There was Qi Baishi in the world, and the remaining ink still exists in the world.
If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!
Baishi Shantang is a wholly-owned subsidiary of Qi Baishi Painting and Calligraphy Institute in China: it is currently the painting and calligraphy institute with the largest collection of Qi Baishi's works, and is fully responsible for the establishment and development of Qi Baishi cultural and creative brands, Qi Baishi fashion and other brands, and is committed to the content mining, system combing, industry promotion, business innovation, value reproduction and other assets such as Qi Baishi calligraphy and painting, art, seal carving, appraisal and auction, etc., which is an important part of building a product innovation platform based on Qi Baishi culture and art.
Hello Tibetan friends, today we have invited the then descendant of Qi Baishi, a disciple of Qi Liangzhi, the president of the China Qi Baishi Academy of Painting and Calligraphy, a visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited director of teaching and research, a contracted painter of Beijing Academy of Fine Arts and Rong Bao Zhai, an expert in the identification of Qi Baishi's calligraphy and painting big data, and the president of the Shanghai Qi Baishi Art Research Association. Mr. Tang Fazhou, the chief operating officer of Baishi Shantang Culture Media, once heard his master Qi Baishi's youngest daughter Qi Liangzhi say: In the twentieth century, there are two most dazzling superstars in the Chinese painting world: Qi Baishi and Huang Binhong. They respectively pushed the expression of emotion and reason, reality and fiction, commoner and literati expression of Chinese painting to the extreme. In the art world of Qi and Huang, the affinity and transcendence of real life have been vividly expressed. It doesn't matter to say that Qi Baishi is more life-oriented, more secular, and more ordinary, while Huang Binhong is more cultural, more academic, and more detached.
About the Author
Mei Mosheng (1960 - June 14, 2019), born in Hebei, is called Juegong. The name of the fast is one as the hall. Calligrapher, painter, poet, scholar, Tai Chi master. He is a researcher of the China National Academy of Painting and a national first-class artist. He has served as an expert in the evaluation of national art research projects of the Ministry of Culture, a director of the Chinese Painting Society, a director of the China Literature and Art Critics Association, a member of the Central Cultural Committee of the Democratic League, and an honorary president of the Hangzhou Huang Binhong Academic Research Association.
One
The immortality of an artist lies in the fact that he has the works of art he creates to pass on. Although the standards of works that are worthy of art vary, it goes without saying that there is a unique creativity in a work of art.
Qi Baishi fan
Artistic creation is a mystery. It is a complex process of interaction between eyes, hands, hearts and objects. Every link is indispensable, and the heart is in charge. Cover the artist, the role of the heart also. In a sense, it is not so much the difference in artistic appearance and style as the difference in artistic soul.
Qi Baishi Shi Tao painted
Create the environment by the heart. Different moods, artworks have different styles, breaths, and realms. In this regard, ancient and modern China and the West are incomparable. Ni Yunlin's Xiao Shu and Wang Yuanqi's warmth, Miller's simplicity and Dali's treachery are all externalizations of the artist's inner nature. Through the artwork, the viewer seems to be able to point directly to the human heart, see its own nature, and taste all kinds of different life conditions and cultural feelings.
Two
In the twentieth century, two of the brightest stars of Chinese painting shimmered: Qi Baishi and Huang Binhong. They respectively pushed the expression of emotion and reason, reality and fiction, commoner and literati expression of Chinese painting to the extreme. In the art world of Qi and Huang, the affinity and transcendence of real life have been vividly expressed. It doesn't matter to say that Qi Baishi is more life-oriented, more secular, and more ordinary, while Huang Binhong is more cultural, more academic, and more detached.
Qi Baishi pomegranate
Qi Baishi is amorous. Because of his affection, he loves the thousands of things in this family, this country, this nation, and this land, so that every grass, tree, shrimp and crab is solved by the world, not only by the world. Qi Baishi's ordinary heart is a kind of national character that penetrates into our national bloodline, it is ordinary, plain, ordinary, natural, simple, deep, subtle and fraternal, by me and people, the old and the old, the young and the young, is a kind of virtue of the Chinese nation. With it, human love is omnipresent, benefiting plants and trees, benevolence and mosquitoes, inclusiveness and generosity, and almost goodness. Because I am saying, without the kindness of the old man Qi Baishi's heart, there will be no ordinary heart, and without his ordinary heart, there will be no painting of love and mercy for all things!
