The spring of good actors is here! The 4 actors in "Mature Year" are out of the circle, and this is just the beginning

For family life dramas.

"True" is more important than "new".

At a time when the public has developed visual fatigue with the family ethics drama that is constantly cut and messed up.

The appearance of "Mature Year" made me see the great leap of life theme under the leadership of Yang's mother.

Personality.

The personality is distinct, real enough to make people instantly think of their loved ones.

Plot.

The most common and eye-catching plots such as domestic violence and cheating are abandoned.

Instead, starting from the contradictions of the family itself, we deeply analyze the reasons for the contradictions of families with different characteristics.

Make.

There is no deliberate attempt to create an atmosphere of suppressing tension.

The warm filter slowly flows into the hearts of the audience like a warm current, and the three brothers and sisters of the Ni family are parallel but do not jump.

In general, just two words -

Pretty.

Less than a week after its launch, the ratings broke 1 throughout the process.

There is no traffic and first-line coffee, but it directly hangs the works that are promoted next door.

The quality of Yang Mama never needs to be said.

Of course, as far as the plot is concerned.

"Mature Year" is not perfect, and the emotional line of the little sister Ni Weizhen in it has already shown signs of failure of the entire drama.

But what surprised me was that there were even complaints.

The comment area is still four or five stars brushing the screen.

It can also be seen from the words that are difficult to hide the excitement that everyone really empathizes.

Among them, the most praised is the acting skills of the powerful actors in "Mature Year".

It turns out that the eyes of the audience are snowy.

Not first-line actors gathered together, can let everyone call the truth across the screen, this drama has undoubtedly become the spring of good actors.

This time, let's take a look at which four actors are out of the circle with "Mature Year".

Liu Yijun

Ni Weiqiang, disappeared at the beginning.

The screenwriter took the escape of this character as a clue and strung together the whole text.

But this also means that the reason why Ni Weiqiang broke his head and fled could not be solved until later.

The opening scene is the "crazy criticism" of "incompetent fury", who can empathize with this?

The moment I saw Liu Yijun appear, all prejudices disappeared.

External personality: university professor, flourishing, happy family.

When the audience was still imagining the brilliance of this "scumbag", the "rough man" Liu Yijun was caught off guard to break into the camera.

The real appearance: exhausted, full of vicissitudes, beard, and sometimes crazy.

Liu Yijun played Ni Weiqiang's ununderstood stubbornness and selfishness to convince the audience, and when he saw this face, even if he wanted to scold, he held his throat.

It looks like a suit and leather shoes.

The hair is messy like a chicken nest, and the cloudy eyes don't know how long it has not been closed.

The bags under the eyes are about to fall on the face, and the stubble has obviously not been shaved for several days.

Even the hands were very rough, and the little fingers had some nails.

God, should it be so true?

The mood changes when being woken up by Chunmei at night are also very natural.

He first opened his eyes in a daze and saw that Zhang Chunmei had a little temper.

Ni Weiqiang frowned and questioned, obviously already angry at this time.

Hearing his wife's explanation, Ni Weiqiang stood up directly.

In fact, at this time, he was on the verge of breaking out, as long as the other party opened his mouth and said anything, this big war would definitely break out.

He ignored Zhang Chunmei and was an output.

His neck was bruised, his face was red, his eyes were red, and his eyes were about to pop out.

Liu Yijun vividly interpreted Ni Weiqiang's mental state.

This character is not an irrational person, nor is he simply crazy maniac.

In the eyes of the audience, Ni Weiqiang really can't control himself.

He wanted to leave, but he was afraid to leave.

But this fear is far less than the expectation of wanting to get out of the cage.

If not Liu Yijun.

The role of Ni Weiqiang has probably been scolded out of the sky a long time ago.

Zhang Guoqiang

It is no exaggeration to say.

The most surprising thing about the whole drama is Zhang Guoqiang.

Ni Weimin's role is not too outstanding compared to Zhang Chunmei, Wu Ersu or Ni Weiqiang.

But Zhang Guoqiang is the contradiction between Ni Weimin's cowardice and the struggle to shoulder the responsibility of the eldest son.

Evolve the minds of the audience.

As a supporting role, he steadily caught everyone's play, as if he really lived in the characters.

The first scene really touched me.

It was Ni Weimin who learned from the second eldest that the old lady was sent to a nursing home.

He lived for more than fifty years, no matter how he raised his younger siblings, he never complained.

After knowing that the second eldest had made his own decision to send his mother away, he broke his defense.

I can't say it again, stumbling, repeating it over and over again.

He awkwardly quarreled with his brother.

After calming down, Ni Weimin looked at his brother with tears in his eyes.

Disappointment, to Weiqiang.

Sad, to the old lady.

Blam yourself, to yourself.

After a pause of a few seconds, perhaps he searched his brain for all the words that insulted and denigrated his brother.

But as the eldest brother, he couldn't say it.

The words "you are so ruthless" were the only words he could think of to describe this selfish brother.

The second scene, Ni Weimin and the old lady.

The old lady sat at the table and played by herself.

Ni Weimin didn't say anything, that look, let me cry.

What kind of look is this?

Wretched.

At such an age, there are children and daughters who have to be sent to such a place.

Hate.

Why is he so uncontending and can't take care of the old lady.

What to do?

What else can be done.

As soon as Ni Weimin sat down, he kept nagging, repeatedly nagging his mother that he could not live here.

Today, she must be taken away immediately.

On where?

Go to my house.

How could the old lady agree.

She understands what the boss has done for the family for decades.

Four people would have been enough to squeeze.

Go to Chunmei's house, I will take care of you every day!

After the divorce, Chunmei had nothing to do with the Ni family.

How could she still cause trouble for others.

