Eat and be pretentious! "Mature Year" Hao Lei shot and brought textbook-style "dry rice"

This year's star drama can be said to be very low-key.

Especially after "Crazy" and "Who Is He", the ratings trend of the star drama was mediocre, and the popularity of word-of-mouth was also average.

Among the TV series currently on the air, "Back Wave" has overturned its reputation, "Public Prosecution" is still slowly fermenting, only the TV series "Mature Year" is stable and steady, and the ratings and word of mouth have quite potential.

It is worth mentioning that "Mature Year" takes family ethics as the main plot line, and opens up the attention of the sinking market with realistic plots and real portrayals.

Now it seems that the audience is looking forward to the fate of the three generations of the Ni family in "Mature Year".

Curious about how the life setbacks shown in the play should usher in a breakthrough.

In addition to the highlights of the plot, what makes the audience most interested in "Mature Year" is actually the shaping of the actors.

Wu Eryu, played by Song Dandan, took a small citizen in the city who was full of life into the wood.

Ni Weimin, portrayed by Zhang Guoqiang, is honest and honest, is a typical wife and strict management, obeys Wu Ersu's orders, although he has no great skills, but he is victorious and steadfast.

The shaping of the actors in "Mature Years" brings the faces of all living beings in reality to the screen.

The characters in the play have become you and me in the audience's life because of the interpretation of the actors.

As the starring actor, Hao Lei is the key to supporting the main line and contributing textbook-level acting skills in the play.

Eating and pretentious, Hao Lei made a move, and was convinced

In terms of character setting, Zhang Chunmei, played by Hao Lei, is actually an almost perfect woman.

She is very capable at work, and plays the role of the backbone of the family, going up to the hall and down to the kitchen.

It also has a strong control over intimacy.

She is a good daughter-in-law and mother, but at the same time a woman with a strong personality.

Therefore, Zhang Chunmei in the early stage experienced some changes in marriage, but she was unwilling to easily accept a failed marriage.

And the attributes of these characters have all been shaped by Hao Lei in detail.

In the tenth episode, Zhang Chunmei and Ni Weiqiang officially divorced, and the two sat at the door of the marriage registration office, finally facing each other calmly.

Zhang Chunmei calmly took out pancakes from her bag and handed them to Ni Weiqiang, while Ni Weiqiang, who was full of worries, sat next to Zhang Chunmei with weakness and guilt.

In this scene, Zhang Chunmei has more lines, while Hao Lei's shaping is eating while chanting words.

Hao Lei took pancakes larger than her face, and took bite after bite, filling her mouth full. So much so that the face is deformed and there is a noticeable stumbling when speaking.

Hao Lei sat at the marriage registration office without scruples, eating pancakes regardless of the image, highlighting Zhang Chunmei's never restrained, but completely down-to-earth pyrotechnics.

And in the details of this eating scene, Hao Lei is also trying to portray Zhang Chunmei's strength.

When eating pancakes, she pretends to be relaxed, as if the divorce has no impact on her daily life.

But from the tearful reluctance in Hao Lei's eyes, it can be seen that divorce is not what the character wants, and pretending to be decent is the heart of the current character.

In this textbook "dry rice", Hao Lei not only performed Zhang Chunmei's character characteristics, but also performed the inner world of the character.

In contrast, too many actors' "eating" scenes have exposed the actor's side that never thinks when performing, and his acting skills have no depth.

Fake eating, acting hard, these actors contribute to eating the "negative teaching materials" of the play

Yang Ying, the head of the Glaring School, has many famous scenes where her acting skills collapse.

The fake eating in the TV series "Song in the Clouds of Han Love" made a deep impression on netizens.

In this drama, the role played by Yang Ying is a character with ingenuity and extraordinary cooking skills.

When she tastes a bite of food, she can taste the ratio of ingredients.

But Yang Ying in this shot just took a bite of the air in front of the food, then pretended to be pretentious and began to chew with a look of enjoyment.

Such an obvious gang shot not only shows Yang Ying's unprofessional acting skills, but also highlights her clumsy fake eating operation.

And in film and television dramas, there are many famous scenes like Yang Ying who fooled things.

In the TV series "Fragrant Honey Sinks Like Frost", Jin Mi, played by Yang Zi, also has a eating scene.

This scene should have highlighted the heroine's eccentric and brain-opening side.

But Yang Zi, who was holding the chicken leg, not only did not really take a mouthful, but also covered his mouth with the chicken leg and chewed.

The action of chewing is pompous and deliberate, fake eating is even forgotten, and the performance is so clumsy, let the audience play in minutes.

In the movie "Beyond", the athlete played by Meng Meiqi also had a scene.

In this scene, the heroine lost the competition, was discouraged, and shed tears while eating, highlighting the heroine's hurt and grievances in her heart, but strong and forbearing.

But Meng Meiqi's performance focuses on a self-deception.

The close-up focused on her face so much, but she spit out the steamed bun stuffed into her mouth intact.

Just such a small detail makes the long-established emotions fall short, drawing the audience's attention to the actors' "fake movements".

Now it seems that the actor's fake eating behavior in film and television dramas is actually very easy to explain.

The actress strictly controls her weight and can only control her diet for the sake of her figure.

And some artists, not only fake food in the play, but also do not forget to establish a character outside the play.

For example, Ouyang Nana fakes drinking in her vlog, she holds a glass of juice, takes a particularly sweet sip, sighs "it's so delicious" while siping one after another.

But careful netizens found that Ouyang Nana just touched the edge of the cup with her lips, dripping water, and did the whole process.

But it should be said that although Ouyang Nana fakes to drink, her fake actions are obviously more real than Yang Ying and Yang Zi's.

In fact, the audience doesn't care if the actor is real or fake when performing.

All the audience cares about is whether the actor is serious about shaping the character.

The same is fake eating, actor Chen Peisi's skit "Eating Noodles" performed on the stage of the Spring Festival Gala, featuring a fake action.

But his acting skills are brilliant and convince the audience.

It is a pity that many young actors are actors with insufficient acting skills and perfunctory attitudes.

You can't act the realism of eating, let alone the sincere attitude of acting.

In contrast, Hao Lei's layered and emotional eating drama is even more rare.

Today, the TV series "Mature Year" is still on the air.

But what really attracts the audience is not just the charm of the plot.

In the play, there are thoughtful actors like Hao Lei.

Even if it is a short shot of a few seconds, it is excellent, the acting skills are stable, and the audience can certainly join the drama more, and the mood of chasing the drama is high.

Finally, audience friends, what do you think of Hao Lei's performance in "Mature Year"?

What other actors have impressed you? Join the discussion in the comments section.

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Text | Dongfang Chen

Edit | Shino