As the saying goes, "There are no two leaves in the world that are the same." It means that every individual in this world has an independent appearance, image, temperament, speech, and thought that is different from other beings.
The so-called "each flower into each eye", some people like the white snow in the spring, and some people like the people in the lower riba.
Different personalities, different hobbies, the vision of things and the attitude of treating things will be different.
Shakespeare's famous play was also commented as "a thousand Hamlets in the eyes of a thousand men." ”
Kant said, "I think, therefore I am." Therefore, Wang Shuo said that few Chinese writers are qualified, and the criteria for judging are different, and the results naturally vary from person to person.
He also said that Jia Pingwo's "Waste Capital" is a toilet, and people who have read this book naturally have a scale in their hearts, and people who do not know Jia Pingwo naturally have no right to speak.
<h1 class="pgc-h-arrow-right" data-track="1" > dare to be the first in the world</h1>
Wang Shuo, who is it? I've been a soldier, I've been to the sea, I've written novels, I've made movies, I've written reviews, I've written screenwriters.
In 2007, with a royalty income of 5 million yuan, it was ranked 6th in the "Second Rich List of Chinese Writers", and the road was step by step, and there was also a process of ideological freeze-fixing.
There is a way that behavior determines habits, habits determine character, and character determines destiny.
Whether it is the life experience of childhood, the learning experience with growth, or the work experience after growing up, it provides material and framework for what a person thinks and thinks.
Wang Shuo's father and mother fought in the Kuomintang Civil War and the Korean War in the 1940s and 1950s, and his father was a regimental cadre, and his mother served as a military doctor in the Korean War.
Wang Shuo himself also had the experience of training in the People's Liberation Army Navy and showed talent and talent in literature and art.
Wang Shuo's first appearance in the literary world was after the resumption of the college entrance examination in 1978, when he practiced writing in preparation for the university entrance examination.
"PEOPLE's Liberation Army Literature and Art" published his debut novel and short story "Waiting", which received corresponding attention and was transferred to the editorial office of "People's Liberation Army Literature and Art" to do civilian work.
After that, Wang Shuo showed his dazzling brilliance as a new literary star.
In the ten years from 1980 to 1990, Wang Shuo worked tirelessly.
His work was widely published in various publications, and in 1990 he curated the large-scale television series "Longing", which set a record for the highest rating on the Chinese screen.
Since the late 1980s, Wang Shuo's works have been continuously adapted to the screen.
The film "Sunny Day" directed by Jiang Wen and the film "Party A and Party B" directed by Feng Xiaogang are both based on Wang Shuo's novel.
At the same time, he also began to publish some of his own comments in the literary world.
On November 1, 1999, China Youth Daily published an article entitled "I Look at Jin Yong", in which Wang Shuo criticized Jin Yong's novels and Hong Kong and Taiwan culture.
He not only scolded Jin Yong, but also criticized writers such as Lu Xun and Yu Qiuyu, which seemed to have achieved a culture, a culture of irony that belonged specifically to Wang Shuo.
<h1 class="pgc-h-arrow-right" data-track="3" > the image of the "stubborn lord"</h1>
A good writer can always be able to allude to things, rely on things and words, and write in words.
Wang Shuo's literary works express his attitude, and throughout some of his works, he borrows the cynicism of some "stubborn lord" images to express provocation and ridicule of authority and elites.
The writer Wang Meng once commented on him, saying that his "playing literature" is precisely a war book against those serious salvation literatures, which is equivalent to tearing up the mask and saying that others dare not say and doing things that others have not done.
His approach is unique, but it is clear that Wang Shuo has left his name in the history of contemporary Chinese literature.
Since then, we have all known that there is such a "bad critic" who speaks cynical words, faces the unbearable lightness of life, bears the weight that life cannot bear.
Borrowing a pen pole to express it freely, releasing the repression of human nature and trying to find an outlet for liberation.
The author is reminded of Sartre's "Existence and Nothingness" precisely because people come from nothing, and then go out of nothing, come to this world for a while.
In just a few decades, only by doing everything possible to think about how to broaden the breadth and breadth of life can we not waste this life.
The meaning of life and even the world should not only be dark and nothing, so there will be people's exploration and search for the value of life and the meaning of the world, setting and reshaping, thus reflecting the great tragic spirit of human beings, a tragic hero.
This is also the unrepressed human realm that Wang Shuo is looking for.
<h1 class="pgc-h-arrow-right" data-track="5" > the creative responsibilities of writers</h1>
In today's society, the pace of people's lives is getting faster and faster, children hope to grow up quickly, adults want to make money quickly, quickly achieve fame, and even culture has become a kind of "fast food".
People on the road, on the bus, in the restaurant... Everyone has a mobile phone, from morning to night, receiving news and news from all over the world.
Few people have been quietly reading a book in their spare time.
On the other hand, how many Chinese writers have given themselves a strong sense of responsibility, not aiming at their own achievements and fame, but only spreading and promoting correct values?
Wang Shuo commented on Chinese writers, saying that few passed, and there was a set of criteria for division.
He summarized the creative responsibilities of a writer into three types:
One is the human spirit that constructs universal values.
One is to make fun for others, the so-called "solo music is not as good as the music of all".
Another is to entertain yourself, express your own views, and spit it out.
Wang Shuo classifies himself into the third category, which is also traceable in his works, focusing on a kind of catharsis of self-expression and a kind of ridicule of self-search.
People look at the four famous works of China, why "Journey to the West" is loved by people, because it conveys hope to people, and why "Dream of the Red Chamber" makes people fascinated, because it reveals the life of a society.
"Romance of the Three Kingdoms" and "Water Margin" both show the pursuit and value of people in social life in a specific era, and the ugliness and selfish nature of human nature are unknown to people.
If a work is to expose the ugliness and selfishness of human nature, it will certainly make people feel very uncomfortable and then rejected by people.
Wang Shuo commented on Jia Pingwa, believing that his work "Waste Capital" is such a disgraceful and uncomfortable work.
There are always some people in this world who are doing something that people criticize, and you and I are not immune.
Through his works, the writer can convey the idea that the life of fictional characters in the book is artificially created, and even if it is derived from life, it will be higher than life.
However, people in reality can make their own choices, people's hypocrisy and shrewdness have a standard of judgment, the fate of the characters in the waste capital is defined by rules, and the real people can avoid the fate of falling unhappy through more noble pursuits.
<h1 class="pgc-h-arrow-right" data-track="13" > summary</h1>
Published in 1993, Jia Pingwa's "Abandoned Capital" is a ukiyo-e painting about the emotional entanglement of a group of young men and women living in the ancient capital of Xi'an in the 1980s.
Because the portrayal of characters is quite explicit and despised, it ignores the charm and value of literature itself.
The famous orientalist master Ji Xianlin once said about "Waste Capital", saying that this work will shine in 20 years.
Although the book was written in the 1990s, it is of reference and educational significance to read today.
Although the depictions in the book expose the ugliness and darkness of human nature, the final result is that the people in the wasteland are unhappy and disperse.
The name is "Waste Capital", but in fact, it is not the city that is abolished, but the people's hearts.
Although Jia Pingwa did not talk about solutions to some problems, fairness is in the hearts of the people, and reading it is enough to wake up the world.