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The dream of "Jian'an Beijue" is also silent: the third part of the poem of sorrow and indignation - courage and sincerity

author:Xiaolou listens to the rain Shixuan
The dream of "Jian'an Beijue" is also silent: the third part of the poem of sorrow and indignation - courage and sincerity

Dreams are also silent: The third part of "Poems of Sorrow and Indignation" - great courage and sincerity

Hu'er broke people's intestines with a word, and his love was sharp and frosty.

How many sorrows and joys are born and died, and how much such a pen is the most desolate.

In such a poem that uses historical pens to record the disaster of "reality", see how Cai Wenji writes about the love of her children.

In the customs of the border area, she only used a faint stroke of "less righteous reason" to cover it, and the environment of the border land did not pay attention to extravagance, only saying "there is a lot of frost and snow in the place, and the wind is from spring and summer."

As a narrative poem, here from Jane, it means that Cai Wenji does not pay much attention to the environment and customs of Hudi, so in her own dictionary, what is the support for her Guihan?

She said that it was very "ethereal" and that "remembering her parents when she felt them" was a bit far-fetched, and at that time, her parents were no longer in the world, and it was really difficult to give up her children for the sake of the dead.

Princess Wusun said very realistically, she does not like to be remote, mainly because she is not used to eating and living, just as the so-called "vault is the wall of the room, and the meat is the pulp." In her opinion, whether gold paint is a wall or felt is a wall is an important content.

Cai Wenji does not think so, the main reason that affects her beauty is still "people are less righteous", she thinks that the people there are rude!

Because the words "less righteous reason" are really difficult to agree with, to be precise, it should be the righteousness of the less "Central Plains", any social structure has its own "righteousness", it is said that even the monkey society (orangutan) has its own "hierarchy", can not say that there is no righteousness in the Southern Xiongnu, but its righteousness is not in line with its own ideas.

The reason for leaving is very far-fetched, Cai Wenji has a rational and sober understanding of this, which is her most precious point, she not only has this knowledge, but also dares to face it. Borrowing her son's mouth, she cross-examined her far-fetchedness.

"I hugged my neck before my son and asked my mother what she wanted. When the mother is gone, will there be a time for return. Amu is always merciful, and now he is even more unkind. I'm not an adult yet, so I don't care. ”

Words are dripping with blood, thousands of folds.

"Hold my neck before the child" is a fold, the average mother will give in under this attack, Cai Wenji did not, the son continued. "Ask the mother what she wants" has at least two meanings, one is a simple question of where to go, but to ask the mother what she is going to do? Ordinary mothers could not bear this question, but Cai Wenji also carried it.

"Ren Yan" comes from the mouth of an underage child, feeling very sad, Cai Wenji said earlier that she "can't bear to resign", to the point of "will there be a time to return", as a mother will not cry and fall to the ground? Cai Wenji did not.

Presumably, the son also felt the "unkindness" of the mother, and continued to attack the heart, "I am not yet an adult, why should I ignore the thoughts", at this point, it was the son who cried and fell to the ground...

Cai Wenji still left, I don't know how she answered her son, "Seeing this collapse within five, trance and madness" is natural.

Zhang Gu said that this paragraph is "the most wonderful recipe for the article", and its magic point is also the ultimate in human feelings, with our "righteousness of the Eastern Turks", which is an act that is contrary to human morality and extermination of humanity.

The greatest thing about Cai Wenji is not the magic of the article, but the courage to face the "righteousness" that goes against human morality and dares to speak out.

If this is really the son's original words, the so-called seven-year-old to see the old, such emotional logic and measure, the feelings and reality grasped so deeply, so understand and appreciate the depth of the human heart and the common sense of human feelings and can be clearly and clearly expressed, this "Hu'er" is really promising, even in the Eastern Lands, even in Cai Wenji's hometown of "human morality", how many adults like this know how to advance and retreat?

If it is not the child's original words, but Cai Wenji's words for the child when she reflects on her self-blame, then Cai Wenji's fearless superhuman courage and clear and deep emotional logic are somewhat of Rousseau's "Confessions".

This is the "article magic recipe" embodied in Cai Wenji's poem, in the face of such an extreme emotional impact and emotional logic, in addition to the reason and courage to face the situation thoroughly, is there any other so-called "article magic recipe"?

What is frustrating is that she still chose to go...

As a mother, to this point, if it is not coerced and controlled, this is an unforgivable act that is difficult to get sympathy.

Cai Wenji knows this very well, and she not only does it, but is willing to bear all the consequences.

She wrote about her separation from her son in two directions, one is forced to be helpless, she only obeys in the face of power, and the other is that she has to bear moral condemnation, and the result of this treatment is that people will condemn her ruthlessness as a mother, and she will also use this to repay the emotional debt owed to "Hu'er". If this is just an artistic technique, how can Wen Ji face her abandoned son?

Writing life in reality requires clear and discerning insight, but also requires complete and thorough courage, from this point of view, Cai Wenji is worthy of a generation of strange women.

The dream of "Jian'an Beijue" is also silent: the third part of the poem of sorrow and indignation - courage and sincerity

Famous poets, poetry critics, enthusiasts and practitioners of classical Chinese poetry, writers, film and television screenwriters, film and television planners.

The dream of "Jian'an Beijue" is also silent: the third part of the poem of sorrow and indignation - courage and sincerity

Author: Dream is also silent Editor: Zhang Xuefang

Review: XiaoLou listens to the rain Proofreader: Feng Xiao

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