Sixty years of study, smearing and smearing, nothing has been achieved. The editorial department of "Culture and Entertainment" asked me to talk about the experience of studying books, and I was ashamed, "like fish drinking water, cold and warm self-knowledge", there is really no good experience to talk about.
I felt that in the middle of the long sixty years, the early period was "wandering and searching", and I took many detours. Later, I want to "turn to a multi-teacher" and absorb some nutrients in many ways to enrich myself. Because of the lack of kung fu, until old age, I can't write anything famous.
Sha Menghai's early calligraphy work "Epitaph of Mrs. Chen Jun"
Beginner's Book "JiWang Sheng's Teaching Order"
My early years of "wandering and searching" went like this:
When my father died at the age of fourteen, there was a photocopy of the newly published photocopy of the Book of the King of The Book of The King, which I loved the most and often wrote about it.
Partial part of the Jiwang Saint Order
The "Jiwang Sacred Order" was engraved into an inscription by Shamen Huairen from Wang Xizhi's calligraphy, called "Tang Ji Right Army Holy Order and Record", or "Huairen Ji Wang Xi's Book of Sacred Teaching Order", because the stele is engraved horizontally with seven Buddha statues, also known as the "Seven Buddhas Holy Order".
Mr. Mei Zhaoweng (Tioding), the ancestor of the township, is the most famous for writing wang characters (see picture below), and the calligraphy circle is pushed to be the first in the Qing Dynasty. I saw a lot of ink in Ningbo, which inspired me to study "Wang Shengjiao" and all aspects of the pen knot. Only because my pen strength is weak, I have studied for five or six years, and I have made no progress, so I am discouraged and lazy.
Mei Zhaoweng calligraphy works
Later, he transferred to seal books
Some of my friends wrote "Zheng Wen Gong Monument" and "Crane Ming" with strong pen strength and meteorological glory, and they felt dwarfed by themselves. In order to hide my clumsiness, I gave up the true and practicing books and specialized in seal books. When my father was alive, he also wrote seal books and carved seals, and I knew a little bit of seal script. At home, there are "Huiji Carved Stones" and "Yishan Carved Stones", and in the bookstore, I also saw Wu Dayi's seal books "Speaking of the Head of the Literature", "Filial Piety" (see the picture below), "Analects", extremely happy, every day to practice, plus the praise of the older generation, the momentum is even stronger. Due to the small number of people who write the seal, it suddenly has a small reputation.
Qing Wu Da Shu Shu "Filial Piety Classic" (partial)
Wu Da Li (chéng) (1835 ~ 1902), originally known as DaChun, the character Zhi Jing, also known as Qing Qing, The Number Heng Xuan, the Late Name Of Zhai Zhai, wu county, Jiangsu (now Suzhou, Jiangsu) people. Qing Dynasty officials, scholars, epigraphers, calligraphers and painters, and national heroes. In the seventh year of Qing Tongzhi (1868), he entered the priesthood. Good at painting landscapes and flowers, good at seal writing. All thanks to the appreciation of the golden stone.
Learn Liang Qichao's square pen again
When I was in middle school, I used to write screens for people on Sundays, and I wrote them correctly. However, the upper and lower paragraphs should be photographed and written as usual, or they are not seen and often regret. Later, I saw the Commercial Press photocopy of Liang Qichao's "Wang Shengjiao" (see picture below) and "Dead Tree Endowment", and the knot body was forced to resemble the original post, but the use of square pens and sharp edges was greatly surprised. Since then, he has used his method to write the king character, and his face has changed.
Liang Qichao is in part of the Jiwang Saint Order
He also transferred to the Zodiac Zhou and also studied Wei Bei
In the next few years, when I saw the zodiac zhou calligraphy photocopied by the Shenzhou Guoguang Society and other places, and also used square pens, the knots were particularly novel, and it was more in line with my appetite, so I gave up the old body of Wang Youjun and went to learn the zodiac week.
Zodiac Zhou Kaishu works
Zodiac Zhou (9 March 1585 – 20 April 1646), courtesy name Youxuan , also spelled Youping or Youyuan , also spelled 螭若 , 螭平 , Youping ( ) , and Shi Zhai (石斋). Han Chinese. A native of Tongshan, Zhangpu, Fujian (present-day Tongling Town, Dongshan County). Scholar, calligrapher, painter and writer of the late Ming Dynasty. The zodiac is known astronomy and mathematical books. Gongshu is good at painting, poetry, and grass are all of their own, and they have successively lectured in Zhejiang Dadi, Zhangpu Mingchengtang, Zhangzhou Ziyang, Longxi Yeye and other academies, and have cultivated a large number of learned and dignified people. The world respects Mr. Ishizai. He is regarded as one of the most creative calligraphers of the Ming Dynasty. His calligraphy is good at calligraphy, calligraphy and cursive writing. His writing and cursive writing, the strokes of the pen are strong and powerful, the body is neat, and the style of writing is majestic and unrestrained. With strength and posture, it is the main tone of the cursive script of the zodiac. Although the characters are long, they emphasize the coiling of the horizontal trend to the upper right, so that the dot paintings become cotton and dense, although they are slightly habitual, they are strange and strong, forming their own unique formal language, especially showing their upright personality.
