In the history of Chinese poetry, Li Yu is a very well-known figure, known by posterity as the "Emperor of Ancient Words", his famous sentences are extremely numerous, such as "Ask the Jun can have a few sorrows, just like a river of spring water flowing east", "Cut continuously, rational and chaotic, is a sense of sorrow, don't be a taste in the heart", "Flowing water and flowers in the spring, heaven and earth", are all familiar sentences, most of these sentences were written after his fall, so he was desolate and resentful, and could not bear to read.
In fact, it is not surprising that Li Yu became the king of the subjugated country, because after Li Yu became emperor, he lived a luxurious life, spent all day drinking, living a fragrant life of "carrying golden shoes", eating and drinking and enjoying himself, without any sense of worry.
Before becoming the king of the fallen country, although he also wrote lyrics, his early works reflected the luxury of court life and the tenderness of male and female love, and the subject matter was narrow. Of course, there are also some works that are improvised expressions of some sadness and idleness, although these works are not as widespread as his later words, but the phonology is harmonious, the conception is exquisite, and it is also a masterpiece of the five pronouns, and the following "Sauvignon Blanc A Heavy Mountain" is a representative work of this period.
In some places, this small order will also have the title of the word "Autumn Grievance". Indeed, these two words accurately summarize the main idea of the whole word, writing out the mood of a woman who misses her lover in autumn, and the sadness of hoping for her lover to return home but hopes to be disappointed, Li Yu, as an emperor, can have such a delicate mind, which shows his flow.
Sauvignon Blanc
Five generations of Li Yu
One mountain, two mountains. Mountains far away from the sky high smoke water cold, acacia maple leaf Dan.
Chrysanthemums bloom, chrysanthemums remain. Sai Yan Gao Fei people have not returned, a curtain of wind and moon idle.
The film starts from the scene seen by the heroine, showing us a very layered autumn color picture, "one heavy mountain, two heavy mountains; mountains far away from the sky high smoke and cold water", if "one heavy mountain" counts as a close-up view, then "two heavy mountains" is the middle scene, "mountains far away from the sky high smoke and water cold" is the long view. This level of unfolding is gradually unfolded along the heroine's gaze. A "cold" word not only shows the weather conditions, but also reflects the heroine's inner desolate feelings.
After that, the heroine focused her eyes on a maple forest, "Acacia Maple Leaf Dan", which means that time has come to autumn again, and the maple leaves of the mountains have become red again, but the love of acacia has not changed at all. At this point, the main theme of the whole word is revealed and the people are moved.
The next film is immediately followed by the introduction of acacia, focusing on the psychological activities of the heroine. The first two short sentences, "Chrysanthemum blossoms, chrysanthemum residue", seem to describe the scene, but in fact also show the speed of time passing, suggesting that the heroine has been thinking of each other for a long time, which is the poet's subtlety and delicacy.
Then it is said that "the Sai geese have not returned", which is the inner sorrow of the poet from the scenery, and the geese outside the Sai still know that they will return to the south in the autumn, but why has the wanderer who is wandering outside not returned? The lyricist uses SaiYan's "return" to set off people's "unbound", further showing the heroine's inner misery, but the misery returns to misery, lovesickness or lingering, this heroine, may think wildly, what did her lover encounter outside? Was he sick, or was someone else holding him back? The hostess didn't know the answer, and we didn't know.
Therefore, the last sentence directly gives the five words of "a curtain of wind and moon idle", re-describing what the heroine sees in her eyes, and even the beautiful wind and moon seem to be eclipsed, which is due to the fact that there is no return, facing the beautiful scenery outside the curtain in the morning, losing the mood of appreciation, which is the helplessness and misery of Liu Yong's "even if there are a thousand styles, let alone who to say".
Although the theme of Li Yu's poem is to write about the autumn grievances of si women, the words and sentences are deeply hidden, and the feelings to be expressed are not reflected from her appearance, demeanor, and expression, but from the scenes seen in her eyes, and then refract the feelings in her heart, implicitly ethereal, and very charming.
Li Yu's words, most of them are very good at making words and sentences, tempering language, can use vivid and accurate sentences, showing an ethereal and clear artistic conception, a strong sense of substitution, a sentimental scene, intriguing, I believe that after reading this small word, you will have such a feeling.
The famous poet Yu Yiyun at the end of the Qing Dynasty once commented: "This word is written in a light stroke, writing about late autumn wind objects, and the thoughts of The same ye huaiyuan are endless, the sections are short and high, and the true color of the five pronouns is also true".