Speaking of kaishu, everyone will think of the "four masters of kaishu" in the Tang and Song dynasties, and created four kinds of calligraphy styles - Ouyang Qian's "Ou Kai", Yan Zhenqing's "Yan Kai", Liu Gongquan's "Liu Body", and Zhao Mengfu's "Zhao Body". Each of the four books has led the way for hundreds of years.
In fact, before the "Four Great Masters of the Book of Calligraphy", there was also a "Four Greats of the Early Tang Dynasty", although the fame was not as big as the "Four Great Masters of the Book of Letters", but on the comprehensive strength level of calligraphy, it did not lose to anyone.
Chu Suiliang's "Big Character Yin Rune Sutra"
The "Four Greats of the Early Tang Dynasty" refers to Ouyang Qian, Yu Shinan, Chu Suiliang, and Xue Ji. When chu suiliang is mentioned, everyone will think of his courageous and direct advice, upright and upright, and his achievements in serving the country and the people, while ignoring his identity as a calligrapher.
In fact, Chu Suiliang was able to enter the DPRK as an official because of a good hand. In the twelfth year of Zhenguan (638 AD), Yu Shinan, a famous calligrapher of the Tang Dynasty, died, and Li Shimin lamented that there was no longer any one to talk about calligraphy.
At this time, Wei Zheng advised and recommended Chu Suiliang, saying that Chu Suiliang's gesture was strong and strong, and he had the style of a second king. Therefore, Chu Suiliang was set up as a "book of attendants", recording the words and deeds of the emperor, equivalent to the current position of secretary.
The world heard that Tang Taizong loved Wang Xizhi's calligraphy, and for a time there were countless treasure donors, and it was difficult to distinguish between true and false, only Chu Suiliang could judge the source and point out the wrong and counterfeit calligraphy and paintings.
Emperor Taizong sighed, "Yu Shinan died, and there is no one who discusses books." "Wei Zhengbai saw Suiliang, and the emperor ordered the attendants. Emperor Fang bought Wang Xi's old post, and the world competed for it, but it could not be true or false. Sui Liang's monograph is out of no imperturing one.
- The New Book of Tang and the Biography of Chu Suiliang
It can be seen from this that Chu Suiliang's calligraphy is by no means ordinary. Chu Suiliang was deeply accomplished in calligraphy, and history says that he first learned calligraphy from Ouyang Qing and Shi Ling, and later learned from his uncle Yu Shinan, the second king of the final law (Wang Xizhi and Wang Xianzhi), who was proficient in various bodies and was able to integrate and penetrate, especially Shan Li and Kai.
It is worth noting that among chu Suiliang's many works, this volume of the "Big Character Yin Rune Classic" is the most representative. Although Chu Suiliang's "Big Character Yin Rune Sutra" is written in letters, it is written in the form of a line book, and the biggest advantage of learning this sticker is that the left pass book and the right side pass the letter, and both the letter and the line book are learned.
This post also shows a problem, the ancients wrote letters, writing lines, the difference is not big.
Looking at Chu Suiliang's "Big Character Yin Rune Classic", it can be seen that his gestures are clear in length and length, natural, horizontal, wide and ethereal, quite a sense of belonging to the book, skimming open, the line contrast is obvious, sometimes slender, sometimes thick, sometimes compact and dense, sometimes open and indulgent, between twists and turns, endless changes.
The most rare thing is that after the high-definition enlargement of the single word, you will find that between its strokes and pens, the breath is connected and echoed back and forth, although it is a calligraphy, it has the characteristics of a book, quite a two-king style.
Wei Zheng had a saying: "Chu Suiliang's pen is vigorous, and even Wang Yi is less physical. ”
Yang Wuxian: "The cursive method is ever-changing and infinitely mysterious." Now in Chu Zhong Ling Shu saw it. Or comment on the cloud: the pen is strong, the momentum is ancient, and it is one of the words. ”
Chu Suiliang's "Big Character Yin Rune Classic", 21 cm in length, 394 cm in width, 96 lines, the total number of words is more than 461 words. The original volume is reproduced in high definition, and the restoration is exactly the same as the original.
Because it is a rare inkblot of Chu Suiliang, the "Big Character Yin Rune Classic" has been respected by lovers who have studied Chu characters for generations, and some people even call this post an entry shortcut to learn Chu Shu.
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Chu Suiliang's "Big Character Yin Rune Sutra" Fine Framed Hand Scroll HD Simulation Calligraphy Rice Paper Calligraphy Long Scroll ¥88 Purchase
——Edited by Qian Yuan