Ren Hong'en has acted in many plays and created many character images, and the two images of Gang Jiu in the modern Yu opera drama "Gang jiu sobering wine" and the confused pot in "Confused Pot Smashing Pot" have been welcomed by the majority of audiences. What really sublimated and leapt his performing arts was the chang unfortunate uncle Chang Youfu, who was portrayed in the Yu opera "The Marriage of the Unlucky Uncle". This is the image of a new socialist newcomer with integrity, simplicity, kindness, humor and pioneering spirit. In the character of Chang Youfu, Ren Hongen's simple, funny and subtle performance style is skillfully expressed, and Ren Hongen's close to life and close to the pursuit of the character is also perfectly realized.
Ren Hong'en's humorous and witty performance in "The Marriage of the Unlucky Uncle" made the audience taste in laughter. The audience loves "often unlucky" and pays attention to sympathizing with the fate of the unlucky uncle. As soon as Ren Hongen appeared, the whole stage was alive, and there was a play with a smile and a smile. The drama actor marveled that his stage felt accurate and his sense of conviction was strong. The famous cross-talk actor Ma Ji admired Ren Hong'en's performance very much, saying that if Ren Hong'en was engaged in cross-talk business, he must be an excellent cross-talk actor. Ren Hong'en's unique and charming performance provides a fresh experience for the modern performing arts of opera.
The kung fu practiced in his youth and the practice of clowns in his youth laid the foundation for Ren Hong'en's modern comedy performance. Ren Hong'en's unique comedian qualities enable him to turn a well-behaved drama into a comedy. What is valuable is that as an opera actor, in modern drama performances, Ren Hongen strives to capture the character of the character, grasp the emotions of the characters, and the inner rhythm; as a comedian, he does not show off, does not sensationalize, and only seeks to play the characters. Ren Hong'en summed up his speech: If you have it in your heart, you have everything. The inner rhythm is right, and the acting is right.
"Having in the heart" is first of all the thoughts, personalities, and images of the characters. To bring modern drama to life, Ren Hongen said: "My only experience is to be good at observing and experiencing life, and strive to capture the character characteristics of the characters. When playing Liu Zide, he had gone deep into Gaocheng, Changge and other places four times to experience life, and fought with the feed staff. Playing often unlucky, but also used a lot of life accumulation. The character characteristics of often blessed sincerity and humor have become the humor of speech, the action is happy to converge, the feelings are more introverted, the arm is often hard when embarrassed, and there is some stuttering when considering things, etc. The specific character expressions and actions have come alive in Ren Hongen's mind, and this character cannot be false, pattern and concept.
"There is in the heart", entering the rehearsal field, there is a grasp of the prescribed situation, character actions, character relationships, character emotions, character hearts, and character rhythms in each play. What is particularly important is the grasp of the inner rhythm of the characters, and the audience is the most sensitive to the sense of rhythm and is most susceptible to the infection of the sense of rhythm. The actor's performance on the stage is inseparable from the rhythm, and emotion is the basic intrinsic factor of the performance rhythm. In the third "Meeting Under the Moon" of "The Marriage of the Unlucky Uncle", Ren Hongen grasped the "sweet" word that often blessed the emotional state, used the word "sweet" to dominate the folding play, grasped the rhythm of the performance of the play, and used this rhythm to express the "sweet" word. The action of supporting the pillar is more exaggerated, and the audience does not feel excessive; when they see Wei Shulan, they reveal joy and sweetness in their restraint; when they sit on the stone bench, they move again and again, so that people not only do not feel procrastinating, but feel cute. In the use of traditional performance procedures, Ren Hong'en also emphasizes the grasp of character identity, personality and inner rhythm, such as the first scene of "The Marriage of the Unlucky Uncle", often blessed to play, Ren Hong'en's performance grasps a "hot" word: "hot" career, "hot" villagers, "hot" relatives. The use of donkey riding routines did not create a sense of distance from the audience.
Grasping the inner feelings and rhythm of the characters often grasps the characters and also grasps the audience who is most susceptible to rhythm infection. Ren Hong'en's performances in "The Marriage of the Unlucky Uncle" and "I Love My Father" received the best results from the exchange of feedback from the audience. When "I Love My Daddy" was screened in some places, it was screened five times a day and full all day on holidays, and the theater manager excitedly said, "This is a gratifying scene that has never been seen in even American blockbusters." In 1999, the play won the national "Five One Project Award", "Huabiao Award", Henan Top Ten Achievement Award, etc.
"Art is precious in personality", and in the opera industry where many kinds of drama coexist, there are also many famous artists active. With his unique "integration of life and ugliness", Ren Hongen has become an opera expert in Henan opera circles who received special allowances from the State Council second only to Chang Xiangyu, Yan Lipin and Ma Jinfeng. Up to now, Ren Hong'en has always been active on the opera stage, film screen and TELEVISION screen, singing for the people, bringing joy and beautiful artistic enjoyment to the audience, he is a hard worker in the theater industry, an outstanding innovator, and a lovely and respectable performing artist.