At the same time, I became acquainted with Mr. Qian Taixi (Khan). He is very deep in Beibei Kung Fu, watching him shake his pen and swing his spirit, especially he combines "Zhang Ronglong" and Huang Tingjian's physical posture to write large characters (see the picture below), this realm I like the most, for people to write the list, often refer to its method. I also wrote the North Monument according to the procedure revealed by Kang Youwei in "Guangyi Zhou Shuangyi Xueshu", but in the end I was not bold enough, and my achievements were shallow and fresh, and I was inferior to others. But this process also has benefits, after writing big characters, referring to the Wei Monument posture, I feel that I can spread out and stand.
Qian Taixi's calligraphy works
Qian Taixi, a modern calligrapher, was a calligrapher of the Han and Jin Dynasties, the Southern and Northern Dynasties, the Sui Dynasty, and the Tang Dynasty, and was influenced by the late Qing Dynasty's admiration of the style of steleology and devoted himself to epigraphy, and also admired the Wang Kaishu of the Jin Dynasty. Therefore, the pen is wavy, the ups and downs are free, and the grace is colorful. The same people of the Xileng Society are known as "Zhejiang East Second Stir-fry". In modern times, Zhao Shuru, a titan of Jinshi calligraphy and painting, spoke highly of Qian Taixi's characters. He called his words "gifted, elegant, and unconventional."
Then go back to the Wei and Jin Dynasties and turn to the Many Divisions
At the age of twenty-three, he arrived in Shanghai in the early winter, and Mr. Shen Zipei (Zeng Zhi) had just died. I have always loved his handwriting, and I have flipped it with many square pens for him. Seeing his "Inscription zodiac zhoushu mu poem": "Pen jing zheng er shan zhong, suo, Yu and Liu Zhiyan will not be lun" (Song Ji old Pai said that the yellow characters resemble Yu Shinan and Liu Gongquan), which gave me great inspiration, and thus realized that Shen Laozuo used the zodiac Zhou pen to trace the meaning of Wei and Jin. I went further to pursue the roots of the Zodiac Zhou, directly studied Zhong Xuan and Suo Jing, and visited the previous generations to learn the handwriting of various schools that had achieved success in the Zhong and Suo calligraphy as a reference, such as Song Dan in the Tang Dynasty, Li Gonglin in the Song Dynasty, Song Ke at the end of the Yuan Dynasty, and other works. During the intercourse, Mr. Ren Yishu (堇) wrote the bell very well, and I often consulted him. This was the beginning of my "transformation into a multitude of teachers." Shanghai is a place where calligraphers gather. Although Elder Shen passed, Mr. Wu Changshuo (Junqing) and Kang Gengsheng (Youwei) were still alive, and I was introduced by someone to visit and consult him separately. Kang Lao lived on Yuyuan Road, I only went once, and when I entered the door, I saw the three major plaques of "You Cunlu", the whiteboard ink book, without paint, and the pen force pulled out the opening, sighing that it was rare in ordinary life. Wu Lao lives in the northwest road of the mountain, I live in Haining Road, the distance is very close, I often go to the Wu family with Mr. Hui Feng (Zhou Yi) and Feng Junmu (Kai). Between my twenty-five years and twenty-eight years of age, I received more advice from Mr. Wu. Listening to him talk and watching him wave his hands made me more open-minded and broaden my horizons. Since then, I have paid special attention to my courage, paid attention to the use of pens in the bone method, paid attention to the changes in the rules, and consciously made a lot of progress.
Wu Changshuo calligraphy works
Many borrowed, all kinds of learning
Around the age of thirty, I loved Yan Zhenqing's "Cai Mingyuan" and "Liu Taichong" two posts, and I studied them all the time. Yan also has the "Poems of General Pei" (see picture below), or non-Yan Pen, but I love its divine dragon changes, think that the breath comes out of the "Cao Zhi Temple Stele", boldly studied, and also occasionally used its method. I am not blind to the writers of the past. I think that copying the inscription is similar, especially if it is not similar. The works of famous artists since the Song Dynasty and the Yuan Dynasty have surpassed those of their predecessors, and I have cited them as teachers and friends, and I have learned a lot. Seal book, everyone learns Deng Shiru, and I also take the Dharma King Shu and Qian Tu at the same time. Lishu, ming before people are not enough to learn, I love Yi Bingshou the most, and also often use Mr. Changshuo's affiliation to write< Dasangong mountain", "Gao Ge", "Hengfang". Xingcao, I have a fondness for Su Shi, Huang Tingjian, Mi Fu, Zhu Yunming, Wang Pet, Zodiac Zhou, Fu Shan, and Wang Duo, and I think that they have their own specialties and developments in learning from the ancients.
