In order to draw a good sketch head, we must first grasp the image characteristics of the character, and avoid formulaic, conceptual drawing the character as the same, as if the character image is carved from a model. In order to accurately grasp the characteristics of the character, it is necessary to first grasp the basic structure of the head and clarify the shape and position of the bones and muscles;
As long as you pay more attention to the emotional changes of the model, such as the subtle changes of the eyebrows, eyes, and mouth, and grasp the most natural and vivid moment of the expression, you can make the picture full of vitality.
For candidates, having both form and spirit is the highest requirement for portrait sketching, which should run through the whole learning of sketching avatars, rather than pursuing them after improving their skills.
In short, to draw a good sketch portrait and acquire a solid basic knowledge of sketching and accurate modeling ability, it takes a lot of practice to achieve. As the saying goes, "practice makes perfect", and skills are acquired through hard work. At the same time, it is also necessary to see more excellent sketch portrait works, improve your appreciation, and then boldly make many attempts to continuously improve the level of painting and draw better works.
Analysis of the skull and muscles
As the saying goes, "What we feel is not necessarily understood, but what we understand will make us feel better." The story of "Ku Ding Jie Niu" tells us the importance of mastering the Tao, and this Tao is the structure.
The head muscles cover the skull, and understanding their structure, shape, distribution position and different directions is of great help to better represent the human form.
The facial muscles form a rich expression by stretching and contracting, and they are not obvious under the skin, but they are the basis for shaping the facial features and the focus of the facial expression.
The neck and head are a whole and should be taken seriously. Compared with the facial features, the neck can usually be abbreviated, but abbreviation does not mean simplification and roughness, and the neck can only be coordinated and integrated into a whole with the head if it is accurately expressed, so special attention should be paid to the morphological changes of those connected parts.
When drawing a head, it is necessary to fully understand and grasp the structural relationship between the skull and muscles, and only by understanding the inner things can you understand the head. If you don't understand or learn, and just blindly copy and sketch, in the end, the sketch head drawn will be neither coordinated nor tough.
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