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What do you think of Scarlett's character in Gone with the Wind?

author:Who's in the galaxy

The most shining thing about Scarlett Hao is that people like her have no past. Everything is about the future, and even the dead vine can grow new leaves on her hands.

She didn't need to persuade herself at all, she didn't need the support of meaning, she didn't need the relief of love, and that almost barbaric vitality allowed her to break through a strong dike like a flood even if she couldn't see her destination. People who are too tenacious can not help but have an unconscious coldness, and an innate sense of urgency cannot allow them to stop for anything.

Red mocks Scarlett for getting the world and throwing away her soul, which is mean but in a way true. The soul was too heavy, and if Scarlett wanted to run endlessly, then she had to throw it aside.

The last sentence of "Gone with the Wind" is Hao Sijia's "Tomorrow is a new day", which is the finishing touch of this character. Hao Sijia is beautiful, she may think that her beauty is in the skin bag, but in fact, she is beautiful in that innocent energy that does not know love and death, almost cruel. She couldn't realize or even understand her own beauty, like a little beast that would never learn to look in the mirror. If she understood, then she would no longer be Scarlett Hao, and all her charm, strength and stubbornness would collapse with it.

Re-reading Gone with the Wind - the wayward rebellious little girl and the tolerant and loving mother I watched "Gone with the Wind" when I was a sophomore, I liked it, read the original several times, and even bought a different version to see it. Then I put it down. I've read a lot of English masterpieces, in the days when I was frantically learning English in college, but many of them didn't feel it, this is different. But at the time I didn't like Scarlett Hao at all.

So why do I still like this novel? Because I like its words, really beautiful, very profoundly described, profound to human nature and war. This is a women's novel, just like its name "Gone with the Wind", I really don't understand why it was later changed to "Gone with the Wind", although "Gone with the Wind" is more faithful to the original translation ofGone with the wind, but it has lost its essence.

Neither the cowardly and confused Eisley nor the dorkin-obsessed Brad is the essence of the novel, its beauty lies in Scarlett Hao, and of course, it is indispensable to Melanie.

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