Ni Weiqiang gave the audience the feeling from beginning to end -

Endure.

Suffer and endure.

Suffer unfair treatment and endure.

Even crying has to endure.

The more relaxed the old lady's tone, the greater the psychological burden on the boss.

He listened to his mother repeatedly say "no trouble", and his eyes turned red again.

Ni Weiqiang was quiet.

He didn't know what to do, and he was afraid that he would cry out if he said one more word.

Zhang Guoqiang did not have a fierce and complete outbreak scene throughout the whole process.

But the boss Ni Weimin has already been played alive, and the audience is immersed in it.

If you don't get hot, you really can't say it.

Song Dandan

Heaven's Chosen Wu Ersu.

It's such an annoying role, so Song Dandan can make the show a little laugh.

Her play is described in four words -

Never tire of watching.

What I remember most were those two scenes.

The first one, the family banquet "mouth replacement version".

Before Wu Ersu's scene, Song Dandan was already among the characters.

Her eyes kept echoing between Ni Weizhen and Ni Weiqiang.

The desire to speak had reached the throat and immediately gushed out.

This paragraph believes that Sister Dan Dan is completely her true color.

Her body shape and language movements are completely devoid of design.

Stand up and sit down a few times, looking here and there, directly pushing the audience's emotions to the top.

A two-and-a-half-minute one-man show.

The large paragraphs of lines are not bumpy at all, do not need to interact with one person, are full of drama, and do not make people feel embarrassed at all, even the audience is excited to listen to the comparison.

The second scene, complained to Ni Weimin.

A scene directly reversed Wu Ersu's image, and even broke Ni Weimin's character and presented it in front of the audience.

This explosive scene interpreted by Song Dandan is not felt instantly, but accumulated little by little.

Wu Ersu was aggrieved.

She first spoke calmly, mentioning the difference between the treatment of her son and the second son.

Then he talked about his husband, who used to take care of his younger siblings like a father.

She grieved for her son.

Feel aggrieved for your husband.

Speaking with a crying voice.

She has not complained for so many years, but she has to take on a brutal and unreasonable role at home.

Wu Ersu also felt aggrieved for himself.

The most admirable thing is that her crying scene is free.

Song Dandan is not to show his superb acting skills.

Cry for the sake of crying.

Instead, he really integrated himself into Wu Ersu and fought for her husband Ni Weimin.

Wu Ersu is not a person who likes to cry.

It's really worthy of being the queen of the second magnolia.

The acting skills of the old drama bones are absolutely undoubted.

Hao Lei

From body appearance to dressing, language movements.

Hao Lei was completely born for the role of Zhang Chunmei.

If Liu Yijun's crying is a broken defense, Zhang Guoqiang's cry is forbearance, and Song Dandan's crying is both rewarded and released.

So Hao Lei's crying scene.

It's all about emotions.

It's not that I want to cry, but when the emotions arrive, tears naturally come down.

As soon as she appears, it is Zhang Chunmei herself.

I think the audience can't let go of watching it again and again.

It was the period when Zhang Chunmei and Ni Weiqiang received a divorce certificate.

I thought that after Chunmei's divorce, her sky would fall.

But in fact, divorce is the beginning of her new life.

After receiving the certificate, Zhang Chunmei sat on the steps at the door. She took out the pancake fruit from her bag, and then took out another one and handed it to Ni Weiqiang.

The sun shone obliquely on her face, and Chunmei's expression did not have a trace of sadness.

Her life has finally seen the light.

Zhang Chunmei gulped down the pancake fruit in her hand.

The big burden in her heart was put down, and she was finally able to eat a solid meal.

While eating, she recalled the scene of receiving the license.

Zhang Chunmei is no longer young, and the scars left by her eyelids are more abrupt under the carving of the years.

Her hands became rough when she worked for the family, her figure was swollen, and her double chin and neck lines could not be concealed.

Seeing this, I also really admired Hao Lei's courage.

Ni Weiqiang never replied.

Zhang Chunmei talked to herself, happy while talking, as if she really saw the sweet scene of receiving the certificate at that time.

Then she looked back at the building.

The building is still that building, only we are no longer us.

"Weiqiang, you have to be good too."

"From now on, you are free"

Zhang Chunmei smiled.

She narrowed her eyes and cracked her mouth, the sunlight a little harsh.

The overall picture looks extremely bright, but it blocks the urge to make people cry.

This laugh is for Ni Weiqiang.

Also to yourself.

For so many years, leave each other a piece of decency, at least without tearing the skin.

In this scene of obtaining a divorce certificate, there was no quarrel and tearing.

Hao Lei used an understated tone and calm attitude to hit the audience's heart.

Sometimes an outburst without an outburst is the hardest for an actor.

She can obviously use other performance methods to show Zhang Chunmei's grievances and sadness.

The comments of netizens are extremely in place -

"Still water flows deeply", "soft and restrained", "vivid and vivid".

Hao Lei's performance is always smooth, but the more stable she is, the more fiercely this knife is inserted in the hearts of the audience.

It is these actors who come together to make the story of the Ni family vivid.

They seem to be really like a family, pulling the nerves of the audience every moment.

But only these 4 actors are out of the circle, and this is just the beginning.

After all, a play cannot be supported by only four people.

epilogue

The common denominator of all the characters in "Mature Year" is "helplessness".

Mrs. Ni's sober speech in the nursing home refusing to leave was helpless.

Ni Weiqiang had a mental breakdown to the point of desperation to get angry, which was helpless.

Zhang Chunmei did everything well, but she could only helplessly accept the fact of divorce.

Even the boss Ni Weimin retreated and delivered takeaways, and his wife Wu Ersu asked for a house.

Perhaps in the adult world, helplessness is the norm.