What no one expected was that the Shanghai burlesque drama was silent and silent, holding back a big move
Under the leadership of the older generation of burlesque actor Cao Xiong, many big names in burlesque drama will present a long-lost drama during the eleventh period
However, on this performance list, I did not see the figure of Zhou Libo, the top pillar
In fact, the current burlesque and talk show, the key to open wheat is the topic scale and target the crowd, we must give up the elderly, specializing in the main consumer group, the live talk show spelling is the topic scale!
After all, how to get young people to re-enter the venue is the most important thing
It is not that young people do not hold the scene, but a form of performance that takes time to accumulate, burlesque has sunk for a long time, the so-called professional actors are busy making money, professional skills have actually been wasted for a long time, it can be said that it has been broken, the absurdity of the stage, the quality of the program can be imagined! It is estimated that it is just a few network strips, hip hop hop put together a show!
After all, there is no new person who has a future, just look at the photos taken by these people is not funny, all day long mixed with the TV station to mix a notice, Wang Rugang Li Jiusong after there is no burlesque, that is already twenty years ago full of memories
In addition to Zhou Libo, it was also up to Shu Yue, Cao Xiong, Xue Wenbin, and Qian Yi to support the field
Although Zhou Libo's character has been criticized by many people, it has to be said that Zhou Libo's achievements in performance are really beyond his reach.
Originally, relying on the big tree of Zhou Libo, many young people could follow the light
But after Zhou Libo disappeared, it has always been these few people who can't get up, now a lot of children don't even speak Shanghainese, burlesque drama is cool faster, burlesque audience is narrow, whether there are variables in whether they can survive, Cantonese opera audience has expanded to the world, the same local drama, the audience population has a world of difference in survival rate, plus before the old artist is fully committed to the creation of dedicated performance love and love of the ticket holders, now these people can not jump out of the whole of China only talk about making money in the social environment, once the people of the same age as them hate burlesque, Then the burlesque can only be a scenic spot for people to see in the end.
With Zhou Libo, the ticket price of the burlesque is high, and everyone may have a mouthful to eat
Without Zhou Libo, the most intuitive impact is that ticket prices began to fall sharply
Benchmarking the laughing fruit factory around you, the tickets of the less famous stand-up comedians can sell for 200, which is still very sought-after. Although burlesque is limited by dialects, it is still necessary to change its mind and work talents and materials, so that it is possible to base itself on the Shanghai quyi market.
But just as the so-called no start, it is impossible to rise, if there is no innovation, it is impossible to rise, if there is no audience, then the ticket price is lower, it is better, otherwise there is not enough audience to be worse
After all, without Zhou Libo's influence, the tickets for Shanghai burlesque are definitely more difficult to sell, and then the cycle continues, without waiting for Zhou Libo's comeback, there is no such market
Burlesque drama is passed down from the older generation, and there are various dramas such as burlesque, monologue, And Shanghai rap. The so-called burlesque actors of the current generation are all on TV to shoot advertisements and guests on food shows, and they forget what their profession is? Sadly they are not ashamed. Now there are still a very small number of burlesque actors who are holding their positions, Qian Cheng, Pan Qianwei and so on
If Zhou Libo really didn't come out, I don't know how long he could hold out by relying on these people