Part of Yan Zhenqing's book "General Pei"
During the War of Resistance Against Japanese Aggression, he avoided the land and went to Chongqing, without a stele, and only borrowed a copy of the "Chunhua Ge Ti" of sufu, and chose to study. I put a lot of effort into the tenth volume of the Book of The King's Offering, and although there are false posts, I love its exhibition, see more and more advent, and sometimes new realms will come out. Because I think that the inkblots of the heirloom King Duo are mostly written ancient posts, compared with the stone books, it is not all similar, and even purely self-luck, not abiding by the original post specifications, this is where the success of this old one lies. Mr. Changshuo said to himself in the "Stone Drum Text" (see picture below): "Yu Xuezhuo has been engaged in this for decades, and there is a realm of one day and one day. That's the same thing. People in the world may ridicule Wu Changshuo for writing "Stone Drum" unlike "Stone Drum", that is "talk outside the door".
Wu Changshuo is partial to the "Stone Drum Text"
In the end, I learned the true meaning of calligraphy
My "transfer of many teachers" also came up with a method of their own, that is, to learn a certain kind of inscription, but also "poor sources and flow", and also learn related inscriptions and inkblots. What is poor source? To see where this stele came from, how did the author learn from the ancients and absorb the essence? What is a stream? What is the later impact of this inscription? Which one inherits the best? For example, Zhong Xuan calligraphy, Chuan Chuan is Wang Xizhi, and later the royal body is popular, people can not see the true post of the bell, generally only the difference between the pen knot of the zhong tian and wang Xizhi is counted as the characteristics of the bell character. I mentioned above that Song Dan, Song Ke and others are good at learning Zhong Xuan, and they have used as references, which is an example of "actual flow". Example of "Poor Source": Zheng Shuo's "Diagram of Calligraphy Circulation" associates the families of Yu Shinan, Ouyang Qing, Chu Suiliang, and Yan Zhenqing under Wang Xizhi and Wang Xianzhi, and it is inappropriate to pass them on in the same vein. Ouyang Inquiry Style, Far Shao Northern Wei, close to the Sui Dynasty "Su Ci" (see picture below), "Dong Meiren" square pen tightly knotted.
Sui Dynasty "Su Ci Epitaph" part
The Song and Yuan dynasties did not attach importance to the Sui Dynasty inscriptions of the Southern and Northern Dynasties, or did not see some of the inscriptions of the previous dynasties, falsely referring to Ouyang inquiring about the truth and the two kings of all bodies, which was too unrealistic. Another example: Su Shi once praised Yan Zhenqing's calligraphy as "majestic and unique, changing the ancient law". The Song people saw that there were not many tablets of the previous generation, but they only saw that they were majestic and strong, magnificent, and not owned by the families of the early Tang Dynasty, so they said so. In fact, the formation of various literary and artistic styles has its own reasons. The Tang people pay attention to "typography", the Yan clan is the old clan of Qilu, successive generations specialized in paleography and calligraphy, looking at Yan Zhenqing's late writing, it is obvious that it comes from Han Li, and there has always been this system in the middle of the Northern Qi stele and the Sui stele, such as the "Taishan Diamond Sutra" (see picture below), the "Wenshu Panruo Stele", and the "Cao Zhi Temple Stele", all of which are closely related to the Yan characters. Yan Zhenqing's calligraphy is the culmination of the majestic and strong school of the past five hundred years, so it is by no means falling from the air when he steps alone. I use the above methods to treat the calligraphy of the past and learn the calligraphy of the past. Whether it is reasonable or not, do not dare to be confident.
Part of the Taishan Diamond Sutra in large characters
Attached: Sha Menghai waved a precious video
Sha Menghai (1900-1992), formerly known as Wenruo, the character Menghai, shihuang, shacun, cassia, yinxian shacun people. Born in a famous family of doctors and scholars, he was a child who studied seal carving early, studied at Cixi Jintang School, and graduated from the Fourth Normal School in Eastern Zhejiang. In 1922, when Sha Menghai went to Shanghai as a tutor, he had the privilege of contacting masters such as Kang Youwei and Wu Changshuo, whom he admired greatly, and had a profound impact on Sha Menghai's calligraphy and seal engraving in the future. In 1925, he taught at the Commercial Press Graphic and Literature Correspondence Agency, during which time, he learned ancient literature from Feng Junmu and Chen Qihuai, which made him a great progress in his studies. The "Huaguo Monthly" sponsored by Zhang Taiyan has published his Golden Stone text many times.
Sha Menghai's big character "Teng"
Sha Menghai has served as a professor at Zhejiang University and Zhejiang Academy of Fine Arts, a standing committee member of the Zhejiang Provincial Cultural Relics Management Committee, an honorary curator of the Zhejiang Provincial Museum, a vice chairman of the Chinese Calligraphers Association, a chairman of the Zhejiang Calligraphers Association, the president of the Xiling Printing Society, the president of the Xiling Calligraphy and Painting Institute, and the honorary president of the Zhejiang Archaeological Society. His calligraphy is far from the Han Wei, close to The Song Ming, Yu Zhong, Wang Xizhi, Ouyang Qing, Yan Zhenqing, Su Shi, Huang Tingjian and other families, the most diligent, and can transform the ancient and the present, forming their own unique style of writing. He is also good at seals, subordinates, lines, grass, and kai books, handsome and colorful, and the list books he has composed are large characters, majestic and strong, magnificent, and the most exciting.