Cecilia Cheung recently wore a photo of Fendi's spring/summer couture catwalk, and the discussion was quite high.
I don't know if she is really pregnant, but most of the posture in the propaganda photos is sitting.
The last time I was photographed at the wet market, my stomach bulged slightly, and the same is true of the new photo I was photographed this time.
This is Fendi's Spring/Summer 2021 couture series, and because of the epidemic, the entire show is live online.
In addition to Cecilia Cheung, there are other familiar female stars on the catwalk.
For example, Tan Zhuo, she is the lead model of this time.
A simple black Look aura is fully open, which is a good female star who balances fashion and practicality.
There is also Zhao Tao, the couture she wore this time is too long, and there is a feeling of foot binding when she walks.
This time the catwalk is also maizi, Huang Jue's wife, who was previously admired for her outstanding temperament and talent.
Wheat has a very dull face, but the camera sweeps to the side of the face, and the gentle brow and nose bones are visible.
The most impressive ones this time were Cuckoo and Ju Xiaowen.
They perfectly interpret what is called the proportions and skeleton of a supermodel.
In order to match the low-key luxury clothing, the entire runway environment is very elegant, there are flowers and green plants around the catwalk, but the colors are relatively clear, and like the clothing, there is a low-key sense of exuberance.
This reminds sheep of Dries Van Noten, the humble gentleman of designers, who for decades did not pursue fashion, but only single-mindedly worked with flowers.
He had a private garden covered with plants, peonies, hydrangeas, daisies, rhododendrons, trees.
He used the flower element in various fashion designs, which was his own.
Each of his shows has a large number of green plants and flowers, and the harmony after living in harmony with nature makes his costume look like although it is full of red and red, but it is not flattering, full of independent and light feeling.
It's like every time the moisture and aura dried in winter are restored with a single touch in the spring.
Most importantly, wanting to be beautiful in the spring is something that can be done without fighting for talent.
Let the beauty of natural occurrence is the theme of spring, take advantage of the momentum, enjoy it, no one's limelight wants to cover the high spring, so just put your heart in your stomach and do yourself.
How to harvest a more relaxed and beautiful self in the spring, perhaps we can find inspiration from classic movies.
The romance of French cinema
Everyone can be a poetess
If you haven't figured out how to start spring yet, it's perfect to start with Hou Mai's film.
As a famous French director, his film style is loose and restrained, on the one hand, he shows the uncertainty in the emotional entanglement, and then he takes the bootleg and places his unique taste on the protagonist.
Watching his films is a double enjoyment of emotion and vision, and the audiovisual language of the film is juice-like, so that people will not feel thirsty after watching it.
HouMai said: "I avoid showing things that are easy to become obsolete. ”
The protagonists in the movie only love simple basic models, and this can reflect their soft and confident posture.
"The Story of Spring" was his work when he was 70 years old, and it was the first part of "Four Seasons on Earth".
The heroine Jeanne is orderly, but at the beginning of the film, she is placed in various uncertain environments.
The opposite of her is Natasha, a self-acquaintance girl who meets at a gathering of friends, and Natasha offers to send her home.
So the rational heroine is dragged into an uncertain life.
The heroine loves to wear all kinds of blue. Wear a deep and light blue on your body, with a white or beige scarf or sweater shawl, and a blue bead necklace, while not breaking the order, but also strive for lightness.
Natasha has an innocent and outgoing personality, and is the embodiment of spring.
Her costumes are mostly green. Green home T-shirt, green square neck knit + black polka dot skirt, green cardigan + light jeans, simple and comfortable.
He is also good at stacking denim elements, such as floral, black elderly sweaters, green underwear, plus a fashionable belt, and the basic model can also toss out new tricks.
Hou Mai's other work, "Girlfriend's Boyfriend", is also super healing, and it is okay to carry one to work and spring.
Prussian blue and green are frequently used here, changing materials and styles, and the atmosphere immediately transitions from casual to a social place of yixiang Raider.
The film is about a four-cornered love story, and Hou Mai is cleverly using costumes to echo this relationship.
The monochromatic aesthetic is applied to his films. That is, use the same color system of colors to echo in the shades, so that the color can drive the color.
"The Strange Adventure of the Two Sisters"
For example, red in his lens can also represent budding emotions, vitality.
In each scene, the people's clothing and scenery reach a wonderful harmony.
In addition to being good at using different color systems to create a sense of story, Hou Mai's heroine likes to use a variety of pieces and styles to emphasize the sexiness of if there is none.
Houmai girl even if she wears a shoulder-padded suit, she will not wear high heels to emphasize the sense of strength, wear a pair of plain and comfortable flat heels, and only want to please her feelings all the time.
They also like to wear a variety of knitwear to reduce the burden on their bodies, easily draping the knit on their shoulders, keeping them warm and elegant.
The Story of Autumn
The wonderful thing about knitting is that anyone who wears it will become lazy, seemingly blocking out anxiety outside the body.
The second is a variety of shirts, the color is refreshing, and it is difficult to associate girls who like to wear shirts with femininity.
They seem less likely to be flattered and are irreplaceable.
The heroine in Hou Mai's lens also likes to use various items to add color.
For example, the use of belts.
The colorful headband of the girl's heart and the large grain of the colored bead necklace are very bright and innocent.
It seems that all the ulterior motives are made to make the heroine in the movie look unrefined.
In recent years, the French style has been transitioned by female stars to the point of being too refined.
Not everyone can adapt to coffee break skirts, striped shirts, silky white shirts....
The main idea of French style is "I don't care", as long as you are happy, you can do anything, and the same is true when it comes to dress.
It just so happens that several literary goddesses who are known for their laziness and casualness are mostly from France.
For example, Julie Delpe, the heroine of the "Love In" trilogy, loves before dawn, loves at sunset and dusk, and loves before midnight.
The heroine and the male protagonist meet on the train, and then the chat in the north and south of the sky, at first trapped in their whimsical words, and then deeply attracted to the free heroine.
She is dressed very casually, and a simple T-shirt and denim can support most of the plot.
Another literary goddess, Juliet Binoche, is also simple and casual.
Her "Red, White and Blue Trilogy of Blue", which appears most in the large area of black looks, black sweaters, black coats, khaki shoulder bags.
Usually dressing is also very casual.
Their definition of beauty has never been about what they wear.
The style is restrained, comfortable, and sexy.
Perhaps the comfortable dress + casual attitude is the most fascinating thing for French film heroines.
Wear flat shoes to go more places and see better views.
The one-line collar is somewhere between sexy and comfortable, and exposing the collarbone is a proper elegance.
The tea break skirt is reminiscent of the afternoon sun, and wearing it seems to be within reach of the idyllic life.
And when the French film heroine flirts, what she says is: Come to my house, I have a lot of books in my house.
Perhaps, this relaxation comes from unique historical conditions.
Under the protection of the "cultural exception" policy, France has prevented the invasion of popular culture, especially the infiltration of American culture represented by Hollywood.
Julie Delpe, the goddess just mentioned by the sheep, has said that she will not cater to Hollywood.
Because of the importance of protecting their own culture, the French have retained a lot of niche culture. And this confidence is also deposited in the wardrobe of French women.
Everything that seems to be just right aesthetic laws is the basis of the mass aesthetic system, and the radical concept of consumption can no longer stimulate them.
While Chinese girls are untangled into countless labels in fast-paced cities, French girls are lazily basking in the sun.
It is not easy to get this indifferent state of mind, so it is best to learn to slow down, calm down, dare to embrace "backwardness", and be kind to your soul.