"Sauvignon Blanc" is ingenious: the three male characters are not worthy of the position of the male protagonist

I'm a fan of the original, but I didn't expect anything from it when the show was officially announced. The reason has nothing to do with the actors or production team, just because the novel story of "Sauvignon Blanc" is really not in line with the plot habits of ancient puppet dramas, and once it is changed, it is not the kind of Sauvignon Blanc in the IP. So at that time, I didn't believe that the drama version would restore the original content in a large way, and I never thought that the drama version would do such excellent repairs and extensions on the basis of the original work.

Adaptation idea 1: The battle for the position and the choice of the male host

In this deformed environment where a man and a woman, a man and a woman and two women are counted by fans to appear in episodes, but whenever there is an episode where the duration of the supporting role exceeds the protagonist, and the supporting role interaction steals the limelight of the protagonist, they must be scolded for "adding drama coffee", and the male protagonist of ancient puppet dramas generally must meet the following conditions at the same time:

(1) The heroine's love CP;

(2) a continuous story line;

(3) The character is distinctive and prominent.

In this way, the three male characters of "Sauvignon Blanc" are not worthy of the position of the male protagonist.

Tu Shanjing's "mediocrity":

Although he is the real CP of the heroine, Tu Shanjing is also the most lacking personality among the three male characters. Others are trying to show their charm to the outside, but Tu Shanjing does the opposite, he is obviously very capable, but he always wants to show himself as ordinary, and even is useless except for revolving around Xiao Xiao.

Such a bland role cannot be the male protagonist, because he can't support the dramatic effect of ups and downs, turning his story into the main line, will only make the audience drowsy, and the novel is also Tu Shanjing's appearance time is lower than that of Lingying and Xiangliu, because such a monotonous character really does not have much content to unfold.

However, Xiao Yao loves this "mediocrity" of Tu Shanjing, and her previous wandering was too hard, so she only hopes to live for herself in her future life. Lingying wants the emperor to hegemony, Xiangliu wants to lead the Chen Rongjun, only Tu Shanjing can put her first in everything, and can abandon everything to disturb and hide with her, so only Tu Shanjing really let Xiao Xiao move the love between men and women, so that she gradually began to believe in love from an unmarried family.

Tu Shanjing's story cannot be changed vigorously, otherwise it will not be the Tu Shanjing who can make Xiao Yao's heart move. The only true love of the female protagonist is not the male protagonist, which is undoubtedly a huge challenge to the presentation of the drama version.

Sangyanagi's café placement:

The Dying Party and the Dying Party will not decide the victory or defeat in a hundred years of fighting, and the pomp and circumstance is definitely not inferior to the 101 series talent show. The character of Xiangliu is a very special existence, and I even think that he is the best conceptual breakthrough in Tonghua's novel.

Xiangliu combines evil charm and enthusiasm, he loves Xiao Yao but has not confessed from beginning to end, Xiao Yao has a heart for him during the windproof period, but the relationship between them finally stays at the stage of friendship and love is not full, and Xiao Yao also misunderstands Xiang Liu's feelings for himself in this way.

If the female protagonist responds to Xiangliu's love, then Xiangliu will properly ascend to the position of the male protagonist, with two disgusts, re-examination and understanding, extreme pulling and warming, and also the choice and dedication between love and career. It's a pity that only the other half of the heroine's arrow is missing on Xiangliu's line. He can't be the male protagonist, otherwise where is Tu Shanjing, the main palace? But it is also difficult for him to be a good supporting role in the second male role, because his story is exciting enough that it is inevitable that the hustle and bustle will prevail. The drama version cleverly ranked the character of Xiangyanagi on a special coffee position, so as to avoid competing on the same track with the other two male characters, and to a certain extent, the material of fan circle tearing was reduced.

The final male protagonist Lingying:

Although the official gave an explanation of "why Lingying is the male protagonist", I think this is just a tribute to the result of the position, in fact, from the perspective of Xiangliu or Tu Shanjing, you will also find an explanation for Sauvignon Blanc, which is the cleverness of the title of the original novel.

The original meaning of Sauvignon Blanc is actually Xiao Xiao's Sauvignon Blanc: thoughts on Lingying's family affection, thoughts on Xiangliu's friendship, thoughts on Tu Shanjing's love, as well as the emotions of the elders of the previous generation, the longing and hatred for the mother, the respect and escape from the Queen Mother of Yushan, the resentment against the grandfather, the complicated emotions of the father who has become the adoptive father, and the view of the biological father who has never met. Xiao Xiao's life, from enthusiasm to coldness, and then in the continuous self-help and struggle to meet new partners, and let the enthusiasm rekindle from the cold, she has been observing the people or things around her, "long-term", "from the interaction with the external environment or people", "thinking, thinking, thinking", this is what I understand as "long", "phase" and "thinking".

Adaptation creativity two: The unequal appearance of character scenes, a large number of original plots are restored, and original details are sublimated and supplemented

The drama version of "Sauvignon Blanc" does not have an average single-episode male protagonist, and it highly retains the excellent plot and layout of the original work, and watching the drama seems to be reading a book, which is the most surprising and satisfying place for me, a book fan.

The original author Tonghua personally handled the adaptation, and it was obvious that she knew where her original work lacked, so she took this opportunity to make the greatest supplement.

The drama version refines the family interaction between Xiao Xiao and Lingying, supplements the longing for Xiao Yao's sister in the independent perspective of Lingying in Qingshui Town, and also modifies some of the cooperation details of Xiao Xiao helping Lingying seize power, portraying the relationship between brothers and sisters more profoundly.

The drama version also complements the connection between Tu Shanjing and Xiao Xiao during their separation, and the green plum wine runs through the entire process of long-distance relationship, even if Tu Shanjing's appearance rate is not high during this time in the play, the audience can still feel that his heart has never left.

I also like the refinement of some of the episodes in the play.

For example, Sang Tian'er's redemption, although the main plot line is still the content of the original work, but it supplements the interaction between Sang Tian'er and Minxiaoliu, making people feel that this incident still has some impact on Minxiaoliu's concept of love.

For example, the windproof yiying put away the ice crystal wind chimes in the house, and just adjusted a prop in the novel to shape the windproof city government and calculation.

For example, the scene where Feng Long Xinyue and Xiao Xiao drink and celebrate, before adding two embarrassing gifts from Fenglong, adjusted the atmosphere when Fenglong turned into a fireball, and made the image of the two small supporting roles of Fenglong Xinyue more three-dimensional and multi-faceted.

After watching this drama, I obviously feel that it tells the exact same story as the original work, but each character has a more three-dimensional impact, which is more flexible and impressive than the story in the text.