Shiraishi Old Man 93 Statue
Qi Baishi is a simple and pure person. The old man Baishi's identity as a peasant was not infected by the red dust, on the contrary, he kept the most valuable simplicity and true heart of a peasant, and reached a kind of life of self-esteem among commoners. Therefore, in his paintings, characters, prints, and poems, what we feel is a normal heart, and they are all Chinese philosophy and interest in life. If this kind of thing is called secular, market, and civilian consciousness, then it should also be said that this kind of thing is cute, pity, amiable, and precious. Because the people of this age have gradually abandoned this and have been blinded by Satan. What is the growing lack of Chinese people in reality? It is the self-esteem and ordinary heart of civilians like Qi Baishi! It is the long-standing fraternity and benevolence of the Chinese nation that Qi Baishi upholds!
Family dinner for the elderly in Shiraishi
Sizhe Heidegger said: Man should inhabit poetically. In order to dwell poetically, it is necessary to constantly de-cover. However, Qi Baishi tells us that he does not need to wipe the dust of his soul, because the dust of the world has not been able to impregnate and cover him. He has been childlike and sincere all his life. Qi Baishi's state of mind has been sparkling and rippling in poetry all his life, it is simple and natural, it is pure and fresh, it is fresh and clear, the viewer can find Qi Baishi's discovery, and find that Qi Baishi belongs to Qi Baishi and not only belongs to Qi Baishi's innocence, humor, peace, simplicity, reality and unique detachment.
Qi Baishi, double rabbit figure
An important intermediate link between the ordinary mind and the extraordinary hand is the ordinary and unusual eyes. Do you see the world with your eyes or with your heart? What is the complex interaction between the eyes and the heart? This must be answered by human experts. What the author understands is that the eye is the channel between the mind and the object. In the face of the same thing, what the ordinary eye sees is the same, but the extraordinary eye sees the difference. The paintings of the old man in the white stone are all in the color of the old man in the white stone. Is it the objectification of its mind? Is it the mind-transformation of its object? I don't know!
Qi Baishi, Panasonic is alone
I often think that not being in the service of creation, or the essence of Chinese culture. The heart gives birth to ten thousand laws, and the environment is created by the heart, which is the only way to create Chinese art. Look at a bowl of water with ordinary eyes, and quench your thirst. Looking at a bowl of water with the eyes of a Buddha, "there are countless insects". How do you look at it with the eyes of Qi Baishi? The clouds are in the blue sky, the water is in the bottle, and a bowl of water has a poetic realm.
Qi Baishi is one of the books of flowers, birds, fish and insects
Three
This collection of Qi Baishi's works, including flowers, birds, insects and beasts, landscape figures, calligraphy, screen strips, albums, fans, mirror hearts, central halls, couplets, sketches, etc., is a microcosm of Qi Baishi's art. On its completeness, there is no omission in the form of the category; and on its essence, there is no lack of brilliant people, such as: "Chick Cricket", its small and slight, micro and wonderful, can be compared with the "fly" that appeared at an auction a few years ago, in such a small size, the master craftsman flashed and moved, and drew a common chicken and a cricket as if he was heavy, however, the four words "lifelike" are not enough to call it, because, in addition to lifelike, there is Qi Baishi's childish beauty, Qi Baishi's simple state, it is really "there is a true meaning in this, and I have forgotten to argue"! In addition, the expressiveness of "Happy Spider", the natural fun of "Double Rabbit", the simplicity and plainness of "Frog Tadpole" and "Lotus Twin Duck", and the old and spicy heartiness of "Wine Cooked Crab Fat" and "Sanyu Picture" are all high-quality products.
