Wang's cursive book "Li Bai Poetry Volume". The book was written on the sixteenth day of the first month of the first month of the fifth month of the pengzi (1528), when Wang Pet was 35 years old. The work is 25.3 cm wide and 310 cm long, and is a collection of Duo Yun Xuan. The content is four poems of Li Bai's five ancient poems, the poetry is far and high, the meaning of the ghost god, and the lyrical ability of the scene.
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Wang Pet "Li Bai Ancient Wind Poetry Volume" ¥40 purchase
Wang's calligraphy, which crossed the Song and Yuan dynasties to take the Fa and Jin people, is very evident in the "Li Bai Ancient Wind Poetry Volume". This cursive book has a strong rhyme, which is far away from the style of the calligrapher around him. If compared with Wang Xizhi's cursive writing, its breath is more elegant and soft, not as refreshing and practiced as Wang Xizhi's pen.
If compared with Wen Zhengming, Wen Zhengming is exposed to the outside, and Wang Pet is clumsy in qiao, so that qiao has a more gentle and plump mood. In the clumsy ingenuity, Wang Pet has removed many edges and corners, and the muscles and bones are not exposed and sharp, but wrapped in a layer of rounded moist ink, which seems to be weak and boneless, but in fact, the muscles and bones are inside, and the clumsiness is beautiful.
The specific pen used by Wang Pet is like this, uniform, contained, mainly real, light and heavy do not see disparities, each stroke is similar in thickness, there is very little between words and words, but it is quickly converted in a single word, and each word seems to be completed in a moment. The gestures bring a coherent flow, careful scrutiny, and it is the king who takes the oblique posture to facilitate the interspersing of strokes.
It is often the right shoulder that is raised, the left is low and the right is high, forming a slope, and the line falls down with a sense of subduction. There are some long falling lines that are very wonderful, such as the last vertical of the word "belt", which bundles up a word, and a vertical hanging in the distance, and the space suddenly becomes open and loose, and the chapter can be active. It can be said that the oblique posture is to use the sharpness and temperament of the pen, but the whole volume of "Li Bai Ancient Wind Poetry Volume" does not seek momentum to win, it appears gentle and docile, the reason is also in the use of ink kung fu, the end of the pen is always tied up without showing the sharp edge, the end of the pen, to contain but not hair, so it is both graceful and achieves a leisurely effect. Judging from the age of Wang Pet, it is easy to appear in writing that two ills are childishness; the second is arrogance.
Because this age is the youth period, cultivation is immature, it is precisely when it is jerky, these two defects are natural. But in Wang's pet's pen, people were amazed by his sophistication, full of emotion and no arrogance, which was beyond this age. The gentle atmosphere of "Li Bai's Ancient Wind Poetry Volume" fills the whole text. There are also many vertical lines in the chapter, which only evoke the sense of activity of the whole article, rather than hitting the stone in a wild wave to show arrogance. The young king pet is known for its mild charms, making gentle the dominant. The "Book History Society to Continue" said: "The first sleepy order, after the removal of the crossbow tension, gradually into the round," according to the convention, the round fusion is the pursuit of the way in the later years, and the king's pet has been able to get rid of the crossbow tension gradually mellow, this is how wise and aesthetic vision. Gentle is the low-key in aesthetic taste, the ancients advocated: "peace as the body", thinking that it does not lose the authenticity, this is because "and" can absorb more taste, and calligraphy is fascinating, it is necessary to have taste.
Zhang Jie, a Song dynasty, said: "If there is no meaning in the sentence, for example, the mountain has no smoke and clouds, and there is no grass and tree in the spring. "Li Bai Ancient Wind Poetry Volume" has a quiet taste, gradually out, for the viewer to absorb, not to mention the olive aftertaste, long square Jueyong. Wang Pet's pen in this article is also worth paying attention to. Use the pen to see nature in peace. Writers of this age always use the pen to let go of the time with fire, use the straight exposed, and sharply and excessively express the desire to fill the paper. The king's pet seemed to be not energetic, and naturally, simple lines appeared. In particular, there are still some remnants of chapter grass in the pen, and the nature adds quaintness. The nature of using the pen is in the state of mind, but also in the action.
Relaxed mood, simple movements, not pretending to be a sinister stroke, nor making the lines complicated. "Li Bai Ancient Style Poetry Volume" is composed of extremely simple lines, it seems that it can no longer be reduced, this kind of reduction strokes are naturally written, and the whole text is flexible and loose. "Li Bai Ancient Style Poetry Volume" The whole text is free and smooth, showing the perseverance of a young writer, which is done with a kind of ordinary heart, and the Mingren Li Yan believes: "Correction is the loss, so it is beautiful to take nature as a beautiful ear, and there is not the so-called natural nature outside of the emotional nature." In this way, the creation of the king's favor is a kind of emotional need, rather than writing for others to appreciate intentionally. The gentle breath, the gentle ink breath, even the stroke rhythm of the left and right are gentle. Wang Pet does not make a book that pours like a waterfall, nor does it make a group of words connected by numbers. So, this work makes people feel full of joy and affection, and how did it come from? That's the echo method.
At the end of each word, stop traveling, and use a small action, or a small hook, or a turn, to make contact with the next word. There are two kinds of echoes: the direct one is connected by a bright line, and the viewer can see; the indirect echo is a hint, implying that the sharp edge is hidden, so that the extender does not extend, the even one is not connected, contained, controlled, ambushed, secret sound bypass, meaning deep. The "Sayings of Man zhai" said: "Xiong Shen Ya Jian, this is implicitly not revealing." "Mutian Forbidden Language" also believes: "Words are simple and long, words cannot be clearly expressed, and ambiguity has an aftertaste." "Wang Pet has a deep and subtle skill, with the break as a connection, with the hidden as the dew, the effect is surprisingly good."
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Wang Pet's "Li Bai Ancient Wind Poetry Volume" is appreciated in the whole volume