Traditional cross-talk is broad and profound, and the method of organizing baggage is also the flash of language skills. There are many kinds of cross-talk performance methods, taking the flip bag as an example, there are forward flip, reverse flip, planing and so on. There are nearly twenty ways to organize the baggage. Whether it is traditional cross-talk or the creation of cross-talk, it is inseparable from its origin. Among them, there is one performance technique that is the most difficult to control, not only rarely used, but also rarer to be authentic and brilliant, which is "blind".
"Fluttering blind" was originally a spring festival in the business field of Xiangsheng Gate. Specifically, when the cross-talk performance, one party asked the other party, and then the other party began to find a rut, and the actor should show the east and west sentences on the lines, the preface does not match the back, the speech is upside down, and the words are not accurate. But in fact, this is just to give the audience an intuitive feeling, every sentence in the book is clear, and the actor must act according to the words. There is also baggage in the seemingly incoherent expression, which is where the "blind man" is superior. In traditional cross-talk, "Old Age" and "Pickpocket" both use "blind man", and its purpose is only one, that is, to lie.
Guo Degang has made both cross-talks and used this technique. In contrast, Guo Degang's performance in "Old Age" is more mellow than that used in "Pickpocket". On the bottom of the bag, B asked: Why is tofu white for people to eat? Guo Degang went from casserole to the tofu room keeper, and then to guessing riddles and going up the steps, this large section of blindness, showing the mentality of trying to tell a lie and being difficult to justify himself. On the other hand, in "Pickpocketing", Guo Degang went to the role of mud cracks, and although there were places for the other party to catch the loopholes in the process of lying, and showed a posture of strong words, it lacked a "self-denial" side.
To talk about "catching the blind", Mr. Guo Rongqi's performance can be called a textbook. Guo Mazhao's group mouth "PickpocketIng Horse Coat" was also called the top version of "PickpocketIng Horse Coat" by the audience. In this piece of work, the teasing Third Master Ma plays the "young master seedling" who talks about the mist cover of Yunshan Mountain, Zhao Peiru who holds the whistle asks the root of the matter, and Guo Rongqi, who is in the mud, tries to help round the lie. Judging from the weight of the lines, it is obvious that the mud cracks are the ones that take the lead. In the two times, "the cockroach fell into the tea bowl and drowned" and "the roast duck flew upstairs", Mr. Guo used the technique of "throwing blind children" to pure fire. For example, the first round lie, Mr. Guo first from the "mule" and "snail" harmonic sound plan to pass the pass, found that it does not work, and then looked for a rut from the tea bowl, "the rice bowl is bigger than the tea bowl, the larger than the rice bowl is the basin, and the basin that is bigger than the basin is the pool in the bathhouse" Speaking of this, and "self-denial" to find a supplementary sentence "But the bathhouse pool can not drink tea!" "In this way, the baggage will also be brought out."
And the irrational cunning of the round lie is manifested in the second time, Zhao Peiru asked: "Oh, you said that it was such a slap, and it was picked up?" No, you can't! He said flying. Snap... Fly up! At this time, Guo Rongqi showed a strong and reasonable side, "Ouch! Not even a word at all? Don't make me ask, fight in this old social drama garden, this throw teapot and that throw tea bowl... The next day the newspaper published 'A certain garden fight flying teapot, flying tea bowl...' Does this teapot have wings? How is it called a flying teapot? If you let it fly the teapot, you can fly the roast duck! "This is the textbook mud crack.
It seems to be "nonsense", in the end, where is Guo Rongqi's interpretation? First of all, the "blind man" can not make the audience aware, but must make the audience feel that the actor is really confused thinking, and the language lacks logic, so that the baggage can sound. Secondly, the role of the round lie itself is complicated, and his fundamental purpose is to wear a horse coat for a few more days, so he helps the funny "straw man" round lie. In this process, it is necessary to show both inability to justify oneself and to show strong words, and to be mixed with the torment and helplessness of this errand. Only in this way can the bottom baggage "the horse coat is given to you" shake brittle and shake loudly.
The words "blind" are dead, but the performance is alive. Being able to perform "nonsense" in a fake and real way, and enriching the role in three dimensions, this requires the actor's accumulation of stage over the years and his personal ability to understand the art.