Qi Baishi bamboo forest plantain four screens
Qi Baishi, the master, is truly like a sugarcane, the older he gets, the sweeter he gets, and the older he is, the more natural he is; as far as his brushwork is concerned, the older he gets, the heavier and more hearty, and he is dying of old age in his twilight years, about eighty-five or sixty years later, it can be said that he is a realm. Looking at the paintings of the old man in the twilight of Baishi, I can't help but think of my teacher, Li Jingwu, a master of Taijiquan, who has reached the state of "one luck and one Taiji", which should be natural. It turns out that the old man Baishi is a master of playing Tai Chi with pen and ink on paper! On the surface, his pen and ink seem to be casual, incompetent, and capable, but in fact, it is loose on the outside and tenacious on the inside. Try to look at the four screens such as "Sound of Night Rain", which is not old and spicy. Qi white graphite method, twilight and thick, clear and green, thirsty and thick, simple and clean, people appreciate it like ice and snow through the heart, like a clear spring to wash the face, there is no trace of fireworks. Woohoo! Write about worldly things without smoke and fire, and its monologue is stone?
Qi Baishi's gourd cup flower is on the screen
A commentator once said that traditional Chinese painting is a mixture of poetry, calligraphy, printing and other sister arts into the painting, which is not pure painting. This argument seems to be true, and the question is: Does this kind of comprehensive cultivation and composite artistic effect increase or weaken the appeal? When reading the paintings, the appreciators are not only not disturbed by the poetry and calligraphy in the slightest, but on the contrary, they are often supplemented and sublimated by the poetry and painting and the rich cultural information, and they can appreciate the painter's humanistic feelings more deeply.
Baishi inscribed on the booklet "Vase of Flowers": "Baojun has been grinding ink and paper for nine years, and I thank you for painting this book, and I will talk about the courtesy." Lao Ping. "May I ask, this kind of deep love between husband and wife and love in the world, in addition to intuition of the elegance of the picture, do we also taste a kind of warmth of human nature?
Qi Baishi deep mountain moonlight
Qi Baishi's figure paintings and landscape paintings have always been favored by the market, I think because such works are relatively rare and scarce. And there is a deeper reason, I am afraid that this kind of works are more direct life interest. For example, "Leisurely Fun" and "Shi Tao's Painting" can be called vivid works. I taste Qi Baishi's painting, Huang Binhong's painting, and its characters are full of interest. The style of its landscape is concise, ancient and modern. For example, "Qingtang Leisure" is a masterpiece. Baishi landscape: I think there will be more room for appreciation in the future. Interestingly, more than half a century ago, Qi Baishi had already played a new trick - he used a similar rubbing method to draw a batch of sketches such as "Drinking on the Subject", which was really unique. Several of the works painted by his step-room Hu Baozhu here are immature, but they are very interesting, and once inscribed by the old man, they have become very precious.
Qi Baishi was happy on his brow
As I gazed at the painting "Joy on the Brow", I couldn't help but feel a pastoral thought, and then I felt a nostalgia for the long-standing and distant agricultural civilization. At the same time, I dreamed of the extraordinary hand of the master craftsman and watched him wield. (To be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, a lineage, only do authentic calligraphy and painting, gather the length of the family, on-site creation, can be customized according to the requirements of the collector, can take a group photo! perennial sales of high-end calligraphy and painting, looking for cooperation with high-end painting brokers, partners, regional leaders, the main operation of Qi Baishi before his death with the same painting brush, Qi Baishi painting shrimp special rice paper, Qi Bai graphite block, Qi Baishi self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, president of the Chinese Qi Baishi Painting and Calligraphy Academy, pays tribute to the 160th anniversary of Qi Baishi's birth and reproduces Qi Baishi's microcosm of the world calligraphy and painting exhibition, as well as the operation of Qi Baishi, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Yuwen, Qi Lixia, Qi Yuanlai, Qi Folai, Qi Shuilian, Qi Yanjun, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Tang Fazhou and other authentic works of calligraphy, painting and seals worth more than 100 million yuan can also accept NFT, digital collections, metaverse, cross-border brand cooperation, cultural empowerment resource integration and other operations, and welcome powerful network companies to bid. (Picture and text excerpt from: Qi Baishi's heirloom calligraphy and painting network)
(The picture materials in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Institute, Qi Baishi Descendants Calligraphy and Painting Network)
Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou
Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)