zhan".
At the end of the Ming Dynasty, he was born into a noble family, with a rich family collection, and many ding Yi and Song and Yuan people's authentic deeds, so they were carefully identified. Uncles and brothers of the clan, such as Ying Guang, Wei Yin, Wei Ding, etc., have studied poetry, calligraphy and painting, and antiquities. Erzhan young talent, 20 years old in the middle of the show, because of his good literary learning, famous one side, so called "cha literature". In the second year of the Qing Dynasty (1645), after the Jixi Congshan Pass held by Jinsheng and Jiang Tianyi was breached by the Qing army, the 30-year-old Erzhan took his wife and fled his hometown to Jinling, Zhenjiang, Hangzhou, Yangzhou and other places to make a living.
After the Qing Dynasty, Cha Shibiao swore that he should not be lifted, and he was good at calligraphy and painting in his life, and in his early years he imitated the calligraphy and paintings left by the Cha family when Dong Qichang was in Xiuning, and named himself "Hou Yi Di Sheng" to show his affection for Dong. The landscape traces back to Dong Qichang " Dong Ju "Two Meters" and "Yuan Sijia", and is influenced by Cheng Jiaxuan, Li Yongchang, Wang Zhirui, Wanjiang and other teachers and friends, masturing jiashan mountain, patriarchal cloud forest, landscape evacuation, wet and lazy lines, and ink law in the qingrun and ethereal more than a misty and elegant rhyme.
[Qing] Cha Shibiao Qingluan Warm Cui Tu Axis 227cm×87cm Silk Color Anhui Museum Collection
Knowledge: Dong Huating called Zijiu painting, when the Qingluan Warm Cui as the first, Yu twenty years ago saw it. Pursue its meaning, but its own position can not ask Xiao also. In the first month of the first month, shibiao and recognized in the Hangou Guest House.
Seal: Shi Biao (Zhu) Mei Ren (Zhu)
[Qing] Chasbiao Xishan Grazing Chart Axis 116.3cm×59.5cm on paper Collection of the Palace Museum
Knowledge: "Ying Yin February Shi Biao".
Plutonium "Shi Biao Seal" and "Plum Barrier" two seals.
[Qing] Cha Shibiao Scepter Seeking Shadow Fan Page 16.8cm×51.5cm on paper Collection of the Palace Museum
Paragraph knowledge: "Painting Ni Fa, like The Brother of Wonan Province." Autumn day. Chash Biao. ”
Plutonium "Two Zhan" white text print.
[Qing] Cha Shibiao Qiulin Yuanxiu Chart Axis 116.5cm×51.3cm on paper Collection of the Palace Museum
Zhi Zhi: "I have been accustomed to the creek and mountains in my life, and I rely on the same heart and return day after day." It is expected that in the shadows of the water and light, it seems that there can be a few people idle. Otomi Tanabata painting, poems to make special and an-do elder brother Masa. Chash Biao. ”
钤 "二瞻將", "Chash Mark".
The collection is printed with "XinXiu Examination and Approval of Authentic Calligraphy and Paintings", "Lu Shusheng Appreciation Seal", and "Zengzang Wuxing Shen Xiangyun Family".
[Qing] Cha Shibiao Richangshan Jingtu Axis 179.3cm×50.4cm Silk Collection of the Palace Museum
Paragraph: "The mountain is quiet and dustless, and the pine flowers are full of kudzu under the wind." Since it is the clear place of the world, the Pan valley of the River is always naïve. Painting by September. Please teach the orthodox like the old Dao Nian Weng. Brother Chasbe. ”
Plutonium "ShiBiao Private Seal" White WenYin, "Zha ErZhan" Zhu Wenyin.
[Qing] Chasi Biao Empty Mountain Knot House Scroll 98.7cm×53.3cm on paper Collection of the Palace Museum
Knowledge: "The ghost house is empty in the mountains, and the window is open all day long." When there is an appointment to cross the stream, the sound of the spring on the stream falls like rain. 癸海 April Han Shang painting YuFeng Dao Chang Mr. Zheng. Brother Chasbe. ”
The two Zhu Wenyin of "Shi Biao" and "Erzhan" were printed.
Jianzang Seal: "A Certain Jing Bookstore", "Wuhu Biao Pan Jingshu Treasure Seal", "Sun Bangrui Treasure Seal", "Meijing Book House Secret", "Mingxin Masterpiece", "Chengshu Xiaoqian". Wu Hufan, Ge Youxi and other mounted inscriptions.
[Qing] Chassbi: Four Seasons Landscape Atlas 25cm×44cm Album on Paper Collection of the Cleveland Museum of Art
The "Four Seasons Landscape Atlas" has a total of twelve paintings, including: spring ploughing map, spring water boat such as sitting in the sky, Wuling Creek Trail, Yangtze River scenic map, Autumn Mountain travel map, Xishan amusement, learning plum blossom master, waiting for the moon map and so on. It depicts many imitations of the famous calligraphy of the Song and Yuan dynasties, and was painted in the 23rd year of the Qing Kangxi Dynasty.
His paintings often use close-up paintings of stone slopes and earthen shores, planting three or five sparse forests mixed with withered prosperity, painting one or two flat slopes on the edge of the sky, leaving a large blank space between distant mountains and nearby trees, without a single thing layout pattern. More ink pens are used and there is rarely color, and if the line pen is left, the scene seems to be real or virtual. The pen and ink interest of composition and illusion is repeatedly applied to landscape painting, forming a halo of water and ink, and entering the aesthetic level that can be understood and ineffable. The pen and ink are sparse, the wind god is lazy, and the atmosphere is desolate and cold, which can be described as an easy product.