In the cross talk world in 2018, a doctor named Li Hongye pierced the sky like a meteor with his unique concept of "formula cross talk". With the ambition of subverting traditional cross talk, he stood on the stage of "There Are Newcomers in Cross Talk" and confidently faced Guo Degang, the master of the cross talk industry. His appearance has undoubtedly injected a fresh blood into the cross talk industry, but it has also caused a lot of controversy and discussion.
Six years have passed in a hurry, and we can't help but ask: Where did the once high-spirited doctor go on his cross talk road? Did his "formula cross talk" really revolutionize the cross talk world as he originally wished, or did it just become a passing thing?
Li Hongye's cross talk road can be said to be a road full of challenges and controversies. He tried to use scientific methods to interpret and interpret cross talk, hoping to lower the threshold of cross talk through formulaic methods, so that more people can participate in it. However, his attempt was not widely recognized and supported. Many senior cross talk artists believe that cross talk is an art form that requires profound cultural accumulation and artistic accomplishment, and cannot be simply replaced by formulas.
Despite facing many challenges and doubts, Li Hongye did not give up on his dream. He insists on sharing his insights and theories on cross talk in various small performances and lectures, hoping to find more resonators. However, as time passed, his voice seemed to gradually drown out in the hustle and bustle of the cross talk world.
From Li Hongye's story, we can see the dilemmas and challenges faced by an artist in the process of pursuing innovation. He tries to break the shackles of tradition and interpret the ancient art form of cross talk in a new way. However, his attempts have not been widely recognized and supported, which makes us wonder: how should we balance tradition and innovation in the pursuit of artistic innovation?
Perhaps, as a senior cross talk artist said: "Cross talk is an art form that needs to be felt and experienced with the heart." It is not only a collection of language and a display of skills, but also a transmission of emotions and cultural inheritance. Therefore, in the process of pursuing artistic innovation, we should respect and understand tradition, and make useful attempts and explorations on this basis.
Finally, let us hope that in the future, more artists will find their own balance between inheritance and innovation, and inject new vitality and impetus into China's cultural and artistic undertakings.