There was Qi Baishi in the world, and the remaining ink still exists in the world.
If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!
Baishi Shantang is a wholly-owned subsidiary of Qi Baishi Painting and Calligraphy Institute in China: it is currently the painting and calligraphy institute with the largest collection of Qi Baishi's works, and is fully responsible for the establishment and development of Qi Baishi cultural and creative brands, Qi Baishi fashion and other brands, and is committed to the content mining, system combing, industry promotion, business innovation, value reproduction and other assets such as Qi Baishi calligraphy and painting, art, seal carving, appraisal and auction, etc., which is an important part of building a product innovation platform based on Qi Baishi culture and art.
Hello Tibetan friends, today we have invited the then descendant of Qi Baishi, a disciple of Qi Liangzhi, the president of the China Qi Baishi Academy of Painting and Calligraphy, a visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited director of teaching and research, a contracted painter of Beijing Academy of Fine Arts and Rong Bao Zhai, an expert in the identification of Qi Baishi's calligraphy and painting big data, and the president of the Shanghai Qi Baishi Art Research Association. Mr. Tang Fazhou, the chief operating officer of Baishi Shantang Culture Media, once heard his master Qi Baishi's youngest daughter Qi Liangzhi say: The aquarium is Qi Baishi's good at writing themes, especially famous for painting shrimp. He once inscribed in 1928: "Yu Zhi's painting of shrimp has changed several times, at first it was only slightly similar, once it changed to the truth, and then it changed color and shade, and these three changes have also changed." This "Ten Shrimp Picture" is not an old model, and according to the style of the picture, it is inferred that it should have been made in 1931, when the "Three Changes" were completed. In the painting, the group of shrimp either bent down and jumped, or walked straight forward, and the pen was full of energy. The shrimp body is drawn with light ink full of water, the brush is visible, natural and dense, and the ink color of each other is slightly light, and the relationship between the front and back in the water is immediate. The shrimp whiskers are long and tough, swinging with the waves, and they also see their strength.
China Trade Shengjia Four Seasons Spring Auction
Chinese Painting and Calligraphy
Preview time
April 22 - April 24
10:00-18:00
Auction time
25 April, 9:00 a.m. Hall B
place
Shengjia Arts Center
No. 76, South East Third Ring Road, Chaoyang District, Beijing
1
Qi Baishi
Lot240
Qi Baishi (1864-1957) Group of shrimps
Mirror Heart, ink on paper
27×60cm 约1.5平尺
估价:RMB 350,000-450,000
Title: Mr. Wei Zhouren is upright, Qi Huang.
Seal: Wooden Man (Zhu)
Publication:
1.《chinese free-hand flower painting》 ，王芳荃著，图版NO30, 1937年。
2. Chinese Freehand Flowers, by Wang Fangquan, Plate No30, Shanghai Bookstore Publishing House, 2019.
Note: Mr. Wei Zhou, the person in the above paragraph, is Wang Fangquan. He is one of the founders of early English higher education in mainland China, and a teacher of Liang Shiqiu. He graduated from St. John's University and the University of Chicago with a master's degree. He has taught at Tsinghua University, Northeastern University, and Beijing Jiaotong University. At the end of the thirties of the last century, he published this "Swimming Shrimp" given to him by Qi Baishi in the book "Chinese Freehand Flowers", and wrote an appreciation of the text.
Detail of Lot240
"In the past, people could only make two or three shrimps, and many of them were chaotic. Yu thought it was really possible, and the more chaotic it was, the clearer it became. Shiraishi and remember. ——"On White Stone Painting"
Mr. Wei Zhou is Wang Fangquan, one of the founders of early English higher education in mainland China, graduated from St. John's University and the University of Chicago with a master's degree, and has taught at Tsinghua University, Northeastern University, and Beijing Jiaotong University.
Wang Fangquan
(1880-1975)
In addition to teaching, Mr. Wang Fangquan is also well versed in pen and ink Danqing, and in the thirties of the twentieth century, he wrote the book Chinese Free-hand Flower Painting, which spread the art of Chinese painting overseas. As one of Mr. Wang Fangquan's representative works, this "Ten Shrimp Pictures" was published in this book, and he personally wrote and appreciated it: "Illustration 30 is a photograph of three banners painted by Qi Huang. All the brushstrokes that make up the painting are calligraphic, showing extreme power and extraordinary charm, and each stroke is light and dark, clearly by a master. Shrimp and small fish are actively swimming towards a target in a shallow current. Crabs look curled up by a pond or lake to feed. The compositions and brushstrokes of these aquatic creatures create a particularly pleasing effect in the minds of connoisseurs. ”
Lot240 Publication Inside Page
According to the published information, as one of the three banner aquariums presented by Qi Baishi to Wang Fangquan, Qi Baishi's banner works are not much in stock, and the triple horizontal screen is even rarer. The theme of this work is classic, the style is elegant, and the previous paragraph is published in detail, which can be described as a rare and excellent art collection. If you are lucky enough to be with the other two banners on another day, it will be a pleasure in the art world.
