I was very afraid to watch the Republic of China drama, because the love of that era was "nine out of ten sorrows", but I also preferred those Republic of China styles in the drama, because in that legendary era, the beauty of Oriental women was fully seen. Today we will take stock of the "Republic of China" style of those amazing times: Who is the troubled beauty in your heart?
Zhang Ting, the liveliness of the girl seems to be innate, can be well-behaved and cute, but also very moving, quite a different kind of femininity. In the early years of taiwan's bitter drama "Fire Crane", the shape of the Republic of China was green and beautiful, sweet and innocent, and had the charm of classical beauty.
When the pear blossoms brought rain, how many people's hearts were touched by crying? Later, he went to the mainland and changed from "bitter love Hua Dan" to "female version of Zhou Xingchi". After so many years, I feel that my appearance has not changed much.
Zhao Mingming's "Phalaenopsis Orchid" is about Shanghai in the thirties, from the love and hatred of parents to their children, Bai Hui, who she plays, quotes a line in the play: God is not stingy with her, and gives her the most beautiful! The two braids are extraordinarily unusual, and a smile is intoxicating.
And Hu Bing starred in the "Oleander without Flowers", which is also beautiful and indispensable, and the handsome men and beautiful women are particularly eye-catching! Zhao Mingming is a rare round-faced beauty, and the Republic of China's appearance has both the agility and delicacy of a young girl and the charm of a young woman. Bright eyes and bright teeth, natural and pure beauty, sitting firmly in the "first goddess of the nation" that year.
Jia Jingwen, childhood costume goddess, but the Republic of China dress is not lost, my initial impression of her is not "Little Li Flying Knife", but with Yuan Biao starring in the "Children's Hero Biography", in the play she played the heroine Shi Wanting, dressed very foreign, at that time I remembered that there were so many beautiful women inside.
In the play, she and Hua Zhenyang, played by Yuan Biao, had mutual affection, but the man's family yi Cao Ying played Furong, later Furong died in childbirth, and she also died of injuries at the wedding with the male protagonist. At that time, Jia Jingwen was really full of collagen.
There is also Xiang Xue'er in "Nong Ben Amorous", from poor girls to socialites, from gentle and gentle to a variety of styles, which can be called Jia Jingwen's Republic of China fashion show, and the various styles in the play are also super beautiful. When she performed this play, she was in a divorce, but it was just right with the tragic life of the heroine.
Xiao Furong, played by Zhou Haimei in "Big Trouble Guangchanglong", was initially a female ghost attached to an umbrella, and the grain and oil wholesale distribution partner played by Lin Jiadong carried out a poignant and complaining human ghost love affair. Zhou Haimei's beauty is pure and feminine, and a pair of gu pan amorous eyes are particularly spirited.
Whether it is the air bangs, the natural and fresh student dress, or the dress of the dress that shows the graceful posture, it is very beautiful. I feel that the Hong Kong TV dramas at that time are really good at dressing up people.
Guan Huiqing, a beauty who has faded out of the entertainment industry, has cooperated with the male god Zhu Yilong in many works, and really snorted at them that year. Especially in "Deep Boudoir Doubt cloud", the shape of the Republic of China in it is very stunning, fresh and unconventional, the temperament is outstanding, and there is a kind of "full of water, the pulse is not speaking" style.
Guan Huiqing has a standard big heroine face, plain face and light makeup are very beautiful, some netizens said that it is very similar to the time when Gao Yuanyuan was green. Unfortunately, before you can catch fire, it will already disappear.
Speaking of the shape of the Republic of China, how can it be less Than Zhou Xun, Du Xinyu, who is not familiar with the world in "Like Fog Like Rain and Like Wind", combs a double ponytail when he appears, naïve and melancholy, and his heart for Zi Kun is hidden in those big eyes.
Lin Huiyin in "April Day on Earth", with short hair, pure and elegant, elegant and romantic, coexists with the delicacy of a young girl and the beauty of a mature woman, showing the literary and artistic temperament of a talented woman in the Republic of China.