Lot 240 Publications
2
Zhang Daqian
In the early forties of the twentieth century, Zhang Daqian traveled to Gansu and Qinghai, and since his return from "Worshipping the Buddha in Dunhuang" in 1943, he has completed a large number of mural copies and figure paintings.
At the beginning of 1944, Zhang Daqian successively held Dunhuang painting exhibitions in Chengdu and Chongqing, which caused a sensation throughout the country.
Lot236
Zhang Daqian (1899-1983) Xu Zesongshui
Painted in 1944
Vertical scroll, ink and color on paper
83×40cm 约3.0平尺
估价:RMB 600,000-800,000
Inscription: (Liu Li's inscription) Xu Zesongshui, the son of the great master. Jiashen (1944) autumn, the doorman Liu Yi inscribed.
Inscription:
1. Sui Shu Yinyi Biography: Xu Ze, the people of the East China Sea, entered Tiantai Mountain, nourished in the valley, and all the resources were loose water and themselves. Jiashen June, in the mountains of Qingcheng, wrote this with my uncle's thick method, Daqian Jushi.
2. Jiashen Qiuri writes like Zhixiangren's brother Fang Jiazhengzhi, Zhang Zhan.
Seal:
1. Zhang Zhan, Zhang Daqian
2. Zhang Zhan, three thousand Daqian
Publication:
1. Page 47 of Modern Celebrity Calligraphy and Painting (Fifth Edition), Guohuatang Ancient and Modern Painting and Calligraphy Center, Taipei, 1970.
2. Ink on the Sea, p. 63, The Commercial Press, Taiwan, 1973.
Bibliography: Catalogue of Zhang Daqian's Painting Exhibition, Shanghai Painting and Calligraphy Publishing House, 2022.
Exhibit:
1. "Zhang Daqian's Chinese Painting Exhibition", Chengdu Building, Chunxi Road, October 1944.
2. "Zhang Daqian's Painting Exhibition", Xijing Guest House, April 1946.
Description: Liu Lishang, a member of Dafengtang, inscribed in Jiashen (1944).
Painted in 1944, this painting is inscribed twice, once in June and once in autumn. The first inscription indicates that the painter in the painting is Xu Ze, a famous monk in the Wei and Jin dynasties. Xu Ze's story comes from the "Book of Sui", which once opened a valley in Tiantai Mountain, "the valley is cultivated, and all the resources are pine water". Emperor Yang of the Later Sui Dynasty tried his best to recruit it, but he didn't do it. Zhang Daqian uses Xu Ze's hidden story into the painting, Xu Ze's big sleeves are fluttering, sitting barefoot on the roots of the tree, and his expression is open-minded. In the inscription, "write this with my uncle's thick method". Point out that this character is drawn from the Yuan people Zhang Wu, the brushwork is sharp and elegant, the lines are delicate and delicate, and the demeanor is delicate and vivid like flowing water. The background landscape is long and pine, and the dry pen is rubbed, the burnt ink is dotted with moss, and the ink pen is indulgent and sparse. The second inscription "Written like Zhixiang Brother" was later classified as a friend "Zhixiang".
In the autumn of the same year, Liu Lishang, a disciple of Dafengtang, wrote a signature for this work.
Lot 236 Tag
It is worth mentioning that in October of the same year, when it was completed in 1944, this work was presented at the "Zhang Daqian Chinese Painting Exhibition", and in 1946, it was exhibited at the "Zhang Daqian Painting Exhibition" at the Xijing Guest House. In the 70s of the twentieth century, he was published in "Modern Celebrity Calligraphy and Painting (Fifth Edition)" and "Sea Merlin".
Lot 236 Exhibition Catalogue
Lot236 Publications
(To be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, a lineage, only do authentic calligraphy and painting, gather the length of the family, on-site creation, can be customized according to the requirements of the collector, can take a group photo! perennial sales of high-end calligraphy and painting, looking for cooperation with high-end painting brokers, partners, regional leaders, the main operation of Qi Baishi before his death with the same painting brush, Qi Baishi painting shrimp special rice paper, Qi Bai graphite block, Qi Baishi self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, president of the Chinese Qi Baishi Painting and Calligraphy Academy, pays tribute to the 160th anniversary of Qi Baishi's birth and reproduces Qi Baishi's microcosm of the world calligraphy and painting exhibition, as well as the operation of Qi Baishi, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Yuwen, Qi Lixia, Qi Yuanlai, Qi Folai, Qi Shuilian, Qi Yanjun, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Tang Fazhou and other authentic works of calligraphy, painting and seals worth more than 100 million yuan can also accept NFT, digital collections, metaverse, cross-border brand cooperation, cultural empowerment resource integration and other operations, and welcome powerful network companies to bid. (Picture and text excerpt from: Qi Baishi's heirloom calligraphy and painting network)
(The picture materials in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Institute, Qi Baishi Descendants Calligraphy and Painting Network)
Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou
Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)